Steve Persall
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For 564 reviews, this critic has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 8.2 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Skyfall
Lowest review score: 0 The Change-Up
Score distribution:
  1. Negative: 55 out of 564
564 movie reviews
    • 56 Metascore
    • 75 Steve Persall
    The Farrellys affectionately structure their movie to resemble the Stooges' one-reelers from the 1930s, while the modern setting shows how timeless their rapid-fire puns, insults and pratfalls truly are. Silliness never goes out of style.
    • 51 Metascore
    • 75 Steve Persall
    Romantic charm and racy humor in a neatly arranged package anyone can appreciate.
    • 73 Metascore
    • 75 Steve Persall
    The movie's memorable moments involve a silently expressive dodo bird and "man-panzee," stealing the show from human caricatures acting silly.
    • 53 Metascore
    • 75 Steve Persall
    Hysteria is a one-joke movie, but when a joke is told this well, it doesn't matter.
    • 66 Metascore
    • 75 Steve Persall
    The Amazing Spider-Man is fun, as any summer movie amusement ride can be. But it left me feeling the same as Raimi's version; that groundwork has been dutifully laid for a winning franchise in need of a few surprises.
    • 49 Metascore
    • 75 Steve Persall
    Gutt is a wonderful villain, something the franchise has lacked, and even performs an original musical number - an Ice Age first, if I'm not mistaken. Dinklage has a sinister voice, and a subtle way of expressing the character's sillier moments.
    • 78 Metascore
    • 75 Steve Persall
    The Dark Knight Rises declares its importance with each scene but seldom backs up the claims. It is a climax more fitful than fulfilling, solemn to a fault and begging the Joker's question: "Why so serious?"
    • 65 Metascore
    • 75 Steve Persall
    As Kay and Arnold lurch toward intimacy, the roles bring out a playful side seldom seen in Streep and practically never in Jones, his signature surliness melting into disarming smiles and tenderness.
    • 50 Metascore
    • 75 Steve Persall
    The Campaign is below-the-Beltway humor, stretching obvious targets to raunchy extremes.
    • 61 Metascore
    • 75 Steve Persall
    The globetrotting is reined in, the mayhem at each stop just as exciting. Renner is a sturdy action hero, with an interesting face that unlike Damon's appears to have taken a punch or two.
    • 72 Metascore
    • 75 Steve Persall
    The movie's erratic pleasures are like its ghosts; now you see them, now you don't.
    • 58 Metascore
    • 75 Steve Persall
    Kind of like Lawless, a movie about bootleggers more violently authentic than previous takes on the subject, from "Thunder Road" to the first half of "The Last American Hero." What Lawless has over those moonshine melodramas is a striking sense of period and setting.
    • 47 Metascore
    • 75 Steve Persall
    Hotel Transylvania doesn't raise the bar for animation or comedy but it's fun, and nice for once to have a different reason to say "boo" after an Adam Sandler flick.
    • 80 Metascore
    • 75 Steve Persall
    The Queen of Versailles leaves viewers with one feeling about the Siegels: Let them eat stale cake.
    • 61 Metascore
    • 75 Steve Persall
    This Must Be the Place is a movie existing in a zonked-out realm where reality smashes head-on with a train-wreck hero too strange to be real, unless you're the love child of Ozzy Osbourne and the Cure's Robert Smith.
    • 86 Metascore
    • 75 Steve Persall
    Lincoln is like a thoroughly researched poli-sci term paper come to life, with interesting personal material about the participants relegated to footnotes.
    • 57 Metascore
    • 75 Steve Persall
    Rise of the Guardians is an all-star addition to holiday movies lists but the real question is: Which holiday?
    • 71 Metascore
    • 75 Steve Persall
    It's a familiar, straightforward story, carried from start to finish by Winstead, who makes Kate an interesting study in contradictions.
    • 63 Metascore
    • 75 Steve Persall
    It's an audacious mashup that Baz Luhrmann would approve, lending freshness to Tolstoy's too-often-told tale.
    • 55 Metascore
    • 75 Steve Persall
    A movie as fun as it is flawed.
    • 52 Metascore
    • 75 Steve Persall
    Beautiful Creatures gives supernatural teenage romance a good name, or at least a better one than the entire "Twilight Saga" offered.
    • 34 Metascore
    • 75 Steve Persall
    21 and Over remains enjoyable for what it is and all it cares to be, which is nothing any respectable movie critic should recommend, and I'm down with that.
    • 81 Metascore
    • 75 Steve Persall
    No
    The movie needs one or two central characters directly affected by the dictatorship, in order to create more tension around a conclusion that's already known.
    • 40 Metascore
    • 75 Steve Persall
    Wolverine is a solid start to the ever-lengthening summer movie season, when all that matters is the bang and the bucks paid for it.
    • 61 Metascore
    • 75 Steve Persall
    This franchise that won't die began in 2001 as The Fast and the Furious and has pretty much run through every title permutation, so the inevitable next chapter might be called only "The & The 7."
    • 60 Metascore
    • 75 Steve Persall
    Efron makes hay with his richest role post-High School Musical, making Dean a rural rake with conflicting charisma.
    • 42 Metascore
    • 75 Steve Persall
    The humor is an underdog's fantasy, tapping the same vein Murray bled dry with self-important camp counselors and military officers; the less cool they are, the harder they'll fall.
    • 65 Metascore
    • 75 Steve Persall
    The movie is mostly fun and ultimately disposable, which is a letdown after Pixar's previous greatness.
    • 68 Metascore
    • 75 Steve Persall
    The Conjuring is a throwback to old-school spine tingling, although this movie is less Halloween theme ride and more 1970s post-"Exorcist" terror.
    • 61 Metascore
    • 75 Steve Persall
    Anything men can do women can do dirtier, funnier, fresher, since distaff raunchiness shows no signs of going stale and isn't contained to Melissa McCarthy.

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