Stephen Miller
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For 17 reviews, this critic has graded:
  • 52% higher than the average critic
  • 0% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 0.9 points lower than other critics. (0-100 point scale)

Stephen Miller's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 90 Almost Famous
Lowest review score: 40 Kingdom Come
Score distribution:
  1. Positive: 6 out of 17
  2. Negative: 0 out of 17
17 movie reviews
    • 80 Metascore
    • 60 Stephen Miller
    Insightful, Oscar-nominated documentary.
    • 64 Metascore
    • 60 Stephen Miller
    Rapp's snappy, loquacious and catty script gives the predominantly female ensemble plenty to chew on.
    • 35 Metascore
    • 60 Stephen Miller
    A sassy romantic battle of the sexes with a refreshing African-American slant.
    • 33 Metascore
    • 50 Stephen Miller
    Lawrence -- with the help of Oscar-winning makeup effects artist Greg Cannom ("Mrs. Doubtfire") -- has created yet another prosthetic screen wonder.
    • 29 Metascore
    • 50 Stephen Miller
    A satisfying hatchet job on the spooky -- or as the Wayans see it, kooky -- world of supernatural pictures.
    • 30 Metascore
    • 50 Stephen Miller
    The winning cast makes the twist-heavy plot plausible.
    • 48 Metascore
    • 50 Stephen Miller
    Surprisingly cohesive.
    • 28 Metascore
    • 40 Stephen Miller
    What may have looked good on paper across the Atlantic gets lost in the translation to our shores.
    • 48 Metascore
    • 40 Stephen Miller
    Chanteuse Toni Braxton, making her feature film debut as Juanita, a snobbish Slocumb relative, delivers a scene-stealing turn.
    • 64 Metascore
    • 40 Stephen Miller
    The non-professional actors do their schmaltzy best with Gatlif and co-writer David Trueba's sparse dialogue and what appears to have been Gatlif's very limited direction.
    • 58 Metascore
    • 40 Stephen Miller
    It's all surprisingly predictable. As for Sorvino, she can wear the clothes, but they don't necessarily make the man.

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