For 925 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3.9 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 63
Highest review score: 100 You're the Worst: Season 3
Lowest review score: 0 Spartacus: Blood and Sand: Season 1
Score distribution:
925 tv reviews
    • 72 Metascore
    • 50 Tim Goodman
    After watching the first four episodes, it's clear that despite the familiar adrenaline rush and a (temporarily) tighter rein on the ridiculous, 24 hasn't changed much at all.
    • 86 Metascore
    • 100 Tim Goodman
    It's a gloriously visual fairy tale full of saturated colors and whimsical stories, the kind of romantic comedy/whodunit that should, by rights, captivate a nation starved for quirkiness and delight.
    • 72 Metascore
    • 60 Tim Goodman
    The series feels reinvigorated [with the time jump to 1966]. What remains problematic--and there’s no real fix for it--is that viewers have had 24 episodes of Masters and Johnson’s evolving relationship and the latter part of that was a lot of bickering and problems that only highlighted the fact that Masters has never been very likable.
    • 72 Metascore
    • 80 Tim Goodman
    The latest version remains as wonderfully quirky as all the others, but cleverly adds new layers of depth and character development that will (one would hope) allow it to play out over multiple seasons.
    • 72 Metascore
    • 70 Tim Goodman
    It's that very attraction--familiar characters acting with familiarity and only the slipperiest of soap schemes to throw them off course--that fuels this series. It's not particularly elite anymore, but it's incredibly efficient.
    • 72 Metascore
    • 90 Tim Goodman
    Every actor nails their lines, which keeps Veep moving at a brisk pace. In fact, the episodes seem to end so quickly, you'll wish they lasted an hour.
    • 72 Metascore
    • 80 Tim Goodman
    As it stands after two entertaining episodes, there's a lot that Agent Carter can do going forward. It already feels like a series, and if it can keep that up--plus highlight the hell out of Hayley Atwell--then a second season should come easy.
    • 48 Metascore
    • 30 Tim Goodman
    A clunker that's slow to build and never believable as it takes shape.
    • 72 Metascore
    • 80 Tim Goodman
    Welcome to Sweden knows the story it wants to tell, and it does so in tightly crafted half-hour blocks that are fjords full of charm.
    • 72 Metascore
    • 50 Tim Goodman
    The decline of '24' is almost as harrowing as one of its patented pulse-pounding dramatic moments. ... Maybe '24' won't be so head-slappingly ludicrous this time around, but the first two episodes do little to give cynics reason for hope. [27 Oct 2003]
    • San Francisco Chronicle
    • 63 Metascore
    • 75 Tim Goodman
    Both Paquin and Moyer do well here. And True Blood is fleshed out with other interesting characters getting to spout well-written lines. But at times the whole thing seems silly.
    • 72 Metascore
    • 80 Tim Goodman
    Ripper Street is a well-acted, well-written and compelling mystery series. And even better, there's no waiting around, wishing it would improve. It's alluring from the start.
    • 72 Metascore
    • 100 Tim Goodman
    Watching Fox’s wonderfully creative and ridiculously entertaining new series, The Last Man On Earth, you can’t help but laugh (it’s a comedy--duh), but also be truly and utterly impressed.
    • 43 Metascore
    • 75 Tim Goodman
    What works so well in the series is that the four friends are so distinctly different, and the writers are able to adjust the level of humor to each.
    • 57 Metascore
    • 25 Tim Goodman
    Luckily, the writing here is so moronic and the situations so forced and mundane, it's easier to dismiss what is, all told, pretty fantastic work on behalf of Galecki and Parsons.
    • 81 Metascore
    • 88 Tim Goodman
    What helps separate "The Nine" from others in this season's crowded field are stellar performances throughout and a steady, sure hand in the pilot.
    • 70 Metascore
    • 25 Tim Goodman
    The writing is forced and thin, some of the acting stagey, most of the characters unlikable and - the show-killer quality that HBO execs apparently failed to see--profoundly boring.
    • 78 Metascore
    • 100 Tim Goodman
    "Weeds" is colossally great... a series far better than its premise and utterly essential for devotees of smart, entertaining television.
    • 59 Metascore
    • 75 Tim Goodman
    It has a zest, from the voice-over to the sharp writing and sexy cast, that was completely unexpected. Duhamel has star appeal, and Caan is can't-miss.
    • 45 Metascore
    • 50 Tim Goodman
    [It] ultimately succumbs to being an inferior story on a broadcast network that can't even remotely match two far better cable series ["The Sopranos" and "Brotherhood"].
    • 72 Metascore
    • 90 Tim Goodman
    The Rashomon-style storytelling takes a bit to get used to, and the sometimes feverish flow of the jokes (which fans may remember from the hall-of-fame first three seasons) struggle to unleash themselves in the first couple of episodes, but then it snowballs into seven-and-a-half hours of hilarity just waiting for a movie to follow it up.
    • 72 Metascore
    • 80 Tim Goodman
    This kind of limited series is a step in the right direction. And it sure helps that the first hour is intriguing as hell and filled with a lot of storytelling promise. If viewers catch the pilot, they’ll be back for the next episode. Some critics, too.
    • 72 Metascore
    • 60 Tim Goodman
    Outside of Stoll, The Strain struggles to develop its characters in the first few episodes.
    • 72 Metascore
    • 88 Tim Goodman
    A very original, extremely well-acted and complexly written drama.
    • 72 Metascore
    • 100 Tim Goodman
    Right out of the gate, "The Boondocks" is a water-cooler series that lives up to the hype. It is funny, fearless and continues the vibe of the strip.
    • 72 Metascore
    • 50 Tim Goodman
    There is something too pat, too telegraphed in "Invasion" to rile up the blood.
    • 72 Metascore
    • 70 Tim Goodman
    There were some nerves--how could there not be?--and there were plenty of flashes of the wickedly smart and super-fast comedic intellect he’s honed over the years. Did it all work? Of course not. But what I liked most was the feeling that Colbert was going to reveal a side of himself that he didn’t get to show much on the Colbert Report or even The Daily Show.
    • 71 Metascore
    • 100 Tim Goodman
    As good as Rome is -- and it's an epic, multilayered thing of beauty -- it's still not on the level of "The Sopranos" or "The Wire" or "Deadwood." That's almost an unfair comparison, but it's also true. On the other hand, "Rome" unfolds like a marvelously shot big-screen movie, each scene (filmed on location in Italy) dripping with money well spent and a meticulous grandeur that rewards you for paying extra for HBO.
    • 71 Metascore
    • 75 Tim Goodman
    NBC did renew Parks and Recreation and, like a small miracle of second-act redemption, it comes back on Thursday as a fully realized and very funny sitcom.
    • 69 Metascore
    • 75 Tim Goodman
    What's partly holding "CSI: Miami" back from being great is that, as in the original "CSI," the whole premise is too pat.

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