Susan Wloszczyna

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For 451 reviews, this critic has graded:
  • 57% higher than the average critic
  • 3% same as the average critic
  • 40% lower than the average critic
On average, this critic grades 2 points lower than other critics. (0-100 point scale)

Susan Wloszczyna's Scores

  • Movies
  • TV
Average review score: 59
Highest review score: 100 Men in Black
Lowest review score: 0 Nine Lives
Score distribution:
  1. Negative: 78 out of 451
451 movie reviews
    • 50 Metascore
    • 50 Susan Wloszczyna
    Partisan, Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.
    • 29 Metascore
    • 50 Susan Wloszczyna
    In the end, it is up to Leem Lubany, a beauty who hails from Palestine and made her debut in the 2013 Oscar-nominated foreign language film "Omar," to lend a much-needed grace note as Salima.
    • 51 Metascore
    • 50 Susan Wloszczyna
    A sweetly-intentioned though somewhat awkwardly structured spin on a Hallmark Channel-style dramedy that strives to shed light on the disorder from a female perspective.
    • 59 Metascore
    • 50 Susan Wloszczyna
    Simply falls short.
    • 56 Metascore
    • 50 Susan Wloszczyna
    Irons is the gawky one. His Hardy is a socially inept bachelor who is ill-suited to the role of nurturing mentor and father figure.
    • 31 Metascore
    • 50 Susan Wloszczyna
    More important than the washed-out blue-tinged rooms, bleached white interiors and sun-blasted sea and sand is Cruz, who single-handedly breathes a sense of genuineness into this maudlin exercise even if she can’t cure all of its flaws.
    • 60 Metascore
    • 50 Susan Wloszczyna
    The same weakness that has plagued a goodly portion of major releases this year that rely on past successes for their reason to exist rears up again: the lack of the new and fresh.
    • 34 Metascore
    • 50 Susan Wloszczyna
    Don’t be distracted by the eye-pleasing purple and lavender hues that have been added to the typically chilly color palette. This plot is as disjointed as it sounds.
    • 57 Metascore
    • 50 Susan Wloszczyna
    The Intervention is no embarrassment, and any time a woman is allowed to direct a film benefits the cause. But if DuVall’s purpose was to provide a snapshot of her generation, she should have sharpened her focus and dug a little deeper.
    • 48 Metascore
    • 50 Susan Wloszczyna
    My diagnosis of why Morgan malfunctions as a chilling plunge into blood-splattered mayhem is that, before the midway point, it is pretty obvious what the eventual outcome and supposed big reveal will be. This is not the fault of the actors necessarily — there are highly respected talents involved here. It is just that we have seen most of this unfold before.
    • 57 Metascore
    • 50 Susan Wloszczyna
    As hard as it is to admit, Guest’s once-incisive satirical bite has grown dull in its familiarity. He doesn’t seem to be having as much fun here and neither are we.
    • 42 Metascore
    • 50 Susan Wloszczyna
    Alas, Office Christmas Party serves as yet another reminder that allowing your cast to madly improvise (as evident with an unnecessary end-credits blooper reel) instead of actually providing a coherent script with a scintilla of logic often leads to a decline in sustained laughter.
    • 42 Metascore
    • 50 Susan Wloszczyna
    The main problem of Monster Trucks is how content it is to take its sweet time before shifting into high-action gear.

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