For 758 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Desperate Housewives: Season 1
Lowest review score: 0 Til Death: Season 1
Score distribution:
758 tv reviews
    • 78 Metascore
    • 100 Tim Goodman
    Starz has its channel-defining series in Boss, a wholly impressive new drama that comes out of the gate with gravitas, swagger, originality and intrigue.
    • 37 Metascore
    • 50 Tim Goodman
    Can we negotiate for a better premise if we release some hostages?
    • 78 Metascore
    • 75 Tim Goodman
    Project Runway is entertaining and likable on so many levels that it's hard to resist.
    • 78 Metascore
    • 100 Tim Goodman
    "Weeds" is colossally great... a series far better than its premise and utterly essential for devotees of smart, entertaining television.
    • 78 Metascore
    • 80 Tim Goodman
    Created and written by Sam Shaw (Masters of Sex), and directed superbly by veteran Thomas Schlamme (The West Wing), Manhattan kicks off with two gripping episodes that highlight a strong cast.
    • tbd Metascore
    • 75 Tim Goodman
    "The Simple Life" is a one-note joke, but it's a good one.
    • 39 Metascore
    • 25 Tim Goodman
    "Courting Alex" is sadly predictable and unfunny at pretty much every turn.
    • 78 Metascore
    • 70 Tim Goodman
    The first hour moves slower than people might be expecting, but builds to and ends on a wonderful cliff-hanger that is partly but not fully solved in the second episode.
    • 78 Metascore
    • 50 Tim Goodman
    But this is an epic drama on HBO, correct? So is it Giamatti or Adams himself who will make viewers wish for a swifter and less pedantic version on the History Channel?
    • 78 Metascore
    • 75 Tim Goodman
    There's some spot-on and sharp humor throughout, but it never gets too light and breezy.
    • 78 Metascore
    • 100 Tim Goodman
    Making a film is kind of a nightmare, but a riveting one. And Project Greenlight is in itself a riveting documentary. It's got a hero, it's got stars, it's got drama. In 12 parts, we'll find out if there's a happy ending.
    • 78 Metascore
    • 100 Tim Goodman
    Lost is a different genre, one that may infuriate even the loyalists, but there's something impressive and rewarding in its density.
    • 78 Metascore
    • 88 Tim Goodman
    "Friday Night Lights" is not good. It's great.
    • 78 Metascore
    • 100 Tim Goodman
    Glee, one of the season's best and most anticipated new series, delivers on both counts - and more. It's a quirky, sweet, humorous, nonpartisan funfest.
    • 78 Metascore
    • 90 Tim Goodman
    It's too early to really judge Americans against Homeland, but if the latter is getting away from what hooked you in the first place, then you might find what you're missing on Americans.
    • 78 Metascore
    • 80 Tim Goodman
    The good news is that Kimmy is already really good; in the first six episodes, each one gets better as it goes (though the pilot is particularly strong).
    • 57 Metascore
    • 50 Tim Goodman
    "Raines" is one of those shows that are enjoyable time wasters if you don't know what else is available.
    • 68 Metascore
    • 100 Tim Goodman
    Hirst, Rhys Meyers and the rest of the cast (and Bergin's costumes) make it all somehow meatier but no less entertaining in Season 2.
    • 77 Metascore
    • 100 Tim Goodman
    The fall's funniest sitcom.
    • 77 Metascore
    • 80 Tim Goodman
    It's not a perfect pilot; most sitcoms aren't. But, like a precious few others, you can see that everyone involved is funny and connected to the concept.
    • 57 Metascore
    • 75 Tim Goodman
    It's a big soapy epic that allows you to turn off your brain late at night, but it ultimately carries no gravitas, minority hiring or not. As long as we're clear on that, there's nothing wrong for applauding what the series gets right, given the constraints of the genre.
    • 77 Metascore
    • 100 Tim Goodman
    Daring and original.
    • tbd Metascore
    • 75 Tim Goodman
    "The Surreal Life" is so bad it's good. Really bad. And really good.
    • 77 Metascore
    • 70 Tim Goodman
    The Bridge is mandatory viewing for drama lovers, but it will be interesting to see where the writers take it and whether they have the big-league ability to make the evident potential materialize. One thing they’ve hopefully learned is that sometimes holding back information isn’t mysterious, it’s just confusing.
    • 77 Metascore
    • 100 Tim Goodman
    The acting (from a mostly unknown cast), cinematography (you can just stare at this series) and especially Weiner's writing carry the series to exceptional heights.
    • 39 Metascore
    • 75 Tim Goodman
    The jaded will have a field day, but so what? In the end, if lives are changed like they are on "Three Wishes" and "Extreme Makeover: Home Edition," then who cares what corporate names are flashed or how many manufactured "reveals" there are?
    • 37 Metascore
    • 50 Tim Goodman
    In FX's Testees, viewers get a good premise gone sophomorically sideways.
    • 54 Metascore
    • 50 Tim Goodman
    Told mainly from the perspective of the criminal, L&O:CI has a superb cast (Vincent D'Onofrio, Courtney B. Vance, Jamey Sheridan). But you can't get past the fact that you've seen this all before, just assembled differently.
    • 77 Metascore
    • 90 Tim Goodman
    Bringing [Saul and Carrie] to the forefront and giving them a lot of scenes in the first two episodes has strengthened the series. The writing and acting in the first two episodes are exceptional. Let’s hope this continues, because it’s once again thrilling to watch this show.
    • 77 Metascore
    • 70 Tim Goodman
    There's a lot to be gained from Sonic Highways, but it probably won't appeal to those outside of hardcore music appreciation circles, or those who are out on Friday nights.

Top Trailers