Stephanie Zacharek
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For 1,507 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Set Me Free
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,507 movie reviews
    • 66 Metascore
    • 80 Stephanie Zacharek
    The script is teasingly, pleasingly raunchy in places.
    • 62 Metascore
    • 80 Stephanie Zacharek
    It's a breezy and entertaining little charmer.
    • 78 Metascore
    • 80 Stephanie Zacharek
    The Deep End doesn't have a knotty message, but it's a much more meaningful picture than "Suture."
    • 80 Metascore
    • 80 Stephanie Zacharek
    It's such a lovely piece of work -- and, especially for a filmmaker whose name is barely known outside of art-house circles, so pleasingly accessible -- that it's troubling to think that few people outside of major cities will be able to see it.
    • 62 Metascore
    • 80 Stephanie Zacharek
    Fans of "Swingers" may be disappointed. Made doesn't give us as many jazzy catchphrases to latch onto, or figuratively hoist us aloft on a giant martini glass of prolonged adolescence. But then that's precisely why it's the better movie.
    • 73 Metascore
    • 80 Stephanie Zacharek
    Isn't bold or daring, but it is delicately distinctive; it's the kind of picture that stirs subterranean rumbles of empathy in us rather than flashy, gushing waves.
    • 75 Metascore
    • 80 Stephanie Zacharek
    The kicker is that Joy Ride is funny, too. In fact, it would be a superbly frightening entertainment if not for the way Dahl fixates, disturbingly, on sadistic details.
    • 73 Metascore
    • 80 Stephanie Zacharek
    This quiet French thriller gets to the heart of motherhood, and then pays off with comfort and calm.
    • 73 Metascore
    • 80 Stephanie Zacharek
    It's mournful and troubling in a way that goes beyond ordinary movie manipulation. It burns clean.
    • 85 Metascore
    • 80 Stephanie Zacharek
    The picture is so dramatically textured that you feel something's happening every minute.
    • 48 Metascore
    • 80 Stephanie Zacharek
    May be the best Farrellys movie yet, even though it doesn't live up to the pair's usual level of uproarious, crass comic genius. They're learning, movie by movie, to articulate ideas that are more and more sophisticated, without being oppressively heavy-handed.
    • 51 Metascore
    • 80 Stephanie Zacharek
    Windtalkers is the best of Woo's American movies, and the one with the sturdiest and most direct links to his earlier pictures.
    • 52 Metascore
    • 80 Stephanie Zacharek
    Grand, juicy fun regardless, tapping as it does into some archetypal pleasure center.
    • 77 Metascore
    • 80 Stephanie Zacharek
    As good as Harris is, though, it's Harden's performance that sticks with you long after you've seen the movie. She understands what Krasner must have known intuitively. Greatness comes not from cleaning up messes, but from allowing them to be made in the first place.
    • 69 Metascore
    • 80 Stephanie Zacharek
    A rare and tender delight.
    • 32 Metascore
    • 80 Stephanie Zacharek
    See it in one glorious shot, grab as much from it as you can and run like hell. I say that not because I hated Masked & Anonymous, but because I loved it.
    • 48 Metascore
    • 80 Stephanie Zacharek
    A highly entertaining and refreshingly nonjudgmental movie
    • 60 Metascore
    • 80 Stephanie Zacharek
    The scenes between LaPaglia and Weaver, directed and played with a straightforward austerity that occasionally moved me to tears, make up for every one of The Guys flaws.
    • 75 Metascore
    • 80 Stephanie Zacharek
    Is legendary Hollywood producer Robert Evans feeding us a load of crap in this documentary? When it's this much fun, who really cares?
    • 83 Metascore
    • 80 Stephanie Zacharek
    A modest and tightly focused picture, and its very directness makes it piercingly intimate.
    • 86 Metascore
    • 80 Stephanie Zacharek
    Gripping, and it's moving, but it isn't particularly subtle. There's a strong thread of tabloid drama running through its core -- but at least it's sensationalistic storytelling with a heart.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Guest revels in the eccentricities of dog lovers everywhere, but there's kindness at his core. He's a mensch among mutts.
    • 63 Metascore
    • 80 Stephanie Zacharek
    It's a liberating, kindhearted picture, one whose ending brings with it the feeling that something has finally been shaken free. How comfortable you feel with that is completely up to you.
    • 90 Metascore
    • 80 Stephanie Zacharek
    Like rock 'n' roll itself, the movie's really all about girls. Even when -- no, especially when -- it's pretending not to be.
    • 68 Metascore
    • 80 Stephanie Zacharek
    Tykwer's actors seem completely clued in to his intentions. Both Blanchett and Ribisi give performances so restrained they're almost subliminal.
    • 69 Metascore
    • 80 Stephanie Zacharek
    A joyful mix of high and low humor, pulled off with style and an eye for glamour (Danielle Hollowell deserves special praise for her costumes; she's the high priestess of fitted snakeskin).
    • 73 Metascore
    • 80 Stephanie Zacharek
    De Niro's performance works because it isn't exactly likable -- he's totally at ease with his own jokes, but he's not out to make us feel relaxed.
    • 61 Metascore
    • 80 Stephanie Zacharek
    Even after losing its sexiest, tawdriest moments, this teen romance is still hotter, smarter and more fearless than its Hollywood contemporaries.
    • 66 Metascore
    • 80 Stephanie Zacharek
    Rodriguez is that rare filmmaker who doesn't draw a hard, fixed line between entertaining kids and grown-ups -- he knows that in order to understand what will delight kids, you have to know what will tickle adults as well.
    • 74 Metascore
    • 80 Stephanie Zacharek
    Together, they (Clooney and Gould) threaten to sneak off with the movie when Soderbergh isn't looking, sowing madness and sex appeal in their wake.

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