For 1,759 reviews, this critic has graded:
  • 72% higher than the average critic
  • 3% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 10.2 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Match Point
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
1,759 movie reviews
    • 83 Metascore
    • 88 Steven Rea
    Gloria, spare and keenly observed, plays like a short story - there is no sweeping narrative arc, no momentous triumph or calamity. But there is a bit of justice meted out, and the act of its meting brings a slow, small smile to Gloria's face.
    • 83 Metascore
    • 75 Steven Rea
    A Raimi-esque mix of gross-out madness and sick laughs.
    • 83 Metascore
    • 88 Steven Rea
    It is the more satisfying of the two installments - less over-the-top, arterial-gushing violence and more investigation into character, motives, back-story.
    • 83 Metascore
    • 100 Steven Rea
    Like Hitchcock, only creepier, Haneke slowly cranks up the suspense.
    • 83 Metascore
    • 75 Steven Rea
    It's a wondrous mix of the momentous and mundane, the profound and the perverse, with Cave blues-talking his way through the goofy juxtapositions, the darkness, and the light.
    • 82 Metascore
    • 88 Steven Rea
    The great thing about Venus - apart from its sharp eye for the daily routines and drab details of senior citizenry in a buzzing metropolis - is that it isn't soppy, or sentimental.
    • 82 Metascore
    • 75 Steven Rea
    Ajami brings its audience into a world where the cultural conflict is fierce, emotions run high, yet the hopeful vision of peaceful coexistence shines through the cracks.
    • 82 Metascore
    • 88 Steven Rea
    A terrific mystery, equal parts haunting love story and nimble thriller.
    • 82 Metascore
    • 100 Steven Rea
    Gorgeous, and full of bittersweet whimsy.
    • 82 Metascore
    • 88 Steven Rea
    Reverberates with the power and passion of Greek tragedy.
    • 82 Metascore
    • 88 Steven Rea
    The beautiful misery of The Deep Blue Sea - Terence Davies' crushing adaptation of Terence Rattigan's 1952 play - is almost too much.
    • 82 Metascore
    • 100 Steven Rea
    With no-nonsense narration by Peter Coyote and a soundtrack that's at once apt, ironic and really, really good, The Smartest Guys in the Room is anything but a dry dissection of a major Wall Street debacle.
    • 82 Metascore
    • 100 Steven Rea
    Simply the best adaptation of any John le Carré thriller to make it to the screen.
    • 82 Metascore
    • 100 Steven Rea
    A baseball movie, a stranger-in-a-strange-land movie, a movie about real people facing real challenges in the real world, Sugar is all that and more.
    • 82 Metascore
    • 88 Steven Rea
    Gripping, powerful, heart-breaking.
    • 82 Metascore
    • 75 Steven Rea
    It's one of the great have-your-cake-and-eat-it-too performances of the year.
    • 82 Metascore
    • 88 Steven Rea
    It's a tearjerker, sometimes, and sweetly funny at other moments. It's near perfect.
    • 82 Metascore
    • 88 Steven Rea
    Hunger is daunting and powerful work.
    • 82 Metascore
    • 100 Steven Rea
    It's a relentless and relentlessly funny game of one-upmanship as the two men, playing somewhat exaggerated versions of themselves, roam the hills and dales, posh inns and poetic ruins of England's Lake District.
    • 82 Metascore
    • 75 Steven Rea
    In the end, Harry Potter and The Prisoner of Azkaban offers what neither of its predecessors, for all their wand-waving and witch-brooms, had: real magic.
    • 82 Metascore
    • 63 Steven Rea
    Has the arc of a Shakespearean tragedy, and all the essential components therein: loyalty and betrayal, conspiracy and delusion, self-destruction.
    • 82 Metascore
    • 75 Steven Rea
    The Spectacular Now feels genuine in almost every respect, from the unflashy cinematography and the sparingly deployed music cues to the natural, unhurried performances of its two stars. They will get to you, truly.
    • 82 Metascore
    • 88 Steven Rea
    Funny, fear-inducing, with periods of voyeuristic gore and an undercurrent of anxiety and dread, Let the Right One In is up there with the bloodsucking classics.
    • 82 Metascore
    • 88 Steven Rea
    That this purposefully twisting exercise takes place amid the sun-burnished cypresses and towns of Tuscany - where ancient statuary is as commonplace as pasta and wine - only makes this playfully enigmatic meditation the more pleasing.
    • 82 Metascore
    • 88 Steven Rea
    So disturbing, on so many levels.
    • 82 Metascore
    • 75 Steven Rea
    Marley celebrates the fact that its subject is still among us in the way that perhaps matters most: His music not only survives, it thrives.
    • 82 Metascore
    • 63 Steven Rea
    Unlike "Caché" and "Code: Unknown," where Haneke's investigations into societal and spiritual despair resonated with poetic force, The White Ribbon doesn't resonate at all.
    • 82 Metascore
    • 88 Steven Rea
    Exhilarating, alternately funny and horrific film.
    • 82 Metascore
    • 88 Steven Rea
    An exquisite exploration into the realms of seduction, obsession, deception and disillusionment.
    • 82 Metascore
    • 88 Steven Rea
    This is the kind of unusual but involving picture that's ripe for a Hollywood remake - but while you're waiting for the Sandra Bullock-Ethan Hawke edition (it's a good post-movie game: coming up with your own casting ideas), Read My Lips is well worth checking out.

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