Steve Persall
Select another critic »
For 564 reviews, this critic has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this critic grades 8.2 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
  • TV
Average review score: 68
Highest review score: 100 Skyfall
Lowest review score: 0 The Change-Up
Score distribution:
  1. Negative: 55 out of 564
564 movie reviews
    • 63 Metascore
    • 75 Steve Persall
    It's an audacious mashup that Baz Luhrmann would approve, lending freshness to Tolstoy's too-often-told tale.
    • 63 Metascore
    • 83 Steve Persall
    It works because Timberlake and Kunis are totally in control of their damaged characters without winking at the audience, as if to say: "Aren't we cute, behaving so naughty?" Their sex is amusingly awkward, and their repressed longings more so. It's the kind of chemistry that comes along once in a generation.
    • 63 Metascore
    • 83 Steve Persall
    Tampa Bay wears fringe nihilism well, including wet-fever dreams of trigger-happy angels floating on cannabis clouds and dusted with cocaine like beignets waiting to be licked clean. Or drug gangstas sporting cornrows and gold-grill teeth, living large and thinking three-ways. Film as a fetish tool, that's what Spring Breakers is all about, y'all.
    • 63 Metascore
    • 100 Steve Persall
    Rio
    Bursting with color and rippling with samba rhythms, Rio makes you wonder why animated films haven't spent more time in Brazil.
    • 63 Metascore
    • 91 Steve Persall
    World War Z presents an abundance of relatively plausible action, smart solutions and one useful piece of information: When the zombiepocalypse comes, the undead are flying coach.
    • 63 Metascore
    • 83 Steve Persall
    Megamind's Kryptonite is a common weakness for any comedy so fast out of the blocks: It simply runs out of surprises.
    • 62 Metascore
    • 67 Steve Persall
    Iron Man 3 is missing that old Tony Stark spark. Not from Robert Downey Jr., who is still the best thing about this overblown show.
    • 62 Metascore
    • 100 Steve Persall
    42
    One of the all-time great sports movies — primarily because it's one of the all-time great sports stories.
    • 62 Metascore
    • 42 Steve Persall
    Veronica Mars, the movie, plays like a two-parter without commercials. Its uninspired framing and static action suits a TV screen better than a multiplex's.
    • 62 Metascore
    • 67 Steve Persall
    There's enough here for a nice little movie, anyway, even if Al Pacino didn't think so. He was hired to voice the movie's arch villain but dropped out due to "creative differences."
    • 62 Metascore
    • 83 Steve Persall
    Ted
    It's often convulsively funny.
    • 62 Metascore
    • 50 Steve Persall
    Apatow hates leaving anything on the cutting room floor. You could excise entire chunks of The Five-Year Engagement - the donut experiments at college, a couple of wise soliloquies, most of the stuff involving Violet's sister (Alison Brie) - and never miss a beat.
    • 62 Metascore
    • 83 Steve Persall
    If this was December, Kevin Hart might be in the Oscar mix, he's that good in About Last Night. Explosively good, a comedy nova who won't shut up and never should.
    • 62 Metascore
    • 91 Steve Persall
    Quirky to the brink of exhaustion, the latest from Jean-Pierre Jeunet is a live-action Looney Tune complete with Acme contraptions and wily coyotes.
    • 62 Metascore
    • 75 Steve Persall
    It's a movie of terrific performances and rousing comeuppances, with a side order of corn pone for the soul.
    • 62 Metascore
    • 50 Steve Persall
    At some juncture — much earlier than director Gareth Edwards intends — Godzilla needs to stop being an extra in his own movie.
    • 62 Metascore
    • 83 Steve Persall
    Director John Madden and an ensemble of polished actors in their second primes make this a constant amusement and a nice alternative at the movies.
    • 62 Metascore
    • 42 Steve Persall
    Despite its haunted house setting, the movie's most visible cobwebs are found in Jane Goldman's screenplay, adapted from Susan Hill's novel.
    • 61 Metascore
    • 50 Steve Persall
    There are too many convenient romances, trumped-up crises and reversals of conscience to clear up while those poor whales suffer. Big Miracle isn't an entirely bad movie but a wholly misguided one.
    • 61 Metascore
    • 50 Steve Persall
    The junk in Lucy doesn't entirely eclipse the moments when weird is fun.
    • 61 Metascore
    • 25 Steve Persall
    The Boxtrolls is a visually repellent pile of stop-motion animation, populated by grotesques and filmed in the palette of an exhumed casket's interior. It can frighten small children and bore anyone, with its cracked, cackled British wit.
    • 61 Metascore
    • 67 Steve Persall
    Imagination is the key element that Conviction lacks.
    • 61 Metascore
    • 75 Steve Persall
    McKay and Ferrell keep the jokes naughty not dirty and flying for shrapnel accuracy; many miss, but when one hits it counts.
    • 61 Metascore
    • 75 Steve Persall
    It will mightily preach to the choirs of concerned citizens, and be ignored by anyone else.
    • 61 Metascore
    • 75 Steve Persall
    Anything men can do women can do dirtier, funnier, fresher, since distaff raunchiness shows no signs of going stale and isn't contained to Melissa McCarthy.
    • 61 Metascore
    • 75 Steve Persall
    Has something for everyone, if everyone is looking for young nuns taking showers, a department store Santa dealing weed, a coked-up infant crawling on the ceiling and Danny Trejo as the father-in-law-to-be from Hell. I didn't think I was looking for that but found it. And heaven help me, it wasn't bad.
    • 61 Metascore
    • 58 Steve Persall
    The actors are so good that you wish Collyer offered them a richer arc to play, rather than just a topic.
    • 61 Metascore
    • 58 Steve Persall
    It's Lane who's saddled with dragging this nag over the finish line, with her cliched portrayal of another single-minded woman beating men at their own game.
    • 61 Metascore
    • 75 Steve Persall
    This franchise that won't die began in 2001 as The Fast and the Furious and has pretty much run through every title permutation, so the inevitable next chapter might be called only "The & The 7."
    • 61 Metascore
    • 75 Steve Persall
    This Must Be the Place is a movie existing in a zonked-out realm where reality smashes head-on with a train-wreck hero too strange to be real, unless you're the love child of Ozzy Osbourne and the Cure's Robert Smith.

Top Trailers