Stephanie Zacharek

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For 1,602 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Incredibles
Lowest review score: 0 Crush
Score distribution:
1602 movie reviews
    • 89 Metascore
    • 100 Stephanie Zacharek
    Röhrig isn’t an experienced actor. In fact, he’s a poet and a former kindergarten teacher, living in the Bronx. But that could be what makes the performance so magnetic.
    • 67 Metascore
    • 100 Stephanie Zacharek
    Coppola is a filmmaker who fills up a big canvas with small moments: That's the opposite of working in miniature, even though she's attuned to the tiniest details.
    • 89 Metascore
    • 100 Stephanie Zacharek
    It's a picture that romances its audience into watching in a new way - by, paradoxically, asking us to watch in an old way. The Artist is perhaps the most modern movie imaginable right now.
    • 72 Metascore
    • 95 Stephanie Zacharek
    To hell with that childlike sense-of-wonder crap: Despicable Me, instead of trying to return adults to a false state of innocence, reminds us that we all started out as ill-mannered little savages.
    • 86 Metascore
    • 95 Stephanie Zacharek
    More universal than it is alternative, except in one sense: There's nothing else on the contemporary movie landscape like it.
    • 95 Metascore
    • 95 Stephanie Zacharek
    Fincher and his screenwriter, TV writer-god Aaron Sorkin, have made a seemingly modest picture that achieves something close to greatness the old-fashioned, slow-burning way: By telling a story with faces, dialogue and body language of all types, from awkward to swaggering.
    • 88 Metascore
    • 95 Stephanie Zacharek
    A direct and heartfelt piece of work. It's conventional, maybe, in its sense of filmmaking decorum, but extraordinary in the way it cuts to the core of human frustration and feelings of inadequacy, reminding us how universal those feelings are.
    • 80 Metascore
    • 95 Stephanie Zacharek
    An adaptation that wholly and faithfully captures the spirit and mood of the book it's based on, and an example of computer animation - the 2-D sort - that shows the human touch in every frame.
    • 87 Metascore
    • 95 Stephanie Zacharek
    If anything, Joe's sense of dream logic is more naturalistic than Lynch's, more grounded in the knowable world - as much, that is, as we can know about nature - and the luminous Uncle Boonmee is no exception.
    • 76 Metascore
    • 95 Stephanie Zacharek
    What Press comes up with in the end isn't just a portrait of individual eccentricity. Its larger subject is the way one man, just by being alive to what's around him, has created a vast, detailed anthropological record of how New Yorkers present, and feel, about themselves.
    • 78 Metascore
    • 95 Stephanie Zacharek
    Drive not only met my hopes; it charged way over the speed limit, partly because it's an unapologetically commercial picture that defies all the current trends in mainstream action filmmaking.
    • 80 Metascore
    • 95 Stephanie Zacharek
    The actresses' performances intertwine beautifully, like twin climbing vines vying for the attention of the sun.
    • 85 Metascore
    • 95 Stephanie Zacharek
    The movie's intricacy, and the way it finds its way into the emotional lives of its characters via (and not in spite of) that intricacy, is what makes it extraordinary. Tinker, Tailor, Soldier, Spy challenges audiences to believe in craftsmanship again.
    • 61 Metascore
    • 90 Stephanie Zacharek
    Ramis has made a fleet, unself-conscious, eminently enjoyable picture, where one-liners carom merrily like stray bullets, and where there's casual ease, like the drape of a sharpster's trousers, in the rapport between its two stars.
    • 85 Metascore
    • 90 Stephanie Zacharek
    Smolders with more reserved passion than "Crouching Tiger, Hidden Dragon."
    • 70 Metascore
    • 90 Stephanie Zacharek
    It's an unapologetic dazzler, which is why it's never overwhelmed by its themes.
    • 77 Metascore
    • 90 Stephanie Zacharek
    It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.
    • 62 Metascore
    • 90 Stephanie Zacharek
    Wonderful...It's funny and offbeat, sometimes raucous, but it still manages to come at you in gentle layers.
    • 78 Metascore
    • 90 Stephanie Zacharek
    Anderson's Lily is the kind of heroine who earns our protectiveness by never begging for it; it's an astonishing performance.
    • 66 Metascore
    • 90 Stephanie Zacharek
    Hits every color note just right. It's a visual antidepressant.
    • 90 Metascore
    • 90 Stephanie Zacharek
    The movie has a crispness about it, an unwillingness to succumb to sentimentality.
    • 90 Metascore
    • 90 Stephanie Zacharek
    A narrative picture with many of the qualities of a documentary, not to mention a comic book -- is one of those rare, inventively made movies that isn't so taken with its own novelty it loses sight of its characters. Its warmth is for real, and it enwraps you.
    • 75 Metascore
    • 90 Stephanie Zacharek
    Virtually nothing at all is wrapped up in The Lawless Heart, which is probably why it feels so satisfyingly whole by the end.
    • 74 Metascore
    • 90 Stephanie Zacharek
    Watching it is like being trapped in one of those nightmares where you need to get somewhere, fast, and you're distracted and delayed at every turn. Only in this case, the nightmare is happening to someone else, and it's costing an awful lot of money.
    • 82 Metascore
    • 90 Stephanie Zacharek
    It's the perfect marriage of music and animated movement. But even when there's no music playing in Waking Life, the movie's lyricism is sustained by the way it looks and feels.
    • 84 Metascore
    • 90 Stephanie Zacharek
    Together is the kind of picture that makes you feel that there are many good reasons to actually LIKE mankind.
    • 76 Metascore
    • 90 Stephanie Zacharek
    (Coppola) connects with the essential purity of Eugenides' story, stripping it down to its bare essentials and cutting straight to everything that's wonderful about it.
    • 78 Metascore
    • 90 Stephanie Zacharek
    A work of astonishing delicacy and force, a tone poem about the Frankenstein jolts that all of us, at one time or another, have to live through.
    • 87 Metascore
    • 90 Stephanie Zacharek
    So intrinsically rich that it doesn't need any metaphors.
    • 52 Metascore
    • 90 Stephanie Zacharek
    LaBute, in his infinite and marvelous wrongness, infuses his movie with a delicacy of feeling that couldn't be more right for the material. LaBute obviously approached the project with his hands and his heart open: Frame by frame, it's a humble picture, a movie that isn't afraid to be an entertainment.

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