For 773 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 The Boondocks: Season 1
Lowest review score: 0 Do Not Disturb: Season 1
Score distribution:
773 tv reviews
    • 62 Metascore
    • 50 Tim Goodman
    Though there are plenty of hard-earned (some might say forced) laughs here and Bornheimer is a real find, you can't help but wonder how they'll keep up the pace.
    • 78 Metascore
    • 50 Tim Goodman
    But this is an epic drama on HBO, correct? So is it Giamatti or Adams himself who will make viewers wish for a swifter and less pedantic version on the History Channel?
    • 62 Metascore
    • 50 Tim Goodman
    How about less ghost, more Margo? That might help A Gifted Man become better than very average.
    • 69 Metascore
    • 50 Tim Goodman
    Unfortunately, Life Unexpected took all of the schmaltz of "Gilmore Girls" and expanded it several hundred times over, forgetting to insert any of the quirk and only a smidge of the smart banter.
    • 58 Metascore
    • 50 Tim Goodman
    Intriguing--but not especially enjoyable.
    • 42 Metascore
    • 50 Tim Goodman
    The problem with "Criminal Minds" -- other than there are 48 series in a similar vein, 39 of them on CBS -- is that every person in this cast has an area of expertise, and they spend the hour telling you about it in the most unrealistic workplace conversations you'll ever hear.
    • 61 Metascore
    • 50 Tim Goodman
    Though Berlanti doesn't always get the balance right and there's no telling whether people will glom onto Eli the way they did Ally, having seen three episodes and been entertained through most of them is saying something, at least.
    • 41 Metascore
    • 50 Tim Goodman
    Feels forced.... What "American Dad" really resembles most is the less-funny outtakes from "Family Guy," done in a way that doesn't even pretend to be original. [4 Feb 2005]
    • San Francisco Chronicle
    • 57 Metascore
    • 50 Tim Goodman
    Ryan seems too inert, not nearly aggressive enough for the role.
    • 40 Metascore
    • 50 Tim Goodman
    It never finds a compelling vision while inside those heads to suggest it will be anything more than a good, but not great, hospital drama.
    • 65 Metascore
    • 50 Tim Goodman
    There's an old-school feel to the storytelling (shades of "Columbo") that makes it feel comfortable--perhaps too comfortable, or at least too easy.
    • 62 Metascore
    • 50 Tim Goodman
    There's not much payoff to the premise. Which is a real shame, because there's a good show here somewhere
    • 59 Metascore
    • 50 Tim Goodman
    And yet, after watching the first two episodes, it's a shame that Legends (and TNT) weren't a bit more ambitious with the show. The pilot is splashy and action-packed, but overall the lack of complexity--and yes, I know I cited that as a plus earlier--makes it less satisfying.
    • 48 Metascore
    • 50 Tim Goodman
    Although the cases in Raising the Bar are apparently influenced by real-life cases, they tend to be either predictable or predictably unpredictable, however you want to look at it. In combination with the characters, this makes Raising the Bar about an average law series. That's pretty good for TNT, but less than expected from Bochco - fair or not.
    • 55 Metascore
    • 50 Tim Goodman
    There’s nothing overtly bad about the first two episodes of Dracula but neither was there anything compelling.
    • 58 Metascore
    • 50 Tim Goodman
    What NCIS: Los Angeles does well is what all CBS procedurals do well--bring mostly believable, semi-pulse-pounding justice to bad guys by the end of the hour with some action, a dose of humor and the weekly, methodical unpeeling of each character's private onion skin.
    • 65 Metascore
    • 50 Tim Goodman
    What Animals is trying to do is take The West Wing and turn it into Dallas. And if you don't like Dallas, that can be a real letdown.
    • 68 Metascore
    • 50 Tim Goodman
    Despite having Berry and a sci-fi idea that, while not super-original, is still intriguing, Extant lays flat for most of the hour, failing to set the hook.
    • 57 Metascore
    • 50 Tim Goodman
    Joss Whedon is one of television's most talented visionaries, but his latest series--the highly anticipated midseason drama Dollhouse--is a major disappointment.
    • 49 Metascore
    • 50 Tim Goodman
    Right now, outside of Anderson struggling to make something from the limited ingredients he's been given, New Orleans itself is the only interesting element.
    • 63 Metascore
    • 50 Tim Goodman
    The pilot of Miss Guided suffers a bit from being too cute with a device where the actors talk into the camera for narration and expository purposes.
    • 59 Metascore
    • 50 Tim Goodman
    Applegate is charming, adorable and funny. But she's going to need that plus a car battery or a purposeful dip in the bathtub with a hair dryer to get much spark into this series.
    • 60 Metascore
    • 50 Tim Goodman
    The hour goes by fairly quickly, but it's neither overtly scary nor overtly funny, and mixing those tones is very hard indeed.
    • 53 Metascore
    • 50 Tim Goodman
    There are bits of "8 Simple Rules..." that are genuinely funny and hint at better things to come. But the full 22 minutes doesn't stick together well and ends up feeling like a comedy that's been overdone.
    • 61 Metascore
    • 50 Tim Goodman
    This is a series that throws so much lunacy into the plotlines that even the writers on "Dynasty" must be hissing.
    • 50 Metascore
    • 50 Tim Goodman
    The trouble with Welcome to the Captain, outside of the title and romantic emphasis, is that two episodes haven't revealed any clear direction.
    • 65 Metascore
    • 50 Tim Goodman
    It seems the writers got the initial idea in their heads -- Kyra Sedgwick raises hell -- then faltered in stacking the bricks around her. The accent is distracting, though the writers must have chosen Atlanta for a reason. The sweet tooth is gimmicky. And the fact she doesn't exactly close the trunk with force in the pilot is of some concern.
    • 60 Metascore
    • 50 Tim Goodman
    At some point, your head will explode.
    • 47 Metascore
    • 50 Tim Goodman
    There are funny moments here, mostly coming from Mohr's agitated rantings. But the laugh track is mighty intrusive, which detracts from the average jokes by throwing them in your face (or down your ear, as it were).
    • 54 Metascore
    • 50 Tim Goodman
    When Bob's Burgers gets rolling and hints at the smarts that made Home Movies and Dr. Katz so good, it only makes you long for a distancing on the inane, easy-joke riffs that try to be "edgy."

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