For 522 reviews, this critic has graded:
  • 69% higher than the average critic
  • 2% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 8.6 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
Average review score: 68
Highest review score: 100 Blue Jasmine
Lowest review score: 0 End of Watch
Score distribution:
  1. Negative: 51 out of 522
522 movie reviews
    • 56 Metascore
    • 58 Steve Persall
    It's a pleasing tribute to Steadman, but there's a sense that Paul would really prefer to focus on Thompson's brand of altered-state brilliance, which has been covered in documentaries before. If you're a gonzo completist, For No Good Reason is a must-see.
    • 56 Metascore
    • 75 Steve Persall
    Unknown is finely tuned pulp filmmaking, a dumb movie with a smart veneer, which is nothing to sneeze at.
    • 56 Metascore
    • 83 Steve Persall
    Thompson's fans will embrace its twisted verbal dexterity, romantically imagining the author feverishly pulling strings from the beyond.
    • 56 Metascore
    • 50 Steve Persall
    Hereafter doesn't feel like a Clint Eastwood film; it's more like a very special edition of John Edward's psychic TV show.
    • 56 Metascore
    • 67 Steve Persall
    Maleficent feels spit-balled into more directions than barely 90 minutes of story time can adequately cover. It's once upon a time, happily ever after and a lot of undeveloped drama in between.
    • 56 Metascore
    • 67 Steve Persall
    Steve Carell's character in Dinner for Schmucks is almost too pitiful for the jokes launched against him to be funny. It is a terrific performance making everyone else's condescension sound harsher than the writers likely intended.
    • 56 Metascore
    • 75 Steve Persall
    The Farrellys affectionately structure their movie to resemble the Stooges' one-reelers from the 1930s, while the modern setting shows how timeless their rapid-fire puns, insults and pratfalls truly are. Silliness never goes out of style.
    • 55 Metascore
    • 67 Steve Persall
    Jude Law's ferociously vulgar portrayal of a hard-luck safecracker carries the first hour of this amorality tale. Then writer-director Richard Shepard makes the creatively fatal mistake of making Dom Hemingway sympathetic, when irredeemable is much more fun.
    • 55 Metascore
    • 75 Steve Persall
    The performances are constantly spot-on, especially Scott during a wonderfully written rant during a group vacation.
    • 55 Metascore
    • 100 Steve Persall
    Man of Steel is more than just Avengers-sized escapism; it's an artistic introduction to a movie superhero we only thought we knew.
    • 55 Metascore
    • 0 Steve Persall
    Save the money you might spend for a ticket to see For a Good Time, Call... and just read a dive bar's restroom wall for free. That's the sub-level of comedy here, with a litany of crude sexual euphemisms and phallic images passed off as jokes.
    • 55 Metascore
    • 67 Steve Persall
    Yes, The Eagle is as bad as it sounds but also entertaining, in a "Mystery Science Theater 3000" sort of way that Macdonald didn't intend.
    • 55 Metascore
    • 25 Steve Persall
    Cloud Atlas, surely the most incoherent waste of time and money on screen this year.
    • 55 Metascore
    • 75 Steve Persall
    A movie as fun as it is flawed.
    • 55 Metascore
    • 67 Steve Persall
    The movie finds its humor in the royals' shock at Hyde Park's lacking decorum, and a hint of FDR's political savvy.
    • 55 Metascore
    • 50 Steve Persall
    Dark Shadows manages in two hours what the TV show took six years to do: become irrelevant and remembered only for how sloppy it was.
    • 55 Metascore
    • 83 Steve Persall
    2 Guns is a movie based on smart callbacks and sly flip-flops of loyalty, regularly interrupted by spasms of well-staged violence.
    • 55 Metascore
    • 67 Steve Persall
    Paramount prefers to think of Star Trek: Generations as the first of a new film series, rather than the seventh act of the old, but prior knowledge of the saga definitely is a necessity. It's a movie filled with punchlines that depend on the audience knowing the set-ups. [18 Nov. 1994, p.3]
    • 55 Metascore
    • 91 Steve Persall
    Redford proves that at 75 he can still choose meaningful projects and deliver them with intelligence.
    • 55 Metascore
    • 75 Steve Persall
    Except for slipping on a third-act soapbox, The Joneses is a deft allegory of the greed and coveting that led to the recession. At times, you wonder if something like this scam could really happen, or does.
    • 55 Metascore
    • 83 Steve Persall
    As a purely sensory experience at the movies you're hard-pressed to find anything more dazzling than the first 90 minutes of The Great Gatsby, when Luhrmann's riotous amusements make anything possible.
    • 54 Metascore
    • 67 Steve Persall
    The rest are hit-and-miss propositions with occasional flashes of wit, and a few standout performances. It's always good to see Judy Davis exchanging barbs with Allen, like when he boasts of having an IQ of 160.
    • 54 Metascore
    • 50 Steve Persall
    Poor Thor. Dude can't even hold center stage in his own movie. He's the Asgardian god of stolen thunder, upstaged at each ab turn by Loki, malarkey and Odin's eyepatch.
    • 54 Metascore
    • 75 Steve Persall
    The movie has its heart and humor in the right place, and there's no "Shame" in that.
    • 54 Metascore
    • 50 Steve Persall
    Eastwood's unvarnished storytelling style, usually his strength as a filmmaker, is terribly out of place here. If ever a movie needed flashbacks, dream sequences, any attempt no matter how cliche to goose the narrative, it's this one.
    • 54 Metascore
    • 67 Steve Persall
    Sparkle may wind up as Ejogo's breakthrough but will forever be remembered as Houston's swan song, and a glimpse of what her next life chapter might have been. What a talent. What a waste.
    • 54 Metascore
    • 67 Steve Persall
    The final 20 minutes at the Radio City Music Hall extravaganza are fairly tense, in highly improbable ways designed to rouse send-off cheers.
    • 54 Metascore
    • 58 Steve Persall
    There's no disputing Streep's brilliance, which this time feels more calculated than usual, in a movie demanding only an impersonation.
    • 54 Metascore
    • 75 Steve Persall
    Bran Nue Dae is a strange change from the usual multiplex fare, and that's nearly enough to make it wonderful.
    • 53 Metascore
    • 42 Steve Persall
    Sinister is basically a collection of bogus snuff films linked by standard haunted house tricks - everything creaking and slamming, with the power conveniently shut off.