Stephanie Zacharek
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For 1,446 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.9 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 The Immigrant
Lowest review score: 0 Speed Racer
Score distribution:
1,446 movie reviews
    • 73 Metascore
    • 80 Stephanie Zacharek
    This is a superb, delicately calibrated comic performance: Carell never allows the character to swerve into excessive cuddliness.
    • 71 Metascore
    • 80 Stephanie Zacharek
    When Craven says "Jump!" we all do it at once, and giggle at how easily we've fallen under the spell. The key is that Craven is laughing with us, not at us.
    • 68 Metascore
    • 80 Stephanie Zacharek
    El Crimen Perfecto is a joyride that leaves you feeling drunk and dizzy and swearing that you haven't touched a drop.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Weisz has never been better: She's joyously expressive and alive, but there's gravity beneath that milkmaid complexion. She's grounded even when she's being flirtatious. And Fiennes has never been more moving.
    • 62 Metascore
    • 80 Stephanie Zacharek
    Lord of War skims along like a dance routine. Political morality doesn't usually get such fleet choreography in the movies.
    • 80 Metascore
    • 80 Stephanie Zacharek
    It doesn't sacrifice craftsmanship and elegance at the altar of its strong convictions.
    • 72 Metascore
    • 80 Stephanie Zacharek
    I suspect many Cash fans will think it's too conventional. But I think its conventionality is part of its power.
    • 71 Metascore
    • 80 Stephanie Zacharek
    This is a shimmery beaded curtain of a movie, a slight, charming picture that's almost all facade. But what a facade!
    • 81 Metascore
    • 80 Stephanie Zacharek
    Jackson is far more interested in the relationship between the girl and the ape than he is in the power of special effects for their own sake. As big as King Kong is, its sense of intimacy is what really sticks with you. This is an epic Big Little Book of a picture.
    • 85 Metascore
    • 80 Stephanie Zacharek
    Exhilarating and exhausting, the kind of picture you don't bounce back from immediately. Yet its elusiveness is the very source of its poetic energy.
    • 57 Metascore
    • 80 Stephanie Zacharek
    Among the least-heralded of the Christmas releases, Casanova is one of the few that's wholly enjoyable.
    • 80 Metascore
    • 80 Stephanie Zacharek
    A comedy embedded with secret tips for better, more enjoyable living.
    • 64 Metascore
    • 80 Stephanie Zacharek
    Something New is the perfect date movie, not only because it explores a range of suitably romantic sentiments, but because it's so canny sociologically, as well as being delightfully good-natured.
    • 76 Metascore
    • 80 Stephanie Zacharek
    It's Foster who rules the movie like an ice queen.
    • 64 Metascore
    • 80 Stephanie Zacharek
    A picture that's fully open to some pretty rough truths. But it's also a joyful, heartfelt movie, one that speaks to the openness and vitality we see in Bettie's pictures.
    • 80 Metascore
    • 80 Stephanie Zacharek
    In these three potent miniatures, Hou Hsiao-hsien suggests that time passes differently when you're deeply in love. He captures the mystical quality of that time on film, making us feel as if we're living in it, rather than simply watching it.
    • 74 Metascore
    • 80 Stephanie Zacharek
    This is a wonderful, horrifying performance: Whitaker doesn't take the easy way out by playing Amin as a killer clown, a treacherous buffoon.
    • 65 Metascore
    • 80 Stephanie Zacharek
    Coppola captures the luxe insularity of Marie Antoinette's world in a way that leaves no doubt why the revolution had to happen. The picture's final image is a moment of devastating stillness that wouldn't be out of place in Luchino Visconti's end-of-an-era masterpiece "The Leopard."
    • 79 Metascore
    • 80 Stephanie Zacharek
    The flaws in Flags of Our Fathers are at least partly attributable to Eastwood's attempts to do too much. Still, even when he overreaches, he somehow hits the mark.
    • 68 Metascore
    • 80 Stephanie Zacharek
    Best of all may be the narration, by Sam Shepard: His voice, the kind of voice God might have if he'd ever smoked Camels, frames this gentle but potent little story with good-natured authority, making it feel modern and ageless at once.
    • 64 Metascore
    • 80 Stephanie Zacharek
    The picture's ending -- which is satisfying, possibly even happy, depending on how you look at it -- is almost inconsequential; it's the texture of everything leading up to it that matters. The Pursuit of Happyness, even within its slickness, gets at intangibles that allegedly grittier movies fail to capture -- like how heavy a wallet can feel when you're down to your last dollar.
    • 74 Metascore
    • 80 Stephanie Zacharek
    Cooper also pulls off the near-impossible, making us feel dashes of sympathy for this twisted and unscrupulous man.
    • 65 Metascore
    • 80 Stephanie Zacharek
    In the first 10 minutes, I feared the picture would be dull and earnest -- until, about a half-hour later, I realized it was lively and earnest, and also refreshingly, unapologetically movielike.
    • 73 Metascore
    • 80 Stephanie Zacharek
    So refreshingly straightforward that at first you may not know what to make of it.
    • 81 Metascore
    • 80 Stephanie Zacharek
    At once deeply affectionate and sharply observed: There's never anything smart-alecky about Wright's approach as a director.
    • 74 Metascore
    • 80 Stephanie Zacharek
    That sense of one small, private world shattering within the larger and even more unstable one around it is the essence of Michael Winterbottom's unmooring, bleakly beautiful film version of A Mighty Heart.
    • 80 Metascore
    • 80 Stephanie Zacharek
    The picture works because, despite the fact that it took nearly six years for the filmmakers to bring it to the screen, it doesn't strive for greatness. It's fleet, concise and clever in a nut-ball way.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Instead of taking control of the movie in any overt way, Clooney commands our attention by swimming just beneath its surface. He's a disappearing act with staying power.
    • 67 Metascore
    • 80 Stephanie Zacharek
    This tale of filial love and family baggage is Wes Anderson's most heartfelt feature film yet. Its companion short, "Hotel Chevalier," is darn near perfect.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Lovely and deeply touching picture.