For 1,808 reviews, this critic has graded:
  • 72% higher than the average critic
  • 3% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 9.9 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Fantastic Mr. Fox
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
1,808 movie reviews
    • 47 Metascore
    • 50 Steven Rea
    What are you going to do when your lead actress offers a performance that's as unlikable as the woman she's portraying? Maybe it's the script (flimsy, formulaic), or filmmaker Alejandro Gomez Monteverde's conspicuous direction, but Tammy Blanchard's Nina, a waitress with a dour disposition and an unwanted pregnancy, pretty much sucks the life out of this well-meaning melodrama.
    • 47 Metascore
    • 50 Steven Rea
    Dull plod.
    • 59 Metascore
    • 50 Steven Rea
    Zemeckis, who blazed trails mixing live-action with animation in "Who Framed Roger Rabbit," blazes not even a footpath here.
    • 44 Metascore
    • 50 Steven Rea
    Dizzyingly incoherent and subversively surreal, this sophomore effort from the man who made the great, strange "Donnie Darko" is certain to have its fans. I'm not going to be one of them.
    • 52 Metascore
    • 50 Steven Rea
    DePalma's movie offers its own doctoring and processing, without delivering an ounce of real humanity - good or bad - in the bargain.
    • 49 Metascore
    • 50 Steven Rea
    There's not a believable character, nor line of convincing dialogue to be found.
    • 39 Metascore
    • 50 Steven Rea
    Harry Connick Jr. acquits himself best of the lot.
    • 51 Metascore
    • 50 Steven Rea
    Intermittent moments of mild amusement ensue.
    • 66 Metascore
    • 50 Steven Rea
    Moderately scary, moderately amusing, intermittently dull and obvious, Diary of the Dead is not groundbreaking, nor even ground-quaking.
    • 40 Metascore
    • 50 Steven Rea
    A bummer.
    • 45 Metascore
    • 50 Steven Rea
    The playwright, actor, director and drag queen (yes, his bewigged and be wild Madea makes a brief and totally gratuitous appearance in his new film) knows how to give human dimension, and a dimension of humor, to the cliches and stereotypes.
    • 53 Metascore
    • 50 Steven Rea
    Decidedly loopy and nonlinear, Mister Lonely is precious and artsy, but there are moments when Korine's, er, unique vision brings something bold and beautiful to the table.
    • 24 Metascore
    • 50 Steven Rea
    Piles dumb gag upon dumb gag - it's like benign pummeling. Occasionally, you just have to laugh.
    • 47 Metascore
    • 50 Steven Rea
    Anderson, who's turned Brit in a number of TV series and films, including "Bleak House" and "The Last King of Scotland," is compelling in her white lab coat and surgical scrubs, and she brings some real tenderness to her tete-a-tetes with Mulder.
    • 53 Metascore
    • 50 Steven Rea
    Epic piffle.
    • 31 Metascore
    • 50 Steven Rea
    The movie bogs down in tiresome good guys vs. bad guys action cliches.
    • 56 Metascore
    • 50 Steven Rea
    A great story - and a true one, more or less - Bottle Shock nonetheless fails to deliver much in the way of entertainment.
    • 72 Metascore
    • 50 Steven Rea
    Feels downright ancient.
    • 47 Metascore
    • 50 Steven Rea
    Lakeview Terrace's pretense at exploring racial intolerance has been exposed for what it really is: a B-movie copout.
    • 45 Metascore
    • 50 Steven Rea
    Gritty, jumpy and rife with cliches.
    • 36 Metascore
    • 50 Steven Rea
    The script appears to have been designed, created and produced entirely in 1-D: a mishmash of kidcentric antics, follow-your-dream cliches, and innocuously icky humor.
    • 26 Metascore
    • 50 Steven Rea
    Full of clunky humor, battle-of-the-sexes musings and spicy accordion music, Everybody Wants to Be Italian is relentless - but not necessarily relentless fun.
    • 53 Metascore
    • 50 Steven Rea
    If only RocknRolla's characters were at all believable - even in the context of its own cartoon universe.
    • 45 Metascore
    • 50 Steven Rea
    Murky and grainy, and showing human beings at their grimmest - thievery, rape, betrayal, murder - Blindness is no barrel of laughs. But it IS a barrel of pretentious metaphorical musings.
    • 63 Metascore
    • 50 Steven Rea
    Although its low-key realism is admirable, Eden doesn't really work: the long silences, the aching stares, the telling props, Breda's quivering blues, Billy's drunkenness, his distraction. There might as well be a sign stuck to the Farrells' front door: Dysfunctional family lives here.
    • 36 Metascore
    • 50 Steven Rea
    Level of humor: subteen.
    • 45 Metascore
    • 50 Steven Rea
    For its amusing premise, Fanboys is scarily flat.
    • 53 Metascore
    • 50 Steven Rea
    There are tiny glints of humor and intelligence at work, and the action and animation rockets along slickly and stylishly. But unlike the protagonists of almost any and all of the Pixar titles, Astro Boy's namesake lacks even an iota of soul.
    • 39 Metascore
    • 50 Steven Rea
    An uninspired computer-animated feature that may satisfy undiscriminating pipsqueaks and nearly no one else, Planet 51 is a low-IQ E.T. in reverse.
    • 41 Metascore
    • 50 Steven Rea
    Knowing has about a half-dozen screenwriter credits, which may explain why scenes crash up against one another - smart, stupid, far-fetched, compelling. And the trouble is that Cage walks (or runs) through them all, treating each with the same level of intensely goofy seriousness.

Top Trailers