For 693 reviews, this critic has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 2.3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 The Wire: Season 2
Lowest review score: 0 Killer Instinct: Season 1
Score distribution:
693 tv reviews
    • 89 Metascore
    • 100 Tim Goodman
    Soak in the visuals, listen to the mesmerizing use of sound. The writing and acting will lure you in, but have appreciation for all the details that go into making this series so great.
    • 89 Metascore
    • 100 Tim Goodman
    Graham Yost, who wrote HBO's "Band of Brothers," creates deeply drawn characters who are revealed slowly over the course of an episode (and season). He's the kind of writer whose vision and touch you can trust over the long haul.
    • 89 Metascore
    • 100 Tim Goodman
    But this is what a great TV series does -- it mines difficult emotional ground. It's willfully complex, putting popularity at risk. It avoids convention and takes irregular dramatic steps. With that in mind, watch Rescue Me at your own risk.
    • 89 Metascore
    • 100 Tim Goodman
    Having seen the first four episodes, you need to be a part of this. You need to doff the skepticism and get on the ride.
    • 89 Metascore
    • 100 Tim Goodman
    There are moments in Arrested Development, Fox's new sitcom, that are pants-wettingly funny. There are jokes and scenarios that bend you over in gleeful agony. All of a sudden, with this last new fall series offering -- hope having been beaten out of all of us -- we get one of the most hysterically ridiculous half hours on television.
    • 33 Metascore
    • 0 Tim Goodman
    "The Bedford Diaries" is just woeful -- the most trite, forced and stage-managed piece of empty titillation you're likely to see.
    • 89 Metascore
    • 75 Tim Goodman
    Just when it seemed that "Curb Your Enthusiasm," the crotchety, disdain-filled embarrassment of absurdities, was going to lose its way, Larry David seems to have found a new batch of wince-inducing scenarios to mine his comedy. [7 Sep 2007]
    • 54 Metascore
    • 50 Tim Goodman
    It's not compelling at all.
    • 89 Metascore
    • 100 Tim Goodman
    In the end, there will likely be a lot of unhappiness, dead bodies, same-as-it-ever-was institutional failure, lack of responsibility and the triumph of self-interest over the greater good. Not exactly a Hallmark card, but one hell of an artistic achievement.
    • 88 Metascore
    • 100 Tim Goodman
    There's a vibrancy to the stories in each Boardwalk Empire episode. With echoes of the gangland mentality of "The Sopranos" and the frontier recklessness of "Deadwood," HBO seems to have found in Boardwalk Empire a fertile, sprawling new franchise series.
    • 88 Metascore
    • 100 Tim Goodman
    With elements of "Wonder Years," "Cosby" and the "The Jeffersons," but also a spirit all its own, "Chris" is a sitcom that finally makes the family funny again.
    • 88 Metascore
    • 100 Tim Goodman
    Game of Thrones is so much more than a genre series, a fantasy epic. It's a series that doesn't need to feel dramatically inferior up against the likes of Mad Men or Breaking Bad, Justified or anything else.
    • 88 Metascore
    • 100 Tim Goodman
    While some critics have nearly thrown themselves in front of a train to get people to watch Friday Night Lights, bending and bruising the language in praise of it, the truth is that a good argument could be made for FNL being perhaps the best drama on broadcast television. [5 Oct 2007]
    • 88 Metascore
    • 100 Tim Goodman
    Sherlock is back as brilliant as ever and there’s joy and entertainment and superb craftsmanship abounding in this first episode (you might feel like clapping in appreciation when it ends), but there’s also the promise of more goodness ahead.
    • 88 Metascore
    • 90 Tim Goodman
    Mad Men stays relevant and exciting by moving forward.
    • 88 Metascore
    • 100 Tim Goodman
    Sometimes watching greatness expand and realizing that a foundation is in place for the future (excellent writing, superb acting, a clear conceptual vision) is just the kind of assurance you need to cement your allegiance.
    • 88 Metascore
    • 100 Tim Goodman
    This is one of maybe six or so elite series on all of television that you should absolutely be watching. Pitch-perfect acting (ensemble stars Jason Bateman and Jessica Walter were robbed of Emmys) and nuanced writing that staggers you with its cleverness and lunacy makes this more than a typical dysfunctional-family sitcom. [3 Nov 2004, p.E1]
    • 67 Metascore
    • 100 Tim Goodman
    Kohan and her writers deserve perhaps more credit than they're getting for forcing change and making it artistically compelling.
    • 88 Metascore
    • 100 Tim Goodman
    Like any episode of Archer, telling the jokes does them no justice. You need to find out for yourself why this series is such a politically incorrect gem.
    • 88 Metascore
    • 100 Tim Goodman
    The writing is a real thing of beauty - from the aforementioned nuance to searing workplace witticisms and pitch-perfect tone from a multitude of characters.
    • 88 Metascore
    • 90 Tim Goodman
    What’s intriguing and partly amazing about the two hour "movie” called “The Doorway” that opens the season April 7 is that Weiner has not lost his touch at writing a beautifully crafted script--jammed with the sadness and humor and personal revelations we’ve all come to appreciate. But in addition to that, he’s decided to really hit home Mad Men’s key theme in the first two hours with a kind of ferocity of intent we’ve rarely seen from him.
    • 88 Metascore
    • 75 Tim Goodman
    New characters, new rivalry, same old high quality.
    • 87 Metascore
    • 100 Tim Goodman
    Just like "The Wire," Simon has again delivered a series unlike anything you've seen on television before.
    • 87 Metascore
    • 100 Tim Goodman
    All the elements Mad Men does well - the humor, the note-perfect clothing and sets, the creeping cultural change - are still there to be savored.
    • 87 Metascore
    • 100 Tim Goodman
    Three more words: Oh. My. God.
    • 87 Metascore
    • 100 Tim Goodman
    "City of Men" pulses with the kind of energy you don't get often on American television, and the realness of the shot-on-location scene really makes each episode feel like a minimovie.
    • 87 Metascore
    • 100 Tim Goodman
    The new HBO series from Lena Dunham (Tiny Furniture) is one of the most original, spot-on, no-missed-steps series in recent memory.
    • 87 Metascore
    • 100 Tim Goodman
    In a fall season surprisingly flush with good sitcoms, the best new comedy by far--and it's not that close of a race - is Modern Family on ABC.
    • 87 Metascore
    • 100 Tim Goodman
    The acting--by Matthew McConaughey and Woody Harrelson--is off the charts. The writing and the concept, by series creator and novelist Nic Pizzolatto, undulates from effectively brash soliloquies to penetratingly nuanced moments carried by sparse prose. Lastly, director Cary Joji Fukunaga has created a beautiful, sprawling sense of place (the series is shot and set in Louisiana).
    • 87 Metascore
    • 100 Tim Goodman
    The Pacific is a superb, viscerally moving and harrowing depiction of World War II and a worthy complement to "Band of Brothers" (2001).