Stephanie Zacharek
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For 1,499 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.3 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 A Christmas Tale
Lowest review score: 0 The Amityville Horror
Score distribution:
1,499 movie reviews
    • 76 Metascore
    • 95 Stephanie Zacharek
    What Press comes up with in the end isn't just a portrait of individual eccentricity. Its larger subject is the way one man, just by being alive to what's around him, has created a vast, detailed anthropological record of how New Yorkers present, and feel, about themselves.
    • 78 Metascore
    • 95 Stephanie Zacharek
    Drive not only met my hopes; it charged way over the speed limit, partly because it's an unapologetically commercial picture that defies all the current trends in mainstream action filmmaking.
    • 80 Metascore
    • 95 Stephanie Zacharek
    The actresses' performances intertwine beautifully, like twin climbing vines vying for the attention of the sun.
    • 85 Metascore
    • 95 Stephanie Zacharek
    The movie's intricacy, and the way it finds its way into the emotional lives of its characters via (and not in spite of) that intricacy, is what makes it extraordinary. Tinker, Tailor, Soldier, Spy challenges audiences to believe in craftsmanship again.
    • 61 Metascore
    • 90 Stephanie Zacharek
    Ramis has made a fleet, unself-conscious, eminently enjoyable picture, where one-liners carom merrily like stray bullets, and where there's casual ease, like the drape of a sharpster's trousers, in the rapport between its two stars.
    • 85 Metascore
    • 90 Stephanie Zacharek
    Smolders with more reserved passion than "Crouching Tiger, Hidden Dragon."
    • 70 Metascore
    • 90 Stephanie Zacharek
    It's an unapologetic dazzler, which is why it's never overwhelmed by its themes.
    • 77 Metascore
    • 90 Stephanie Zacharek
    It's a lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.
    • 62 Metascore
    • 90 Stephanie Zacharek
    Wonderful...It's funny and offbeat, sometimes raucous, but it still manages to come at you in gentle layers.
    • 78 Metascore
    • 90 Stephanie Zacharek
    Anderson's Lily is the kind of heroine who earns our protectiveness by never begging for it; it's an astonishing performance.
    • 66 Metascore
    • 90 Stephanie Zacharek
    Hits every color note just right. It's a visual antidepressant.
    • 90 Metascore
    • 90 Stephanie Zacharek
    The movie has a crispness about it, an unwillingness to succumb to sentimentality.
    • 90 Metascore
    • 90 Stephanie Zacharek
    A narrative picture with many of the qualities of a documentary, not to mention a comic book -- is one of those rare, inventively made movies that isn't so taken with its own novelty it loses sight of its characters. Its warmth is for real, and it enwraps you.
    • 75 Metascore
    • 90 Stephanie Zacharek
    Virtually nothing at all is wrapped up in The Lawless Heart, which is probably why it feels so satisfyingly whole by the end.
    • 74 Metascore
    • 90 Stephanie Zacharek
    Watching it is like being trapped in one of those nightmares where you need to get somewhere, fast, and you're distracted and delayed at every turn. Only in this case, the nightmare is happening to someone else, and it's costing an awful lot of money.
    • 82 Metascore
    • 90 Stephanie Zacharek
    It's the perfect marriage of music and animated movement. But even when there's no music playing in Waking Life, the movie's lyricism is sustained by the way it looks and feels.
    • 84 Metascore
    • 90 Stephanie Zacharek
    Together is the kind of picture that makes you feel that there are many good reasons to actually LIKE mankind.
    • 76 Metascore
    • 90 Stephanie Zacharek
    (Coppola) connects with the essential purity of Eugenides' story, stripping it down to its bare essentials and cutting straight to everything that's wonderful about it.
    • 78 Metascore
    • 90 Stephanie Zacharek
    A work of astonishing delicacy and force, a tone poem about the Frankenstein jolts that all of us, at one time or another, have to live through.
    • 87 Metascore
    • 90 Stephanie Zacharek
    So intrinsically rich that it doesn't need any metaphors.
    • 52 Metascore
    • 90 Stephanie Zacharek
    LaBute, in his infinite and marvelous wrongness, infuses his movie with a delicacy of feeling that couldn't be more right for the material. LaBute obviously approached the project with his hands and his heart open: Frame by frame, it's a humble picture, a movie that isn't afraid to be an entertainment.
    • 75 Metascore
    • 90 Stephanie Zacharek
    As close to mainstream perfection as I've seen all year. It gives us everything we want, need and deserve without batting an eye.
    • 90 Metascore
    • 90 Stephanie Zacharek
    Isn't much more than marvelous entertainment -- but then, that's a lot right there.
    • 79 Metascore
    • 90 Stephanie Zacharek
    Every single actor here rises to the occasion.
    • 84 Metascore
    • 90 Stephanie Zacharek
    Noyce takes a great deal of care with this adaptation. For one thing, he includes as much of Greene's potent shorthand as he can without weighing the movie down.
    • 68 Metascore
    • 90 Stephanie Zacharek
    The chase scenes in The Italian Job are the most exciting ones I can remember seeing in a movie in a long time, probably because they're the only ones I can remember -- and that's saying something.
    • 82 Metascore
    • 90 Stephanie Zacharek
    Birds are not just the movie's stars, but its whole universe. They inspire in Perrin and his crew, and in us, not just awe but humility. You'll never look at them the same way again.
    • 81 Metascore
    • 90 Stephanie Zacharek
    It's a fine-grained picture that goes for the sideways laughs rather than the straight-ahead ones. This is sketch comedy as method acting.
    • 84 Metascore
    • 90 Stephanie Zacharek
    Mystic River is hard-boiled beyond toughness: It's so tender the skin falls away from the bone. It's Eastwood's most soulful, and most organic, movie.
    • 70 Metascore
    • 90 Stephanie Zacharek
    But Bad Santa does feature one last turn from the late John Ritter as a twittery department-store manager (his name, Mr. Chipeska, is a stroke of brilliance that I still can't quite put my finger on).

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