Stephen Holden
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For 1,970 reviews, this critic has graded:
  • 50% higher than the average critic
  • 3% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 1.5 points lower than other critics. (0-100 point scale)

Stephen Holden's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Road to Perdition
Lowest review score: 0 Alone in the Dark
Score distribution:
1,970 movie reviews
    • 86 Metascore
    • 90 Stephen Holden
    A magnificent conjuring act, an eerie historical mirage.
    • 75 Metascore
    • 90 Stephen Holden
    One of the juiciest male characters to pop up in an independent film this year.
    • 78 Metascore
    • 90 Stephen Holden
    This comic jigsaw puzzle is crammed with deliriously funny little bits.
    • 66 Metascore
    • 90 Stephen Holden
    Ms. Zellweger accomplishes the small miracle of making Bridget both entirely endearing and utterly real.
    • 79 Metascore
    • 90 Stephen Holden
    Witty, exquisitely fine-tuned screen adaptation of Nick Hornby's 1995 novel
    • 82 Metascore
    • 90 Stephen Holden
    The most remarkable achievement of the film is its presentation of Lilya's story as both an archetypal case study and a personal drama whose spunky central character you come to care about so deeply that you want to cry out a warning at each step toward her ruination.
    • 74 Metascore
    • 90 Stephen Holden
    The brilliant, sinister French thriller Red Lights is a twisty road movie in which every sign points toward catastrophe.
    • 73 Metascore
    • 90 Stephen Holden
    Such an accomplished piece of filmmaking that it interweaves enough characters and themes to fill three movies.
    • 78 Metascore
    • 90 Stephen Holden
    Remarkable concert documentary.
    • 75 Metascore
    • 90 Stephen Holden
    Gathers riveting, rarely seen news clips from the era into a chronology that plays like a suspenseful police drama.
    • 69 Metascore
    • 90 Stephen Holden
    The masterstroke of this small, heartfelt directorial debut (by Peter Care, from a screenplay by Jeff Stockwell) is its integration of animated sequences (by Todd McFarlane) in which action-adventure caricatures of the comic book characters parallel or comment on events in the boys' lives.
    • 67 Metascore
    • 90 Stephen Holden
    Mr. Scott's is something that must be seen. It is, in a word, compelling.
    • 82 Metascore
    • 90 Stephen Holden
    So verbally dexterous and visually innovative that you can't absorb it unless you have all your wits about you. And even then, you may want to see it again to enjoy its subtle humor and warm humanity.
    • 86 Metascore
    • 90 Stephen Holden
    Gives you the steady pulse of life in a beautiful city viewed through the eyes of a character who, in spite of tragic loss and increasing decrepitude, knows in his bones that he is one of the luckiest men alive.
    • 90 Metascore
    • 90 Stephen Holden
    The humor bubbling through Finding Nemo is so fresh, sure of itself and devoid of the cutesy, saccharine condescension that drips through so many family comedies that you have to wonder what it is about the Pixar technology that inspires the creators to be so endlessly inventive.
    • 79 Metascore
    • 90 Stephen Holden
    As the movie's frenetic visual rhythms and mood swings synchronize with the zany, adrenaline-fueled impulsiveness of its lost youth on the rampage, you may find yourself getting lost in this teeming netherworld.
    • 73 Metascore
    • 90 Stephen Holden
    This is high-speed action realism carried off with the dexterity of a magician pulling a hundred rabbits out of a hat in one graceful gesture. The crowning flourish is an extended car chase through the streets and tunnels of Moscow that ranks as one of the three or four most exciting demolition derbies ever filmed.
    • 73 Metascore
    • 90 Stephen Holden
    Few films have explored the human face this searchingly and found such complex psychological topography. That's why The Wings of the Dove succeeds where virtually every other film translation of a James novel has stumbled.
    • 78 Metascore
    • 90 Stephen Holden
    Louisiana's delta country has never looked more darkly, lusciously sensual than it does in Eve's Bayou, a Southern gothic soap opera, written and directed by Kasi Lemmons, that transcends the genre through the sheer rumbling force of its characters' passions.
    • 59 Metascore
    • 90 Stephen Holden
    One reason the film version of Terrence McNally's play Love! Valour! Compassion! is so moving is that this complicated group portrait never loses its slippery emotional footing.
    • 71 Metascore
    • 90 Stephen Holden
    The dialogue and the ensemble acting maintain a near-perfect pitch.
    • 93 Metascore
    • 90 Stephen Holden
    It succeeds at showing how one man's psychic wounds contributed to an art that transmutes personal pain into garish visual satire.
    • 65 Metascore
    • 90 Stephen Holden
    A Jim Carrey movie all the way: a good one, I might add. With his manic glare, ferociously eager smile, hyperkinetic body language and talent for instant self-transformation, Mr. Carrey has rarely been more charismatic on the screen.
    • 82 Metascore
    • 90 Stephen Holden
    This small, nearly perfect film is a reminder that personal upheavals are as consequential in people's lives as shattering world events.
    • 56 Metascore
    • 90 Stephen Holden
    So good it leaves you starved for more.
    • 83 Metascore
    • 90 Stephen Holden
    In juxtaposing two extraordinary personal histories, it ponders in a refreshingly original way unanswerable questions about memory, imagination, history and that elusive thing we call truth.
    • 67 Metascore
    • 90 Stephen Holden
    The film is a requiem for the living as well as for the dead.
    • 76 Metascore
    • 90 Stephen Holden
    How was this careless, self-destructive human rhythm machine able to outlast almost all her peers? Maybe the vitality of the jazz she made kept her alive. She was one tough lady.
    • 77 Metascore
    • 90 Stephen Holden
    In the manner of a Satyajit Ray film, The Pool avoids melodrama, the better to capture the texture of Venkatesh's vagabond life.
    • 72 Metascore
    • 90 Stephen Holden
    More than an indelible portrait of a sociopath with the soul of a zombie, Tony Manero is an extremely dark meditation on borrowed cultural identity.

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