For 1,888 reviews, this critic has graded:
  • 73% higher than the average critic
  • 2% same as the average critic
  • 25% lower than the average critic
On average, this critic grades 9.9 points higher than other critics. (0-100 point scale)

Steven Rea's Scores

  • Movies
  • TV
Average review score: 70
Highest review score: 100 Crazy Heart
Lowest review score: 0 A Little Bit of Heaven
Score distribution:
1888 movie reviews
    • 84 Metascore
    • 88 Steven Rea
    A film full of a sense of impending danger, betrayal, seduction and destruction. Quite simply, it's great stuff.
    • 84 Metascore
    • 88 Steven Rea
    McConaughey's performance isn't just about the weight loss. It's about gaining compassion, even wisdom, and it's awesome.
    • 84 Metascore
    • 88 Steven Rea
    A mordantly funny, clear-eyed view of an extended family's mounting dysfunction in a changing society.
    • 83 Metascore
    • 100 Steven Rea
    Crazy Heart is the real thing, and a real gem.
    • 83 Metascore
    • 88 Steven Rea
    The film speaks to fundamental issues of history, truth, and the philosophical conflicts of humankind.
    • 83 Metascore
    • 88 Steven Rea
    Avatar delivers. Combining beyond-state-of-the-art moviemaking with a tried-and-true storyline and a gamer-geek sensibility - not to mention a love angle, an otherworldly bestiary, and an arsenal of 22d-century weaponry - the movie quite simply rocks.
    • 83 Metascore
    • 100 Steven Rea
    Witty and wonderful, Fantastic Mr. Fox is the perfect Thanksgiving entertainment.
    • 83 Metascore
    • 88 Steven Rea
    At once guileless and profound.
    • Philadelphia Inquirer
    • 83 Metascore
    • 88 Steven Rea
    It's a feminist nightmare, the world brought to life -- in hard-hitting documentary style.
    • 83 Metascore
    • 100 Steven Rea
    Beautifully observed, and beautifully acted by the novice thespian Polanco (culled from a New York City public school), Chop Shop is at once a heartbreaker and a story of hope and the American Dream.
    • 83 Metascore
    • 88 Steven Rea
    '71
    1971 is a testament to a generation's idealism, heroism, foolhardiness, fearlessness.
    • 83 Metascore
    • 88 Steven Rea
    Easily the best stop-motion animated necrophiliac musical romantic comedy of all time. It is also just simply, wonderful: a morbid, merry tale of true love that dazzles the eyes and delights the soul.
    • 83 Metascore
    • 88 Steven Rea
    Marwencol is about Hogancamp and his miniature alter-ego, about his photographs and his creative process. But it is also, on a deeper level, about how we process our experiences - good and bad, violent and mysterious - and how we try to build safe places in our lives.
    • 83 Metascore
    • 100 Steven Rea
    The real 3-D experience of the season is Pina, Wim Wenders' shockingly beautiful and moving tribute to the late German choreographer Pina Bausch.
    • 83 Metascore
    • 88 Steven Rea
    Like "The Square," the startling Down Under noir released a few months ago, Animal Kingdom explores the down and dirty side of human nature, fraught with greed, suspicion, and betrayal.
    • 83 Metascore
    • 75 Steven Rea
    What about the kids and families who have no connection to Méliès, little familiarity with Charlie Chaplin or Buster Keaton? Will Hugo keep them in their seats? I'm not sure.
    • 83 Metascore
    • 100 Steven Rea
    Captain Phillips is harrowing, inspiring, a must-see piece of moviemaking.
    • 83 Metascore
    • 88 Steven Rea
    Gloria, spare and keenly observed, plays like a short story - there is no sweeping narrative arc, no momentous triumph or calamity. But there is a bit of justice meted out, and the act of its meting brings a slow, small smile to Gloria's face.
    • 83 Metascore
    • 75 Steven Rea
    A Raimi-esque mix of gross-out madness and sick laughs.
    • 83 Metascore
    • 88 Steven Rea
    The polar opposite of the J.K. Simmons character in "Whiplash."
    • 83 Metascore
    • 88 Steven Rea
    It is the more satisfying of the two installments - less over-the-top, arterial-gushing violence and more investigation into character, motives, back-story.
    • 83 Metascore
    • 100 Steven Rea
    Like Hitchcock, only creepier, Haneke slowly cranks up the suspense.
    • 83 Metascore
    • 88 Steven Rea
    Ergüven's film, beautifully shot and beautifully performed, cuts its storybook tone with starker, more brutal truths. Anger - aimed at a conservative social order and those complicit in maintaining it - courses through this sad, striking tale.
    • 83 Metascore
    • 100 Steven Rea
    It's a story of global consequences and historic proportions, and of astounding athleticism and synchronicity - and filmmaker Polsky ices it.
    • 83 Metascore
    • 75 Steven Rea
    An accomplished and compelling film by writer/director Josh Mond, James White is also pretty much a bummer.
    • 83 Metascore
    • 88 Steven Rea
    A masterfully creepy and beautifully turned variation on the teen horror formula.
    • 83 Metascore
    • 75 Steven Rea
    It's a wondrous mix of the momentous and mundane, the profound and the perverse, with Cave blues-talking his way through the goofy juxtapositions, the darkness, and the light.
    • 82 Metascore
    • 100 Steven Rea
    Creed is corny like the old Rocky films, but riveting like the old Rocky films, too.
    • 82 Metascore
    • 88 Steven Rea
    The great thing about Venus - apart from its sharp eye for the daily routines and drab details of senior citizenry in a buzzing metropolis - is that it isn't soppy, or sentimental.
    • 82 Metascore
    • 75 Steven Rea
    Ajami brings its audience into a world where the cultural conflict is fierce, emotions run high, yet the hopeful vision of peaceful coexistence shines through the cracks.

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