For 1,569 reviews, this critic has graded:
  • 72% higher than the average critic
  • 2% same as the average critic
  • 26% lower than the average critic
On average, this critic grades 9.8 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
Average review score: 69
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,569 movie reviews
    • Metascore: 56
    • Steven Rea 88
    Thoughtfulness and artistry ...raise this small, quiet picture to moments of pure epiphany.
    • Metascore: 56
    • Steven Rea 88
    Eastwood and Morgan's movie, with its epic natural disasters (and a terrifying, man-made one) is optimistic. Hokey, even. But it's beautiful, too.
    • Metascore: 55
    • Steven Rea 88
    A sly and surprisingly sublime little noir romance.
    • Metascore: 55
    • Steven Rea 88
    Murray and Linney are terrific together (and apart), their notes pitch perfect, and the supporting cast is good all around.
    • Metascore: 55
    • Steven Rea 88
    Beloved spans 45 years, shifting from Paris to Prague to London to Montreal, and it boasts an especially strong performance by Paul Schneider.
    • Metascore: 54
    • Steven Rea 88
    There's whimsy and raunchy humor here, but also an underlying sense of darkness and despair.
    • Metascore: 49
    • Steven Rea 88
    Filled with bleak, beautiful Hopperesque tableaus and strange characters whose lives intersect.
    • Metascore: 49
    • Steven Rea 88
    A rollicking tale of rehabilitation and redemption, rife with cool special effects, Hancock is smart and surprisingly raunchy.
    • Metascore: 48
    • Steven Rea 88
    A meditation on a life lived in the public eye, I'm Still Here is strange, riveting, and occasionally appalling stuff, any way you look at it.
    • Metascore: 45
    • Steven Rea 88
    A likably energetic star vehicle for English sports god Vinnie Jones.
    • Metascore: 42
    • Steven Rea 88
    From the street corner to the boardroom to the White House, the same paradigms are in play, Brown argues.