For 1,706 reviews, this critic has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 10 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Still Walking
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
1,706 movie reviews
    • 81 Metascore
    • 75 Steven Rea
    Gorgeous work, and its imagery and themes dovetail perfectly: a story about creating art, artfully created.
    • 81 Metascore
    • 100 Steven Rea
    That is the sum of writer/director Steven Knight's movie: a man, a car, a hands-free mobile device. And it is extraordinary.
    • 81 Metascore
    • 100 Steven Rea
    While White Material is very much the story of this one woman, it is also a story of postcolonial Africa, a place where Europeans staked their claim, and where disorder and destruction upended everything. A mournful, frightening, powerful film.
    • 81 Metascore
    • 88 Steven Rea
    It's the old cliche, but (like most cliches) it's true: It's impossible to imagine this picture without this actor.
    • 81 Metascore
    • 88 Steven Rea
    Never mind Hollywood's big-star, big-budget hand-wringing about Africa - Bamako is the real thing.
    • 81 Metascore
    • 88 Steven Rea
    With deft and subtle performances and an uncomplicated but savvy script, Autumn Tale gets to the inner lives of its characters.
    • Philadelphia Inquirer
    • 81 Metascore
    • 88 Steven Rea
    It's oppressive and claustrophobic, confused and scary in there. But it's also compellingly real.
    • 81 Metascore
    • 88 Steven Rea
    No
    A political drama, a personal drama, a sharp-eyed study of how the media manipulate us from all sides, No reels and ricochets with emotional force.
    • 81 Metascore
    • 75 Steven Rea
    It's bloody carnage - or it's ketchup, or bolognese sauce, at the very least.
    • 81 Metascore
    • 88 Steven Rea
    This cunning and provocative Romanian film requires patience, but its rewards are many: It's hard to imagine how a scene in which a police captain barks an order to bring him a dictionary can be loaded with suspense, but, really, it is.
    • 81 Metascore
    • 63 Steven Rea
    Is Django Unchained about race and power and the ugly side of history? Only as much as "Inglourious Basterds" was about race and power and the ugly side of history. It's a live-action, heads-exploding, shoot-'em-up cartoon. Sometimes it crackles, and sometimes it merely cracks.
    • 81 Metascore
    • 88 Steven Rea
    Haunting and sad. And absolutely worth seeing.
    • 81 Metascore
    • 75 Steven Rea
    Skyfall is certainly the most cultured Bond film to come along in some time. It's also the first of the three Craig endeavors to seriously (and wittily) acknowledge its pedigree.
    • 81 Metascore
    • 75 Steven Rea
    The pair are scrappy and smart and riff off each other like a no-budget, indie version of Tracy and Hepburn. It's impossible not to like them, and there's absolutely no reason not to.
    • 81 Metascore
    • 88 Steven Rea
    It's a haunting, scary, funny, sad portrayal from Rourke.
    • 81 Metascore
    • 75 Steven Rea
    Smart, funny, and gross (often at the same time).
    • 81 Metascore
    • 63 Steven Rea
    There is a lot of shield-your-eyes ickiness in District 9, a lot of violence and gore. What there is not a lot of, however, is humanity - even in the film's depiction of the inhumanity humans are capable of.
    • 81 Metascore
    • 100 Steven Rea
    It is, without doubt, a transcendent endeavor, from its exhilaratingly smart screenplay - director David O. Russell's adaptation of the novel by former South Jersey teacher Matthew Quick - to the unexpected and moving turns of its two leads.
    • 80 Metascore
    • 100 Steven Rea
    Wendy and Lucy is modest, minimalist. But it nonetheless reverberates like a sonic boom.
    • 80 Metascore
    • 100 Steven Rea
    It's not a pretty picture. But Food, Inc. is an essential one.
    • 80 Metascore
    • 75 Steven Rea
    Tony Takitani, fablelike and beautiful, requires a certain amount of patience, but its small, peculiar charms work their way into your soul.
    • 80 Metascore
    • 88 Steven Rea
    Melancholia is a remarkable mood piece with visuals to die for (excuse the pun), and a performance from Dunst that runs the color spectrum of emotions.
    • 80 Metascore
    • 88 Steven Rea
    The Queen of Versailles combines the voyeuristic thrills of reality TV with the soul-revealing artistry of great portraiture and the head-shaking revelations of solid investigative reporting.
    • 80 Metascore
    • 63 Steven Rea
    A loving, dopey documentary about the bird man of a place with a view of Alcatraz.
    • 80 Metascore
    • 63 Steven Rea
    Saraband, flat and static both visually and thematically, doesn't begin to approximate the austere beauty of the director's art-house classics.
    • 80 Metascore
    • 88 Steven Rea
    True Grit is probably the least ironic picture in the Coen Brothers' worthy canon, but that doesn't mean it's devoid of their signature oddities, that it doesn't take a few dark, strange turns.
    • 80 Metascore
    • 88 Steven Rea
    Kore-eda, deploying a Western pop score by the Japanese indie-rock band Quruli, just lets these kids be kids.
    • 80 Metascore
    • 88 Steven Rea
    OK, first off, anyone who shares his or her life with a dog, or has done so in the past, go see My Dog Tulip.
    • 80 Metascore
    • 75 Steven Rea
    There are no good guys in Miss Bala, just bad guys of different stripes.
    • 80 Metascore
    • 75 Steven Rea
    The Simpsons Movie is finally here. And guess what? It's funny. But not that funny.