Stephanie Zacharek

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For 1,680 reviews, this critic has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 1.3 points higher than other critics. (0-100 point scale)

Stephanie Zacharek's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Love & Mercy
Lowest review score: 0 Miss March
Score distribution:
1680 movie reviews
    • 84 Metascore
    • 90 Stephanie Zacharek
    Together is the kind of picture that makes you feel that there are many good reasons to actually LIKE mankind.
    • 83 Metascore
    • 90 Stephanie Zacharek
    Hugo states, in its adamant, straightforward poetry, that old things do matter.
    • 72 Metascore
    • 90 Stephanie Zacharek
    The triumph of Still Alice is that it’s not about an illness; it’s about a person.
    • 98 Metascore
    • 90 Stephanie Zacharek
    This is a true fairy tale, and one of the finest fantasy pictures ever made, but please do not take your young children to see it unless you want them to be scarred for life.
    • 79 Metascore
    • 90 Stephanie Zacharek
    Every single actor here rises to the occasion.
    • 53 Metascore
    • 90 Stephanie Zacharek
    In Time has so much style and energy that it comes across as an act of boldness rather than just a liberal-minded tract, though of course, it's that too. If there were ever a movie made for the 99 percent, this is it.
    • 63 Metascore
    • 90 Stephanie Zacharek
    The picture sparkles, but in the nighttime way - its charms have a noirish gleam.
    • 74 Metascore
    • 90 Stephanie Zacharek
    Sin City is the first mainstream American picture I've seen this year that feels even remotely brash or original. It's a hard, viciously funny little movie, one with all the subtlety of a billy club. But there's artistry here.
    • 56 Metascore
    • 90 Stephanie Zacharek
    Though it's made with lots of modern tricks and technology, it's old-fashioned in the best sense, and not just because it's set in the Sixties.
    • 88 Metascore
    • 90 Stephanie Zacharek
    Sordi is an elegant comic actor in the vein of America's William Powell; the world may confound him, but it can never rumple him.
    • 80 Metascore
    • 90 Stephanie Zacharek
    This is Bond as we've never seen him, more naked, alive and mysterious than ever.
    • 94 Metascore
    • 90 Stephanie Zacharek
    The devastating truth of 45 Years, so beautifully wrought, is that even the most devoted couples are made up of two people who are essentially alone.
    • 87 Metascore
    • 90 Stephanie Zacharek
    The movie's final moments are the equivalent of the half-jubilant, half-mournful thrill you get when you close the cover of a book you've savored.
    • 68 Metascore
    • 90 Stephanie Zacharek
    The film works on its own terms, capturing, at least, the mournful vibe of O'Brien's book. What's more, Zobel's revision opens up plenty of space for the three actors who inhabit this circumscribed little world, all of whom are terrific.
    • 92 Metascore
    • 90 Stephanie Zacharek
    This is a dense, multilayered picture, one firmly rooted in a specific landscape, a dramatic coastal spot dotted with the carcasses of decrepit fishing boats, as well as the magnificent skeleton of one long-dead whale.
    • 71 Metascore
    • 90 Stephanie Zacharek
    Get On Up isn't a perfect-picture; there are moments of awkwardness, little gambles that don't quite pay off. But it's one of those experiments that's both flawed and amazing, a mainstream movie (with Mick Jagger as one of its producers) that fulfills old-fashioned, entertainment-value requirements, even as it throws off flashes of insight.
    • 55 Metascore
    • 90 Stephanie Zacharek
    Idlewild has just about everything a popular entertainment can offer. It also has a soul, and that comes free with the price of a ticket.
    • 83 Metascore
    • 90 Stephanie Zacharek
    Unlike so much contemporary horror, it's devoid of sadism and mean-spiritedness. The looseness Raimi allows himself here results in an especially joyous kind of filmmaking, the sort where the filmmaker's delight in scaring us (and making us laugh) becomes part of the movie's fabric.
    • 76 Metascore
    • 90 Stephanie Zacharek
    (Coppola) connects with the essential purity of Eugenides' story, stripping it down to its bare essentials and cutting straight to everything that's wonderful about it.
    • 78 Metascore
    • 90 Stephanie Zacharek
    It's rare to see a movie adaptation in which a filmmaker has taken so much care in translating the odd little qualities that make a particular novel special, to preserve the complex and fragile threads of feeling between characters that are often much easier to grasp on the page.
    • 85 Metascore
    • 90 Stephanie Zacharek
    May not hit every note perfectly, but the picture they've come up with is full-bodied and intelligent.
    • 87 Metascore
    • 90 Stephanie Zacharek
    Roy-Lecollinet’s face, both haughty and welcoming, both anchors the movie and sets it free in the wind. No wonder Paul can’t shake the memory of it. It’s the thing that will age him before his time—and also keep him young forever.
    • 83 Metascore
    • 87 Stephanie Zacharek
    I recently heard someone describe Gloria as a midlife-crisis drama, which stunned me. In the most convenient terms, I guess that’s what it is. But what Lelio and Garcia pull off here is so delicate and sturdy that it defies such easy categorization.
    • 65 Metascore
    • 85 Stephanie Zacharek
    Like its star, Salt is a spare and lean piece of work; it's everything a modern action movie should be, a picture made with confidence but not arrogance, one that believes so wholeheartedly in its outlandish plot twists that they come to make perfect alt-universe sense.
    • 82 Metascore
    • 85 Stephanie Zacharek
    In the early moments of The Trip, you wonder if either actor will survive the enterprise.
    • 81 Metascore
    • 85 Stephanie Zacharek
    Beginners is all about beginnings that begin with endings - the point, Mills seems to be saying, is that sometimes you need to say good-bye to make room for hello.
    • 69 Metascore
    • 85 Stephanie Zacharek
    Breillat manages to give us a lush, quiet spectacle with The Sleeping Beauty.
    • 47 Metascore
    • 85 Stephanie Zacharek
    Bad Teacher is hardly a perfect picture, but in the context of every other comedy on the summer movie landscape - from the faux empowerment of "Bridesmaids" to the neurotic frat-guy heteromania of "The Hangover Part II" - it feels revolutionary.
    • 67 Metascore
    • 85 Stephanie Zacharek
    That she makes it all look so effortless is part of the fun – as long as you're not unlucky enough to be the guy with his nut in the nutcracker.
    • 52 Metascore
    • 85 Stephanie Zacharek
    One of those big, extravagant-looking romances that you might automatically deem "conventional" - except for the fact that almost nobody makes big, extravagant-looking romances anymore.

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