Stephanie Zacharek
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For 1,441 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.8 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 Blue Is the Warmest Color
Lowest review score: 0 Over Her Dead Body
Score distribution:
1,441 movie reviews
    • 100 Metascore
    • 100 Stephanie Zacharek
    Boyhood had the curious effect of making me feel lost, uneasy, a little alone in the inexorable march forward — and also totally, emphatically alive.
    • 99 Metascore
    • 100 Stephanie Zacharek
    Not just one of the great films of the '60s but one of the great films, period -- and the chance to discover it at the beginning of the 21st century, in an era when we think we've seen it all, is an unquantifiable privilege.
    • 98 Metascore
    • 90 Stephanie Zacharek
    This is a true fairy tale, and one of the finest fantasy pictures ever made, but please do not take your young children to see it unless you want them to be scarred for life.
    • 97 Metascore
    • 80 Stephanie Zacharek
    12 Years a Slave works so hard to be noble, but it doesn't have to: Ejiofor is there to do all the heavy lifting.
    • 96 Metascore
    • 100 Stephanie Zacharek
    Bird is one of the great modern animators -- as well as an astonishingly gifted filmmaker, period -- precisely because he doesn't set out to wow us.
    • 96 Metascore
    • 100 Stephanie Zacharek
    It's 85 minutes of screen time that represents one crystallized moment not in the Beatles' career per se but in the parallel career they forged inside all of us, the one that will last beyond any breakup, retirement or death.
    • 96 Metascore
    • 100 Stephanie Zacharek
    Gravity is harrowing and comforting, intimate and glorious, the kind of movie that makes you feel more connected to the world rather than less.
    • 95 Metascore
    • 95 Stephanie Zacharek
    Fincher and his screenwriter, TV writer-god Aaron Sorkin, have made a seemingly modest picture that achieves something close to greatness the old-fashioned, slow-burning way: By telling a story with faces, dialogue and body language of all types, from awkward to swaggering.
    • 95 Metascore
    • 100 Stephanie Zacharek
    Zero Dark Thirty is precise, definitive filmmaking, yet Bigelow refuses to hand over easy answers. Some people call that evasion. I call it the ultimate despair.
    • 95 Metascore
    • 85 Stephanie Zacharek
    A Separation doesn't try to make easy sense of that world, or of this family's suffering. It's simply a quiet cry of anguish.
    • 94 Metascore
    • 100 Stephanie Zacharek
    Before Midnight—visually stunning, in a late-summer way—is more vital and cutting than another recent marriage picture, Michael Haneke's old-folks-together death march Amour; it has none of Amour's tasteful restraint, and in the end, it says more about the nature of long-term love.
    • 94 Metascore
    • 80 Stephanie Zacharek
    The drawback is that even though The Hurt Locker is extremely effective in places, it ultimately feels unformed and somewhat unfinished.
    • 94 Metascore
    • 70 Stephanie Zacharek
    The picture feels weirdly, and disappointingly, disjointed, something that starts out as poetry and ends as product.
    • 94 Metascore
    • 90 Stephanie Zacharek
    It's a tricky feat, channeling the glamour of a famous international terrorist without glamorizing him. But damned if French filmmaker Olivier Assayas doesn't pull it off with Carlos.
    • 93 Metascore
    • 80 Stephanie Zacharek
    There's so much dreamy beauty in Crouching Tiger, Hidden Dragon that it's almost like a narcotic.
    • 92 Metascore
    • 100 Stephanie Zacharek
    Although the Coens are consummate craftsmen, they don't always show the lightness of touch or the depth of feeling they do here.
    • 92 Metascore
    • 100 Stephanie Zacharek
    The picture is so imaginatively made, so attuned to sensual pleasure, so keyed in to the indescribable something that makes life life, that it speaks of something far more elemental than mere filmmaking skill: This is what movies, at their best, can be.
    • 92 Metascore
    • 90 Stephanie Zacharek
    The Class is a lovely, exhilarating work about the ways in which failure and frustration can open the pathways through which we make sense out of life.
    • 92 Metascore
    • 90 Stephanie Zacharek
    Speaks to the teenager in all of us.
    • 92 Metascore
    • 50 Stephanie Zacharek
    There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.
    • 92 Metascore
    • 100 Stephanie Zacharek
    I see it as nearly perfect: It's one of the best fantasy pictures ever made.
    • 92 Metascore
    • 90 Stephanie Zacharek
    A sequel made with care and integrity, Toy Story 3 is just moving enough: It winds its way gently toward its big themes instead of grabbing desperately at them, and because its plot is so beautifully worked out, getting there is almost all of the fun.
    • 91 Metascore
    • 80 Stephanie Zacharek
    Chomet bows to the tradition of conventional animation even as he tests its limits.
    • 91 Metascore
    • 90 Stephanie Zacharek
    Mirren's performance is glorious: Rather than impersonate the queen -- which would have been all too easy to do -- she reaches deeper to locate the buried, calcified thoughts and feelings that might guide this deeply inscrutable woman.
    • 91 Metascore
    • 100 Stephanie Zacharek
    This wondrous, absorbing little picture covers a great deal of winding meta-territory, reflecting on the ways in which a single family's story can be told—or maybe, more accurately, examining the idea that there's no such thing as a "single story."
    • 90 Metascore
    • 70 Stephanie Zacharek
    Debra Granik's Winter's Bone is one of those movies -- like last year's inner-city down-a-thon, "Precious" -- that can't quite make a distinction between profundity and plain old bleakness.
    • 90 Metascore
    • 40 Stephanie Zacharek
    Her
    Instead of just being desperately heartfelt, Her keeps reminding us — through cinematographer Hoyte Van Hoytema's somber-droll camera work, through Phoenix's artfully slumped shoulders — how desperately heartfelt it is.
    • 90 Metascore
    • 90 Stephanie Zacharek
    The movie has a crispness about it, an unwillingness to succumb to sentimentality.
    • 90 Metascore
    • 70 Stephanie Zacharek
    It's all beautiful, all right. But before long I began to feel beaten against the rocks of that beauty -- Finding Nemo smacks of looky-what-I-can-do virtuosity, and after the first 10 minutes or so, it's exhausting.
    • 90 Metascore
    • 85 Stephanie Zacharek
    A small but extremely significant message in a bottle. That metaphor is almost literal: The picture made its way to Cannes via a USB drive -- which was smuggled in a cake.