Stephanie Zacharek
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For 1,470 reviews, this critic has graded:
  • 52% higher than the average critic
  • 2% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 2.1 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Starred Up
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,470 movie reviews
    • 74 Metascore
    • 80 Stephanie Zacharek
    Cooper also pulls off the near-impossible, making us feel dashes of sympathy for this twisted and unscrupulous man.
    • 65 Metascore
    • 80 Stephanie Zacharek
    In the first 10 minutes, I feared the picture would be dull and earnest -- until, about a half-hour later, I realized it was lively and earnest, and also refreshingly, unapologetically movielike.
    • 73 Metascore
    • 80 Stephanie Zacharek
    So refreshingly straightforward that at first you may not know what to make of it.
    • 81 Metascore
    • 80 Stephanie Zacharek
    At once deeply affectionate and sharply observed: There's never anything smart-alecky about Wright's approach as a director.
    • 74 Metascore
    • 80 Stephanie Zacharek
    That sense of one small, private world shattering within the larger and even more unstable one around it is the essence of Michael Winterbottom's unmooring, bleakly beautiful film version of A Mighty Heart.
    • 80 Metascore
    • 80 Stephanie Zacharek
    The picture works because, despite the fact that it took nearly six years for the filmmakers to bring it to the screen, it doesn't strive for greatness. It's fleet, concise and clever in a nut-ball way.
    • 82 Metascore
    • 80 Stephanie Zacharek
    Instead of taking control of the movie in any overt way, Clooney commands our attention by swimming just beneath its surface. He's a disappearing act with staying power.
    • 67 Metascore
    • 80 Stephanie Zacharek
    This tale of filial love and family baggage is Wes Anderson's most heartfelt feature film yet. Its companion short, "Hotel Chevalier," is darn near perfect.
    • 78 Metascore
    • 80 Stephanie Zacharek
    Lovely and deeply touching picture.
    • 69 Metascore
    • 80 Stephanie Zacharek
    Philip Seymour Hoffman utters one of the year's most refreshing lines in this terrific tale of political wheeling and dealing.
    • 69 Metascore
    • 80 Stephanie Zacharek
    Entertaining and subtle at once, it doesn't just dazzle us with the hows and whys of a particularly wily brand of thievery; it transports us to a specific time and place that often seems to fall between significant eras. The Bank Job is set in a country that's in transition, an extended metaphor for the way its characters are in transition, too.
    • 63 Metascore
    • 80 Stephanie Zacharek
    Watching McDormand navigate that transformation is the kind of thing that can keep your hope in movies, and in actors, alive.
    • 54 Metascore
    • 80 Stephanie Zacharek
    The movie "Munich" should have been. At the very least, it's got to be the first picture to use smelly-feet jokes as a means of parsing the Israeli-Palestinian conflict. But more than that, it's a mainstream movie that dares to make jokes about the kinds of complex political realities that most of us don't dare bring up at dinner parties.
    • 52 Metascore
    • 80 Stephanie Zacharek
    So unapologetically loopy and lush and ridiculous that I found it irresistible.
    • 72 Metascore
    • 80 Stephanie Zacharek
    Ghost Town is a rarity, a contemporary romantic comedy that honors the traditions of the genre without checking them off some plasticized list. The picture is breathing, and alive, every minute.
    • 51 Metascore
    • 80 Stephanie Zacharek
    Statham isn't an actor who coasts, not even in a recklessly enjoyable picture like Transporter 3. He does the work, so we don't have to: His Frank Martin is the personification of pleasure without guilt.
    • 65 Metascore
    • 80 Stephanie Zacharek
    Such an exhilarating, spirited piece of work that its embellishments and omissions cease to matter.
    • 80 Metascore
    • 80 Stephanie Zacharek
    Howard has made a picture for grown-ups, a well-constructed entertainment that neither talks down to its audience nor congratulates it just for showing up.
    • 72 Metascore
    • 80 Stephanie Zacharek
    One of those rare documentaries that works on two seemingly incongruous levels at once: It's both social commentary and pure delight.
    • 73 Metascore
    • 80 Stephanie Zacharek
    A clever picture, and something of a novelty -- it's not going to change the face or direction of horror filmmaking in any drastic way. But it's fun to watch something that's so obviously made with love.
    • 65 Metascore
    • 80 Stephanie Zacharek
    The best rock 'n' roll movies are less about strict authenticity than about capturing a vibe. And The Runaways gets the vibe just right, from its opening shot.
    • 60 Metascore
    • 80 Stephanie Zacharek
    The scenes between LaPaglia and Weaver, directed and played with a straightforward austerity that occasionally moved me to tears, make up for every one of The Guys flaws.
    • 77 Metascore
    • 80 Stephanie Zacharek
    As good as Harris is, though, it's Harden's performance that sticks with you long after you've seen the movie. She understands what Krasner must have known intuitively. Greatness comes not from cleaning up messes, but from allowing them to be made in the first place.
    • 75 Metascore
    • 80 Stephanie Zacharek
    Catherine Keener, Emily Mortimer and Brenda Blethyn shine in a delicate, loose-limbed and tremendously alive indie about women, family, self-image and survival.
    • 66 Metascore
    • 80 Stephanie Zacharek
    Rodriguez is that rare filmmaker who doesn't draw a hard, fixed line between entertaining kids and grown-ups -- he knows that in order to understand what will delight kids, you have to know what will tickle adults as well.
    • 75 Metascore
    • 80 Stephanie Zacharek
    Is legendary Hollywood producer Robert Evans feeding us a load of crap in this documentary? When it's this much fun, who really cares?
    • 73 Metascore
    • 80 Stephanie Zacharek
    A sweet and sexy celebration of real women's real bodies.
    • 62 Metascore
    • 80 Stephanie Zacharek
    Fans of "Swingers" may be disappointed. Made doesn't give us as many jazzy catchphrases to latch onto, or figuratively hoist us aloft on a giant martini glass of prolonged adolescence. But then that's precisely why it's the better movie.
    • 58 Metascore
    • 80 Stephanie Zacharek
    This intelligent, breezy romantic comedy sings a love song to theater. Plus, there's a hunky lug and Mira Sorvino in drag.
    • 68 Metascore
    • 80 Stephanie Zacharek
    Tykwer's actors seem completely clued in to his intentions. Both Blanchett and Ribisi give performances so restrained they're almost subliminal.

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