For 390 reviews, this critic has graded:
  • 65% higher than the average critic
  • 1% same as the average critic
  • 34% lower than the average critic
On average, this critic grades 8.9 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
Average review score: 68
Highest review score: 100 Dallas Buyers Club
Lowest review score: 10 Oldboy
Score distribution:
  1. Negative: 20 out of 390
390 movie reviews
    • 66 Metascore
    • 80 Stephanie Zacharek
    Byzantium isn't Jordan's first movie about bloodsuckers—that would be 1994's Interview with the Vampire—but it's the right vampire movie for today, poetic and elegant in an artfully tattered way.
    • 62 Metascore
    • 80 Stephanie Zacharek
    There are so many ways Despicable Me 2 could have gone wrong, and so many things it does right.
    • 64 Metascore
    • 80 Stephanie Zacharek
    Pacific Rim is big and dumb in a smart way.
    • 85 Metascore
    • 80 Stephanie Zacharek
    Fruitvale Station is intimate in the best way, thanks largely to Jordan's deft, responsive performance.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Bell captures the insularity of certain professional pockets of Hollywood, with all their petty rivalries and backstabbing. But she's sharpest in her exploration of what makes women desire success, and what prevents them from getting it.
    • 66 Metascore
    • 80 Stephanie Zacharek
    Daniels is that rare contemporary filmmaker who's not afraid of melodrama. The Butler is so old-school it feels modern: Stylistically, it could have been made 30 years ago, but its time is now.
    • 81 Metascore
    • 80 Stephanie Zacharek
    The World's End is a big, shaggy dog of a thing, a free-spirited ramble held together by off-kilter asides, clever-dumb puns, and seemingly random bits of dialogue that could almost become catchphrases in spite of themselves.
    • 66 Metascore
    • 80 Stephanie Zacharek
    It's a comedy that moves with a sense of purpose, as Gordon-Levitt does in the title role.
    • 76 Metascore
    • 80 Stephanie Zacharek
    In A Touch of Sin, Jia is attuned to, and saddened by, the violence he sees creeping through his country, caused at least partly by the ever-widening disparity between rich and poor. He ends on a note that's more haunting than hopeful.
    • 97 Metascore
    • 80 Stephanie Zacharek
    12 Years a Slave works so hard to be noble, but it doesn't have to: Ejiofor is there to do all the heavy lifting.
    • 59 Metascore
    • 80 Stephanie Zacharek
    Lee seems less interested in capturing how people of color talk than in capturing how people talk. He coaxes us to step in and listen, and the very casualness of his invitation is the key to the joyousness of The Best Man Holiday, flaws be damned.
    • 61 Metascore
    • 80 Stephanie Zacharek
    The good news is that Anchorman 2 is pretty funny. It's also more rambling and hit-or-miss than its predecessor, which means, thankfully, that it's less likely to become what we euphemistically call iconic: In other words, fewer annoying guys will be inspired to quote it.
    • 57 Metascore
    • 80 Stephanie Zacharek
    Jack Ryan: Shadow Recruit is half silliness, half swagger, but Branagh's arms-akimbo impudence as a director makes it work. He takes it all seriously, but with a wink.
    • 65 Metascore
    • 80 Stephanie Zacharek
    Charlie Victor Romeo shows us how much of life's weight and meaning can be packed into one second of thought or action; it's a work of shivery intimacy.
    • 80 Metascore
    • 80 Stephanie Zacharek
    Buirski clearly shows that the spark that made her great couldn't be snuffed out so easily.
    • 60 Metascore
    • 80 Stephanie Zacharek
    Making this kind of thriller has all but become a lost art, yet Mira clearly believes that high style is worth bothering with.
    • 58 Metascore
    • 80 Stephanie Zacharek
    Fading Gigolo is a breeze, enjoyable both for its sweetness and its unapologetic silliness.
    • 50 Metascore
    • 80 Stephanie Zacharek
    It deserves to be seen on a hot Saturday afternoon in a theater (preferably an air-conditioned one) peopled with other people, the way many of us used to see movies as kids.
    • 57 Metascore
    • 80 Stephanie Zacharek
    Gallenberger tells Rabe’s story deftly, establishing essential elements of the man’s personality in subtle shorthand.
    • 79 Metascore
    • 80 Stephanie Zacharek
    Rivers appears to have more energy than most 30-year-olds; she gets more done in a day that some of us could accomplish in a week.
    • 74 Metascore
    • 80 Stephanie Zacharek
    Farewell, a cold war drama by the French director Christian Carion, isn't just a movie set in 1981; in many ways it feels like a movie made in 1981.
    • 77 Metascore
    • 80 Stephanie Zacharek
    The pleasures Get Low offers lie in the process of simply getting there, in watching performers take material that has some limitations (the script, inspired by a true story, is by Chris Provenzano and C. Gaby Mitchell) and turn it into something that has the rough-hewn, no-nonsense veracity of folk music.
    • 64 Metascore
    • 80 Stephanie Zacharek
    The Other Guys isn't easy to peg. It's not a comedy that loosens you up and mellows you out; it works by needling you progressively into a state of anxiety.
    • 67 Metascore
    • 80 Stephanie Zacharek
    Like so many movie love stories before it - from Murnau's "Sunrise" to Linklater's "Before Sunrise," and beyond - Cairo Time is about two wandering lovers, people spending time together without realizing how precious that time will come to be.
    • 59 Metascore
    • 80 Stephanie Zacharek
    American romantic comedies have become so dismal over the past 20 years that it wouldn't be hard for even the Romanian film industry to show us up. I'm still waiting for the great Romanian romantic comedy (and hey, it could be out there), but for now, France saves the day with Heartbreaker.
    • 69 Metascore
    • 80 Stephanie Zacharek
    A picture that's by turns inventive, tender and boring, and one that uses a variety of novelty point-of-view techniques: If Penisvision isn't your thing, then Vagin-o-rama just might float your boat.
    • 61 Metascore
    • 80 Stephanie Zacharek
    What you DO get with Secretariat is a picture that, unlike its bland predecessor Seabiscuit, actually captures some of the thrill of racing.
    • 56 Metascore
    • 80 Stephanie Zacharek
    But at the risk of overintellectualizing what probably is, at heart, just a bunch of overgrown guys acting out, I will venture that many of the gags in Jackass 3D show plenty of visual wit, if not brilliance.
    • 66 Metascore
    • 80 Stephanie Zacharek
    A smart, sophisticated songsmith in the tradition of Cole Porter, or an inscrutable, pretentious twit? In the course of his near-20-year career, Stephin Merritt - the sort-of frontperson for the indie-rock collective Magnetic Fields - has been considered both.
    • 72 Metascore
    • 80 Stephanie Zacharek
    Unsettling, energizing and more than a little mystifying, Amer is the kind of movie that may leave you feeling indifferent or puzzled at the end. But damned if it doesn't return, days later, to visit - kind of like a killer in black leather gloves.