For 765 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.1 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 The Boondocks: Season 1
Lowest review score: 0 Moonlight: Season 1
Score distribution:
765 tv reviews
    • 89 Metascore
    • 100 Tim Goodman
    Having seen the first four episodes, you need to be a part of this. You need to doff the skepticism and get on the ride.
    • 91 Metascore
    • 100 Tim Goodman
    It remains, as ever, a wholly original concoction that’s a thing of odd beauty.
    • 78 Metascore
    • 100 Tim Goodman
    Starz has its channel-defining series in Boss, a wholly impressive new drama that comes out of the gate with gravitas, swagger, originality and intrigue.
    • 77 Metascore
    • 100 Tim Goodman
    The fall's funniest sitcom.
    • 87 Metascore
    • 100 Tim Goodman
    "City of Men" pulses with the kind of energy you don't get often on American television, and the realness of the shot-on-location scene really makes each episode feel like a minimovie.
    • 98 Metascore
    • 100 Tim Goodman
    The breadth and ambition of "The Wire" are unrivaled and that taken cumulatively over the course of a season -- any season -- it's an astonishing display of writing, acting and storytelling that must be considered alongside the best literature and filmmaking in the modern era.
    • 68 Metascore
    • 100 Tim Goodman
    A cleverly crafted, ingenious thriller with only scant moments of implausibility. Most of it has the unmistakable imprint of a smart premise beautifully executed.
    • 87 Metascore
    • 100 Tim Goodman
    All the elements Mad Men does well - the humor, the note-perfect clothing and sets, the creeping cultural change - are still there to be savored.
    • 86 Metascore
    • 100 Tim Goodman
    Lost has a stellar, varied cast, it is shot beautifully and it surprises more often than it makes you wince or wheeze, which, in the math of action-adventure-sci-fi-thrillers, is a good thing. [22 Sept 2004, p.E1]
    • San Francisco Chronicle
    • 89 Metascore
    • 100 Tim Goodman
    Season two of Orange Is the New Black delivers immediately, stays relevant and entertaining, and gives the impression that it has learned a lot of life lessons inside the system.
    • 79 Metascore
    • 100 Tim Goodman
    Stunningly great execution.
    • 79 Metascore
    • 100 Tim Goodman
    This is a series that was completely unexpected, and Hall has hard-and-fast rules about what Joan and God can do. She's not making up the story arcs on the fly, which gives confidence that this unusual creation is in good hands. [25 Sept 2003, p.E1]
    • San Francisco Chronicle
    • 96 Metascore
    • 100 Tim Goodman
    Breaking Bad is unquestionably one of the greatest dramas in TV history. What it should be rewarded and applauded for is the wanton willingness to throw the concomitant success of all that away in the service of the story.
    • 68 Metascore
    • 100 Tim Goodman
    "Flight of the Conchords" may well be the funniest thing you've seen in ages and -- at least for a half hour -- answers the question of whether HBO has any good shows left.
    • 82 Metascore
    • 100 Tim Goodman
    It's essential viewing. All of the promise of last season looks to be realized with impressively deft storytelling, beautiful cinematography and impeccable acting.
    • 85 Metascore
    • 100 Tim Goodman
    Evaluated merely as one episode competing against all the previous episodes in the series, this one is pretty spectacular.... Mad Men is back, looking as vibrant as ever.
    • 94 Metascore
    • 100 Tim Goodman
    The consistency of excellence in Game of Thrones is truly something to behold. Even in three episodes, viewers will sense things tightening up-- that winter and war are coming and they are coming at a full run.
    • 98 Metascore
    • 100 Tim Goodman
    This is a series that goes beyond critical darling. "The Wire" is better than its own hype. If you don't watch the show, it's your fault, your loss.
    • 71 Metascore
    • 100 Tim Goodman
    As good as Rome is -- and it's an epic, multilayered thing of beauty -- it's still not on the level of "The Sopranos" or "The Wire" or "Deadwood." That's almost an unfair comparison, but it's also true. On the other hand, "Rome" unfolds like a marvelously shot big-screen movie, each scene (filmed on location in Italy) dripping with money well spent and a meticulous grandeur that rewards you for paying extra for HBO.
    • 85 Metascore
    • 100 Tim Goodman
    The casting on Fargo is superb, but none more so than Thornton, who is absolutely magnetic as the calm killer with a penchant for wry observation.... The four episodes that FX sent are a testament to Hawley’s bold belief that he could tackle such an original piece of cinema and make it work on the small screen.
    • 94 Metascore
    • 100 Tim Goodman
    "Battlestar Galactica" not only lives up to its sci-fi gold-standard reputation but also should be considered straight up as one of television's most appealing dramas, no matter the genre.
    • 86 Metascore
    • 100 Tim Goodman
    As Sutter proved in the intriguing and original first season, there's plenty more riveting storytelling to tap into as Sons of Anarchy boldly comes of age.
    • 71 Metascore
    • 100 Tim Goodman
    The new offering, from executive producers Ronald D. Moore and David Eick (the team behind "BSG"), stands on its own and in many ways might be more inviting to viewers who are not hard-core sci-fi fans.
    • 91 Metascore
    • 100 Tim Goodman
    In an embarrassment of riches, this series is littered with numerous quality acting performances. It's just a thing of beauty all the way around.
    • 84 Metascore
    • 100 Tim Goodman
    It means there's finally something good (and funny) on Tuesday nights.
    • 70 Metascore
    • 100 Tim Goodman
    There's a lot to love in Californication, from the blowtorch-keen dialogue of creator and writer Tom Kapinos to the way that Duchovny's ever-so-slightly-fading good looks perfectly encapsulate the character's downturn in Hollywood, to a multitude of standout performances in the ensemble cast.
    • 57 Metascore
    • 100 Tim Goodman
    The Life & Times of Tim--is flat-out brilliant and easily one of the funniest newcomers to television.
    • 83 Metascore
    • 100 Tim Goodman
    Again, it's back to the writing and the look. Both are superb.
    • 88 Metascore
    • 100 Tim Goodman
    Sometimes watching greatness expand and realizing that a foundation is in place for the future (excellent writing, superb acting, a clear conceptual vision) is just the kind of assurance you need to cement your allegiance.
    • 88 Metascore
    • 100 Tim Goodman
    The writing is a real thing of beauty - from the aforementioned nuance to searing workplace witticisms and pitch-perfect tone from a multitude of characters.

Top Trailers