For 1,835 reviews, this critic has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 9.8 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Since Otar Left
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
1,835 movie reviews
    • 58 Metascore
    • 50 Steven Rea
    "There's nothing here!" screams Romina Mondello - Kurylenko's Euro gal pal, walking the deserted sidewalks of this Anytown, U.S.A. Boy, truer words . . ..
    • 58 Metascore
    • 50 Steven Rea
    Awash in nostalgia and amped-up male camaraderie, Richard Curtis' Pirate Radio takes a great story - the hugely popular offshore radio stations that illegally broadcast pop and rock in 1960s Britain - and turns it into an aggressively irritating floating frat-party romp.
    • 58 Metascore
    • 50 Steven Rea
    Full of forced jocularity and drawing-room hissy fits, with its cast parading around in vintage threads and antique cars, Easy Virtue is a close-to-insufferable souffle based on the 1925 Noel Coward play.
    • 58 Metascore
    • 50 Steven Rea
    The film veers between cutting parody and cliche, threatening to become interesting at any moment, but never quite doing so.
    • 58 Metascore
    • 50 Steven Rea
    This is not about a reluctant hero drawing courage from some deep personal well. It's not about dread and danger. It's about visual effects.
    • 57 Metascore
    • 50 Steven Rea
    In Don McKellar's remake of "Seducing Doctor Lewis", a 2003 French-Canadian comedy, the charm feels force-fed.
    • 57 Metascore
    • 50 Steven Rea
    The trouble with The Last Kiss comes down to Paul Haggis' screenplay.
    • 57 Metascore
    • 50 Steven Rea
    Jeremy Irons slithers on board with a haughty sneer and papal vestments, playing Bishop Pucci.
    • 57 Metascore
    • 50 Steven Rea
    With a clamorous soundtrack and a whirl of elaborate chases and busily choreographed fight scenes, this is Sherlock Holmes with Attention Deficit Disorder.
    • 56 Metascore
    • 50 Steven Rea
    Not even Halle Berry, emerging from the blue Caribbean in an orange two-piece -- can bring this thing to life.
    • 56 Metascore
    • 50 Steven Rea
    For high-speed action, eye-popping locales, and chopsocky fight-fests galore, watch The Transporter - on video.
    • 56 Metascore
    • 50 Steven Rea
    The movie pulls off the worst kind of con: the one that disappoints.
    • 56 Metascore
    • 50 Steven Rea
    The movie name-drops the cool stuff, the rebels of word and song, but the essence of the story and the cardboard characters who inhabit it are as mundane as can be.
    • 56 Metascore
    • 50 Steven Rea
    Non-Stop gets increasingly far-fetched as the jet makes its way across the Atlantic. Certainly, there are more red herrings on the plane than there are in the sea below. And Neeson has to stare down every last one of them.
    • 56 Metascore
    • 50 Steven Rea
    Joltingly graphic and atmospheric (Nixey and his crew at least know how to set up a few good shocks), Don't Be Afraid of the Dark fails to involve us in any meaningful way with its characters.
    • 56 Metascore
    • 50 Steven Rea
    A great story - and a true one, more or less - Bottle Shock nonetheless fails to deliver much in the way of entertainment.
    • 56 Metascore
    • 50 Steven Rea
    If Manglehorn is to be remembered at all, it shall be for the excruciating first date that its title character goes on with a chirpy bank clerk he has long been chatting up. Her name is Dawn, and she is played by Holly Hunter.
    • 55 Metascore
    • 50 Steven Rea
    At least an hour of Man of Steel's excessive running time is devoted to the sort of crash-and-burn, slamming-into-skyscrapers CG fight scenes that we've already seen in "The Avengers" and "Dark Knight," "Iron Man," and "Spider-Man." Man of Steel is just the same old same old.
    • 55 Metascore
    • 50 Steven Rea
    A silly melodrama.
    • 55 Metascore
    • 50 Steven Rea
    Cloud Atlas is pop spiritualism, comic-book grandiosity, Zen for dummies. I can't say I didn't enjoy it on some level, but it's not the level of universal wisdom the Wachowskis and Tykwer would have us be on.
    • 55 Metascore
    • 50 Steven Rea
    Promised Land is a frustrating film to watch. It should be better than this, smarter than this.
    • 55 Metascore
    • 50 Steven Rea
    If only the screenplay had more going for it than hackneyed homilies and living-in-the-ghetto stereotypes. If only first-time director Sunu Gonera had a surer hand, a knack for something bolder, wilder, goofier.
    • 55 Metascore
    • 50 Steven Rea
    An overobvious and underwhelming satire about American consumerism run amok.
    • 55 Metascore
    • 50 Steven Rea
    There are so many things wrong with Luhrmann's Great Gatsby - the filmmaker's attention-deficit-disorder approach, the anachronistic convergence of hip-hop and swing, the choppy elision of Fitzgerald's plot, the jarring collision of Jazz Age cool and Millennial cluelessness. But at the crux of things, the problem is that it's impossible to care.
    • 54 Metascore
    • 50 Steven Rea
    For all its visual delights, Magic in the Moonlight, the 44th feature written and directed by the admirably industrious Woody Allen, has to be one of his bigger duds.
    • 54 Metascore
    • 50 Steven Rea
    Almost certainly, The Last Stand will not be Schwarzenegger's last. For better or for worse (and this is somewhere right in the middle), he is back.
    • 54 Metascore
    • 50 Steven Rea
    A lush, lovely snooze-fest.
    • 54 Metascore
    • 50 Steven Rea
    Finally - and the news should really come as a relief - here is a role Streep should not have tried, in a movie that should not have been made.
    • 54 Metascore
    • 50 Steven Rea
    Bobby has its heart in the right place (on its sleeve). But it doesn't have its screenplay anywhere - or at least, anywhere near the heft that its subject demands.
    • 54 Metascore
    • 50 Steven Rea
    Rock Star sinks into a morass of melodrama.

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