Steve Persall
Select another critic »
For 605 reviews, this critic has graded:
  • 69% higher than the average critic
  • 2% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 8.2 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Top Five
Lowest review score: 0 The Last Airbender
Score distribution:
  1. Negative: 58 out of 605
605 movie reviews
    • 69 Metascore
    • 83 Steve Persall
    This movie embraces everything that should make it lousy, calling out itself for aping the source's bad ideas then flipping the script with meta precision.
    • 69 Metascore
    • 75 Steve Persall
    Liman handles the spy stuff with Bourne-again flair, especially the opener when Valerie proves her mettle during an assignment to secure a snitch.
    • 69 Metascore
    • 50 Steve Persall
    The problem isn't entirely Lehane's script... It's the way Belgian director Michael R. Roskam, making his English language debut, is so visually uninspired by all this meanness.
    • 69 Metascore
    • 50 Steve Persall
    Wright is an insanely funny filmmaker (Shaun of the Dead, Hot Fuzz) yet only the front half of that description carries over to Scott Pilgrim vs. the World.
    • 68 Metascore
    • 67 Steve Persall
    There are laughs that stick in your throat, when they aren't broad strokes shattering a forlorn mood that occasionally makes the movie feel like a companion piece to "Magnolia," or any film depicting downbeat people realizing they have more sorrow in common than expected.
    • 68 Metascore
    • 0 Steve Persall
    End of Watch is a repellent movie, first for its shaky-cam conceit rendering much of the action incomprehensible, and finally for seeking to entertain viewers through the thuggish execution of a police officer.
    • 68 Metascore
    • 91 Steve Persall
    The plot is a piffle but Ozon's presentation is gloriously romantic.
    • 68 Metascore
    • 100 Steve Persall
    In a movie year of more than two dozen animated films, this and "Rango" tower over all others. Welcome to America, Tintin. It's great getting to know you.
    • 68 Metascore
    • 75 Steve Persall
    The Conjuring is a throwback to old-school spine tingling, although this movie is less Halloween theme ride and more 1970s post-"Exorcist" terror.
    • 68 Metascore
    • 58 Steve Persall
    The Homesman isn't as confident with balancing madness and dark humor as Jones' only previous directing job, 2005's border odyssey The Three Burials of Melquiades Estrada. This movie's switchback plotting ambles from crisis to comical, threatening to maintain a tone but not for long.
    • 68 Metascore
    • 67 Steve Persall
    Next to Swinton's excellent portrayal of a woman on the edge of a nervous breakdown, the movie belongs to the two Kevins, young actors with matching arched eyebrows and sullen expressions.
    • 68 Metascore
    • 91 Steve Persall
    The East is a crackling thriller and a political statement tough to peg.
    • 68 Metascore
    • 67 Steve Persall
    Director Chad Stahelski — Reeves' stunt double for Point Break and The Matrix — aims only for a kinetic revenge yarn with wrinkles drive-in movie critic Joe Bob Briggs might appreciate, like martial arts moves at point blank bullet range; what he'd call gun fu.
    • 68 Metascore
    • 100 Steve Persall
    The jokes are often double-edged, the performances always spot-on. The Way, Way Back doesn't re-invent the teenage turning point genre, but Faxon and Rash offer a breezy new spin. You'll see more inventive movies this year but few more endearing.
    • 68 Metascore
    • 58 Steve Persall
    Feels like half of a good movie, much of it revealed in admittedly thrilling trailers.
    • 68 Metascore
    • 91 Steve Persall
    It's a story languorously told in three chapters, the first two in the late 1980s and the third 15 years later. Each could be a movie unto themselves. Together they prove Cianfrance to be an effectively unobtrusive storyteller, crafting without artifice what book critics would call a page turner.
    • 68 Metascore
    • 83 Steve Persall
    There's a subtle wisdom to this screenplay that complements its exceedingly bad taste, small lessons among the laughs.
    • 68 Metascore
    • 91 Steve Persall
    Despite wild deviations in spiritual themes and execution, nothing in Noah approaches sacrilege or surrender, making this an acutely sensible biblical epic. It may simply be too strange for the masses to notice.
    • 67 Metascore
    • 91 Steve Persall
    Robot & Frank occasionally strains for emotion and stretches credulity, even for such fantasy circumstances. But it has two hearts - one human, one not - in the right place, and intelligence that is anything but artificial.
    • 67 Metascore
    • 83 Steve Persall
    There are no boundaries in this movie, so deal with it or leave.
    • 67 Metascore
    • 58 Steve Persall
    Soderbergh doesn't always match his pacing to Mallory's fury.
    • 67 Metascore
    • 83 Steve Persall
    How many surprises and peaks can Walken possibly have left, after so many movies and memorable roles? Well, there's this one.
    • 67 Metascore
    • 91 Steve Persall
    Part two is even more gorgeous to behold, and deeper in substance.
    • 67 Metascore
    • 83 Steve Persall
    Leaner than "Harry Potter's" adventures, meaner than the "Twilight" saga, The Hunger Games lives up to its source if not entirely the hype.
    • 67 Metascore
    • 83 Steve Persall
    As a director, Clooney makes his most straightforward movie yet, although it's static at times due to the stage origins of Willimon's material.
    • 67 Metascore
    • 100 Steve Persall
    I adore The Perks of Being a Wallflower for its honest, unsentimental feel, which gets stretched a bit in the revelatory finale, but by then I didn't mind.
    • 67 Metascore
    • 91 Steve Persall
    A feel-good movie in the most positive meaning of that term, thanks to the Motown music and O'Dowd's cheeky charm.
    • 67 Metascore
    • 67 Steve Persall
    Giamatti is a superb expressionist of emotional flotsam, with a Golden Globe for his effort.
    • 67 Metascore
    • 100 Steve Persall
    Furious 7 is so entertaining that you don't notice Dwayne Johnson is missing from action much of the time, only that he kills it when he shows up.
    • 67 Metascore
    • 83 Steve Persall
    With everything it's doing all over again, The Book of Life often finds fresh ways to do it. That's all it takes.

Top Trailers