For 1,808 reviews, this critic has graded:
  • 72% higher than the average critic
  • 3% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 9.9 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Spirited Away
Lowest review score: 0 Isn't She Great
Score distribution:
1,808 movie reviews
    • 83 Metascore
    • 88 Steven Rea
    Like "The Square," the startling Down Under noir released a few months ago, Animal Kingdom explores the down and dirty side of human nature, fraught with greed, suspicion, and betrayal.
    • 83 Metascore
    • 75 Steven Rea
    What about the kids and families who have no connection to Méliès, little familiarity with Charlie Chaplin or Buster Keaton? Will Hugo keep them in their seats? I'm not sure.
    • 83 Metascore
    • 100 Steven Rea
    Captain Phillips is harrowing, inspiring, a must-see piece of moviemaking.
    • 83 Metascore
    • 88 Steven Rea
    Gloria, spare and keenly observed, plays like a short story - there is no sweeping narrative arc, no momentous triumph or calamity. But there is a bit of justice meted out, and the act of its meting brings a slow, small smile to Gloria's face.
    • 83 Metascore
    • 75 Steven Rea
    A Raimi-esque mix of gross-out madness and sick laughs.
    • 83 Metascore
    • 88 Steven Rea
    The polar opposite of the J.K. Simmons character in "Whiplash."
    • 83 Metascore
    • 88 Steven Rea
    It is the more satisfying of the two installments - less over-the-top, arterial-gushing violence and more investigation into character, motives, back-story.
    • 83 Metascore
    • 100 Steven Rea
    Like Hitchcock, only creepier, Haneke slowly cranks up the suspense.
    • 83 Metascore
    • 88 Steven Rea
    A masterfully creepy and beautifully turned variation on the teen horror formula.
    • 83 Metascore
    • 75 Steven Rea
    It's a wondrous mix of the momentous and mundane, the profound and the perverse, with Cave blues-talking his way through the goofy juxtapositions, the darkness, and the light.
    • 82 Metascore
    • 100 Steven Rea
    It's a story of global consequences and historic proportions, and of astounding athleticism and synchronicity - and filmmaker Polsky ices it.
    • 82 Metascore
    • 88 Steven Rea
    The great thing about Venus - apart from its sharp eye for the daily routines and drab details of senior citizenry in a buzzing metropolis - is that it isn't soppy, or sentimental.
    • 82 Metascore
    • 75 Steven Rea
    Ajami brings its audience into a world where the cultural conflict is fierce, emotions run high, yet the hopeful vision of peaceful coexistence shines through the cracks.
    • 82 Metascore
    • 88 Steven Rea
    A terrific mystery, equal parts haunting love story and nimble thriller.
    • 82 Metascore
    • 100 Steven Rea
    Gorgeous, and full of bittersweet whimsy.
    • 82 Metascore
    • 88 Steven Rea
    Reverberates with the power and passion of Greek tragedy.
    • 82 Metascore
    • 88 Steven Rea
    The beautiful misery of The Deep Blue Sea - Terence Davies' crushing adaptation of Terence Rattigan's 1952 play - is almost too much.
    • 82 Metascore
    • 100 Steven Rea
    With no-nonsense narration by Peter Coyote and a soundtrack that's at once apt, ironic and really, really good, The Smartest Guys in the Room is anything but a dry dissection of a major Wall Street debacle.
    • 82 Metascore
    • 100 Steven Rea
    Simply the best adaptation of any John le Carré thriller to make it to the screen.
    • 82 Metascore
    • 100 Steven Rea
    A baseball movie, a stranger-in-a-strange-land movie, a movie about real people facing real challenges in the real world, Sugar is all that and more.
    • 82 Metascore
    • 88 Steven Rea
    Gripping, powerful, heart-breaking.
    • 82 Metascore
    • 75 Steven Rea
    It's one of the great have-your-cake-and-eat-it-too performances of the year.
    • 82 Metascore
    • 88 Steven Rea
    It's a tearjerker, sometimes, and sweetly funny at other moments. It's near perfect.
    • 82 Metascore
    • 88 Steven Rea
    Hunger is daunting and powerful work.
    • 82 Metascore
    • 100 Steven Rea
    It's a relentless and relentlessly funny game of one-upmanship as the two men, playing somewhat exaggerated versions of themselves, roam the hills and dales, posh inns and poetic ruins of England's Lake District.
    • 82 Metascore
    • 75 Steven Rea
    In the end, Harry Potter and The Prisoner of Azkaban offers what neither of its predecessors, for all their wand-waving and witch-brooms, had: real magic.
    • 82 Metascore
    • 63 Steven Rea
    Has the arc of a Shakespearean tragedy, and all the essential components therein: loyalty and betrayal, conspiracy and delusion, self-destruction.
    • 82 Metascore
    • 75 Steven Rea
    The Spectacular Now feels genuine in almost every respect, from the unflashy cinematography and the sparingly deployed music cues to the natural, unhurried performances of its two stars. They will get to you, truly.
    • 82 Metascore
    • 88 Steven Rea
    Funny, fear-inducing, with periods of voyeuristic gore and an undercurrent of anxiety and dread, Let the Right One In is up there with the bloodsucking classics.
    • 82 Metascore
    • 88 Steven Rea
    That this purposefully twisting exercise takes place amid the sun-burnished cypresses and towns of Tuscany - where ancient statuary is as commonplace as pasta and wine - only makes this playfully enigmatic meditation the more pleasing.

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