Stephen Holden
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For 1,959 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Stephen Holden's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 The Hours
Lowest review score: 0 Strippers
Score distribution:
1,959 movie reviews
    • 74 Metascore
    • 80 Stephen Holden
    A gripping and important documentary.
    • 74 Metascore
    • 80 Stephen Holden
    What distinguishes Raja from every other movie to contemplate the treacherous intersection of passion, avarice and power is its unsettling emotional honesty. The two central performances are so spontaneous and mercurial that the reckless flirtation seems to be unfolding before your eyes.
    • 74 Metascore
    • 70 Stephen Holden
    As End of the Century reveals even more starkly than the recent Metallica documentary, "Some Kind of Monster," harmony among band members becomes harder to sustain as the years gather, youthful enthusiasm wanes, and personalities define themselves.
    • 74 Metascore
    • 90 Stephen Holden
    The brilliant, sinister French thriller Red Lights is a twisty road movie in which every sign points toward catastrophe.
    • 74 Metascore
    • 70 Stephen Holden
    It's all very beautiful, not to mentioned high-minded. But the loftiness comes at a sacrifice.
    • 74 Metascore
    • 60 Stephen Holden
    Mendelsohn's fusion of science fiction and Chekhovian melancholy finds a fresh perspective on a familiar theme.
    • 74 Metascore
    • 80 Stephen Holden
    A breezy, informal history of the Black Bear Ranch, a long-running California commune begun in the summer of 1968 and still in existence, offers the fascinating spectacle of observing people then and now.
    • 74 Metascore
    • 90 Stephen Holden
    Frozen, for all its innovations, is not fundamentally revolutionary. Its animated characters are the same familiar, blank-faced, big-eyed storybook figures. But they are a little more psychologically complex than their Disney forerunners.
    • 74 Metascore
    • 90 Stephen Holden
    Methodically ticks off the forms of oppression visited on gays and lesbians in the days before the gay rights movement.
    • 74 Metascore
    • 80 Stephen Holden
    The characters' faces reveal more about them than any words that come out of their mouths.
    • 74 Metascore
    • 70 Stephen Holden
    Maintains a tone that remains as light and easygoing as the Australians living in the area.
    • 74 Metascore
    • 70 Stephen Holden
    Washington leans into an otherwise schlocky movie and slams it out of the ballpark.
    • 74 Metascore
    • 90 Stephen Holden
    Above all How I Ended This Summer is a merciless contemplation of the fragile human psyche under siege.
    • 74 Metascore
    • 80 Stephen Holden
    The current of intellectual energy snapping through the ferociously engaging screen adaptation of Alan Bennett’s Tony Award-winning play feels like electrical brain stimulation.
    • 74 Metascore
    • 90 Stephen Holden
    Mr. Young's passionate cracked whine assumes an oracular power.
    • 74 Metascore
    • 80 Stephen Holden
    This deliciously nasty French deconstruction of male pecking orders, directed by Bernard Rapp, should send a pleasant shiver down the spine of anyone who has ever obsessed about wanting to please a devious and manipulative boss.
    • 74 Metascore
    • 70 Stephen Holden
    Uplifting, witty.
    • 74 Metascore
    • 80 Stephen Holden
    Joe
    Mr. Cage gives his most committed performance in years as this divided soul, but it still looks like acting when compared with Mr. Poulter’s embodiment of pure evil.
    • 74 Metascore
    • 80 Stephen Holden
    Although The Song of Sparrows has some of the trappings of a naturalistic drama, it is really a series of strict moral lessons pieced together into an austere Islamic sermon.
    • 74 Metascore
    • 80 Stephen Holden
    Julie Gavras’s wonderful film, Blame It on Fidel, views its ideological conflicts through the eyes of a smart, willful child.
    • 74 Metascore
    • 40 Stephen Holden
    Narco Cultura feels like two short films sandwiched together to make a feature. One is a shallow pop-music documentary focusing on Mr. Quintero. The other is an equally superficial portrait of the embattled Ciudad Juárez, across the border from El Paso.
    • 74 Metascore
    • 90 Stephen Holden
    A wrenching, richly layered feminist allegory as well as a geopolitical one.
    • 73 Metascore
    • 80 Stephen Holden
    At its best, Cast Away, like "Titanic," awes us with its sheer oceanic sweep and its cosmic apprehension of human insignificance.
    • 73 Metascore
    • 80 Stephen Holden
    The movie's unhurried rhythm eventually works a quiet spell, and after a while you find yourself settling back, adjusting to the film's bucolic metabolism and appreciating its eye and ear for detail.
    • 73 Metascore
    • 80 Stephen Holden
    Very funny, extremely obscene movie spinoff from the popular animated Comedy Central series.
    • 73 Metascore
    • 80 Stephen Holden
    The movie's disparate voices coalesce here as an emotionally charged microcosm of the conflict.
    • 73 Metascore
    • 90 Stephen Holden
    This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed.
    • 73 Metascore
    • 70 Stephen Holden
    The prisoner rather eloquently portrays himself as a victim of human rights abuse.
    • 73 Metascore
    • 80 Stephen Holden
    Somersault, which the Australian Film Institute garlanded with 13 awards, including best film, director, actor and actress (for Ms. Cornish's astonishing performance), is a movie about the looks on people's faces and the disparity between the surface and the roiling chaos beneath.
    • 73 Metascore
    • 80 Stephen Holden
    As technically innovative as it is emotionally unsettling.

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