For 385 reviews, this critic has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this critic grades 6.8 points higher than other critics. (0-100 point scale)

Steve Persall's Scores

  • Movies
Average review score: 66
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
  1. Negative: 46 out of 385
385 movie reviews
    • Metascore: 62
    • Steve Persall 42
    Despite its haunted house setting, the movie's most visible cobwebs are found in Jane Goldman's screenplay, adapted from Susan Hill's novel.
    • Metascore: 53
    • Steve Persall 42
    If not for a few choice performance moments and a couple of peppy montages, Wanderlust would be cinematic compost, recycled and thoroughly smelly.
    • Metascore: 43
    • Steve Persall 42
    Step Up Revolution is a bad movie with a few good moments, usually when the cast sets aside delusions of acting prowess and does what comes naturally to them.
    • Metascore: 59
    • Steve Persall 42
    If you prefer hipster romantic comedies that are unromantic and not too funny, Lee Toland Krieger's movie may be your grande half-caf caramel mocha frappe.
    • Metascore: 53
    • Steve Persall 42
    Sinister is basically a collection of bogus snuff films linked by standard haunted house tricks - everything creaking and slamming, with the power conveniently shut off.
    • Metascore: 31
    • Steve Persall 42
    It's enough to make Kim Jong ill.
    • Metascore: 28
    • Steve Persall 42
    The fifth edition of the franchise, A Good Day to Die Hard, is the brawniest and most brainless of the bunch.
    • Metascore: 35
    • Steve Persall 42
    The Host doesn't strive for social allegory, as previous body snatcher flicks have done with the Red Scare, civil rights and Watergate. If anything it's merely a teenage girl's fantasy checklist for prom.
    • Metascore: 43
    • Steve Persall 42
    The movie's best performance — and worst defamation — belongs to Tony Shalhoub, playing the first victim as a conniving, egotistical jerk who deserves to be kidnapped, maimed and ruined financially.
    • Metascore: 22
    • Steve Persall 25
    None of these complaints would matter if The Bounty Hunter possessed even a smidgen of inspired comedy. It doesn't.
    • Metascore: 46
    • Steve Persall 25
    The only memorable aspect of She's Out of My League is Eve's performance. Not that it's good, but it does possess the hypnotic quality of a flicker ring.
    • Metascore: 38
    • Steve Persall 25
    Our Family Wedding should embarrass Whitaker and each of his co-stars, perhaps except Carlos Mencia, whose chief attribute as an actor is that he's a so-so standup comedian.
    • Metascore: 51
    • Steve Persall 25
    Nearly everything about Just Wright is just wrong.
    • Metascore: 51
    • Steve Persall 25
    As far as unnecessary movies go, Predators is a pip.
    • Metascore: 39
    • Steve Persall 25
    A sitcom pilot idea stretched to feature length boredom.
    • Metascore: 58
    • Steve Persall 25
    If only one character in Stone reacted as someone in his position would to the preposterous situation at hand, the movie would be 15 minutes long.
    • Metascore: 35
    • Steve Persall 25
    A smarter-than-average bear becomes a dumber-than-usual kiddie flick with Yogi Bear, the lone Christmas release specifically aimed at children, so it automatically qualifies as their lump of coal.
    • Metascore: 45
    • Steve Persall 25
    Country Strong is a country music melodrama, but I'm not sure which country.
    • Metascore: 39
    • Steve Persall 25
    Billed as an action comedy, The Green Hornet isn't funny, and the action is often too frenetic to make any impression.
    • Metascore: 38
    • Steve Persall 25
    Yes, there is a hell, and this movie is showing at its local multiplex.
    • Metascore: 29
    • Steve Persall 25
    A timid new take on the old fairy tale, and it's pretty grim.
    • Metascore: 41
    • Steve Persall 25
    Hop
    Hop is harmless, which is the worst best thing to be said for any movie. It never decides whether to be a kiddie flick or a grownup lark and winds up as neither. As Roger might say: "Puh-puh-puh-puhleeze, don't waste your time."
    • Metascore: 31
    • Steve Persall 25
    Your Highness is drive-by directing at its laziest, linking late-night sketch ideas in a quest for comedy as difficult to locate as the Holy Grail.
    • Metascore: 36
    • Steve Persall 25
    Something Borrowed is a romantic comedy in which absolutely no one deserves to end up happy.
    • Metascore: 36
    • Steve Persall 25
    The Art of Getting By is enough to drive a movie critic to drink. The next round's on the kid in the overcoat.
    • Metascore: 39
    • Steve Persall 25
    Can we please get over the notion that every superhero in a skintight suit deserves a movie? Green Lantern is the latest wallet drainer emptying the comic book bench, more thudding than "Thor" and sorely incoherent.
    • Metascore: 49
    • Steve Persall 25
    30 Minutes or Less merely puts together actors with only one funny talent each, making them do it over and over again.
    • Metascore: 35
    • Steve Persall 25
    I wouldn't even DVR What's Your Number? if under house arrest and starved for entertainment. I've got this movie's number, and it's zero.
    • Metascore: 43
    • Steve Persall 25
    Machine Gun Preacher comes alive only when Sam is pulling a trigger, which is most of the second hour. You can find the same thrill from watching a grindhouse descendant like "The Expendables" on cable TV.
    • Metascore: 49
    • Steve Persall 25
    This Thing is purely for the gorehounds, and they aren't likely to leave impressed.