Stephanie Zacharek
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For 1,431 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Ratatouille
Lowest review score: 0 Speed Racer
Score distribution:
1,431 movie reviews
    • 75 Metascore
    • 90 Stephanie Zacharek
    It's both a perceptive dual character study and, that rarity of rarities, a large-scale action movie for grown-ups, one worth leaving the house for.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Frances Ha is a patchwork of details that constitute a sort of dating manual—not one that tells you how to meet hot guys, but one that fortifies you against all the crap you have to deal with as a young person in love with a city that doesn't always love you back.
    • 61 Metascore
    • 90 Stephanie Zacharek
    The story matters only in that it creates opportunities for heaps of ridiculousness, and writer-director James Bobin (who also directed The Muppets), along with co-writer Nicholas Stoller, mines them skillfully and breezily.
    • 90 Metascore
    • 90 Stephanie Zacharek
    There may not be much behind the sparkling tinsel curtain of David O. Russell's extraordinarily entertaining American Hustle. But what a curtain!
    • 66 Metascore
    • 90 Stephanie Zacharek
    Van Warmerdam keeps such a calm, firm hold on the material that he practically hypnotizes you into following along to the end. The craftsmanship is precise; the result is enigmatic.
    • 69 Metascore
    • 90 Stephanie Zacharek
    Polanski orchestrates this cat-and-mouse game with devilish delight, dancing around Ives's play as if it were a pagan bonfire, jabbing at it with his figurative pitchfork.
    • 79 Metascore
    • 90 Stephanie Zacharek
    Louis-Dreyfus and Gandolfini are lovely together, though her character is the sharper-edged of the two. It's Gandolfini's Albert, soft-hearted and soft-bellied, who suffers more. Gandolfini takes the movie's small, offhand jokes and intensifies them.
    • 77 Metascore
    • 90 Stephanie Zacharek
    As Adenike, Gurira is wonderful: Her face is equally radiant whether she's channeling anguish or joy, and she captures the ways in which this woman, so old-country dutiful, also longs to join the modern world.
    • 59 Metascore
    • 90 Stephanie Zacharek
    In the highly imperfect world of contemporary romantic comedies, What If is as close to perfect as anything we've got, not least for the way it captures the abject hopefulness of young people who'd like to be in love but don't know how to go about it.
    • 61 Metascore
    • 90 Stephanie Zacharek
    Adult World captures beautifully, and with a great deal of self-deprecating humor, what it's like to feel trapped in a place you think is too small to hold you.
    • 87 Metascore
    • 90 Stephanie Zacharek
    James — the director of Hoop Dreams and The Interrupters — gives us a sense of Ebert as a man who kept reinventing life as he went along — out of necessity, sure, though he also took some pleasure in adapting. It couldn't always have been easy, but that, too, is part of the story.
    • 64 Metascore
    • 90 Stephanie Zacharek
    Demme, following in the footsteps of the late Louis Malle, takes a spare, direct approach to the material -- his economy pays off in quiet eloquence.
    • 83 Metascore
    • 87 Stephanie Zacharek
    I recently heard someone describe Gloria as a midlife-crisis drama, which stunned me. In the most convenient terms, I guess that’s what it is. But what Lelio and Garcia pull off here is so delicate and sturdy that it defies such easy categorization.
    • 65 Metascore
    • 85 Stephanie Zacharek
    Like its star, Salt is a spare and lean piece of work; it's everything a modern action movie should be, a picture made with confidence but not arrogance, one that believes so wholeheartedly in its outlandish plot twists that they come to make perfect alt-universe sense.
    • 50 Metascore
    • 85 Stephanie Zacharek
    Redgrave puts all she’s got into something other actors might just toss off or throw away. She’s present every moment; this is an actress who doesn’t have a second to waste.
    • 85 Metascore
    • 85 Stephanie Zacharek
    The low-key quality of the filmmaking in Restrepo only intensifies the reality of how much these kids are risking.
    • 56 Metascore
    • 85 Stephanie Zacharek
    The Extra Man is something of a love letter to the marvelous weirdos of New York.
    • 86 Metascore
    • 85 Stephanie Zacharek
    The Tillman Story isn't designed to be a shockeroo exposé; it's more a slow, steady rumble of anger and dismay at what the U.S. military, and the government, can get away with in the name of public relations, as if PR - and not human lives - were the most important consideration during wartime.
    • 76 Metascore
    • 85 Stephanie Zacharek
    This is a picture whose dance steps are determined by any number of mishaps and misfortunes; like the dance floor of a great club on a good night, it's gorgeous, unruly and exhilarating all at once.
    • 79 Metascore
    • 85 Stephanie Zacharek
    Let Me In is a chilly little story set in a very cold place. But Reeves still knows when to go for the burn.
    • 81 Metascore
    • 85 Stephanie Zacharek
    The faces of these performers - particularly Williams' - are the key to Blue Valentine.
    • 69 Metascore
    • 85 Stephanie Zacharek
    The thrill of Tony Scott's Unstoppable, in which a runaway freight train hurtles through rural - and toward not-so-rural - Pennsylvania, is that its setup asks us to believe only in human ineptitude.
    • 80 Metascore
    • 85 Stephanie Zacharek
    Mattie is a no-nonsense mite with a forthright manner and a mean head for figures; she wears her hair in two sturdy braids whose tips have never seen the inside of any inkwell, believe you me.
    • 52 Metascore
    • 85 Stephanie Zacharek
    One of those big, extravagant-looking romances that you might automatically deem "conventional" - except for the fact that almost nobody makes big, extravagant-looking romances anymore.
    • 67 Metascore
    • 85 Stephanie Zacharek
    That she makes it all look so effortless is part of the fun – as long as you're not unlucky enough to be the guy with his nut in the nutcracker.
    • 58 Metascore
    • 85 Stephanie Zacharek
    The Dictator, for all its liberal leanings, doesn't let anyone off the hook, not even well-intentioned liberals. Cohen comes right out and says things that most of us, in polite conversation, wouldn't dare. He knows it's the impolite conversation that really gets things moving.
    • 62 Metascore
    • 85 Stephanie Zacharek
    The "black maid" may be a cliché. But when was the last time we saw a story told from her point of view?
    • 71 Metascore
    • 85 Stephanie Zacharek
    Craig has one clear advantage over Michael Nyqvist, the actor who played the same character in the Swedish Girl movies: He has erotic charisma to spare, as opposed to Nyqvist's perfunctory, doughy sexuality.
    • 67 Metascore
    • 85 Stephanie Zacharek
    There's action here, too, and a great deal of vitality that feels true both to the spirit of Collins' book and to the idea of movie entertainment as it exists.
    • 81 Metascore
    • 85 Stephanie Zacharek
    Beginners is all about beginnings that begin with endings - the point, Mills seems to be saying, is that sometimes you need to say good-bye to make room for hello.