For 734 reviews, this critic has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this critic grades 2.9 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Generation Kill
Lowest review score: 0 Emily Owens, M.D.: Season 1
Score distribution:
734 tv reviews
    • 68 Metascore
    • 100 Tim Goodman
    Few series have exploded onto the scene with such a rich array of potential stories and inherently interesting characters.
    • 78 Metascore
    • 100 Tim Goodman
    When Season 3 kicks off spectacularly, there's a slight exhale in the first 59 minutes--then a twist. And not a small one, either. By the second episode, the writers give you roughly 40 minutes to digest that twist, then drop a real stunner. Which is--just to cut to the chase here--truly and incredibly exciting television.
    • 83 Metascore
    • 100 Tim Goodman
    Again, it's back to the writing and the look. Both are superb.
    • 81 Metascore
    • 100 Tim Goodman
    It's a serialized mystery that pays off your devotion.
    • 80 Metascore
    • 100 Tim Goodman
    The level of cleverness of Flight of the Conchords is off the charts.
    • 78 Metascore
    • 100 Tim Goodman
    Lost is a different genre, one that may infuriate even the loyalists, but there's something impressive and rewarding in its density.
    • 84 Metascore
    • 100 Tim Goodman
    The first three episodes of Season 2 that AMC sent out continue that level of achievement with no evident missteps.
    • 84 Metascore
    • 100 Tim Goodman
    Rescue Me races out of the gate as confidently brilliant as ever before, wildly mixing emotions along the way.
    • 87 Metascore
    • 100 Tim Goodman
    All the elements Mad Men does well - the humor, the note-perfect clothing and sets, the creeping cultural change - are still there to be savored.
    • 86 Metascore
    • 100 Tim Goodman
    As Sutter proved in the intriguing and original first season, there's plenty more riveting storytelling to tap into as Sons of Anarchy boldly comes of age.
    • 77 Metascore
    • 100 Tim Goodman
    All your favorites are back in force, with a few twists, but the allure of the series always has been and always will be Hall, who manages to make a killer (who kills only people who deserve it, mostly) likable, believable, engaging and funny, as he works his job as a blood splatter expert at Miami Metro Homicide.
    • 73 Metascore
    • 100 Tim Goodman
    Welcome back, 30 Rock. Even in a season of wonderful sitcoms--trend story alert!--you get it done.
    • 71 Metascore
    • 100 Tim Goodman
    The new offering, from executive producers Ronald D. Moore and David Eick (the team behind "BSG"), stands on its own and in many ways might be more inviting to viewers who are not hard-core sci-fi fans.
    • 86 Metascore
    • 100 Tim Goodman
    The Pacific is a superb, viscerally moving and harrowing depiction of World War II and a worthy complement to "Band of Brothers" (2001).
    • 89 Metascore
    • 100 Tim Goodman
    Soak in the visuals, listen to the mesmerizing use of sound. The writing and acting will lure you in, but have appreciation for all the details that go into making this series so great.
    • 92 Metascore
    • 100 Tim Goodman
    What is not surprising at all about the fourth season of one of television's elite series is that Weiner continues to explore what it means to be human.
    • 57 Metascore
    • 100 Tim Goodman
    The Life & Times of Tim--is flat-out brilliant and easily one of the funniest newcomers to television.
    • 81 Metascore
    • 100 Tim Goodman
    Little Dorrit is anchored by an extraordinary performance by one of England's best actors. And like "Twist," that central performance is only one of many elements that make Dorrit not only terrific entertainment, but, in some ways, perhaps even better than its source material.
    • 78 Metascore
    • 100 Tim Goodman
    Glee, one of the season's best and most anticipated new series, delivers on both counts - and more. It's a quirky, sweet, humorous, nonpartisan funfest.
    • 86 Metascore
    • 100 Tim Goodman
    In a fall season surprisingly flush with good sitcoms, the best new comedy by far--and it's not that close of a race - is Modern Family on ABC.
    • 71 Metascore
    • 100 Tim Goodman
    If you like big-screen-level thrills and complicated plot structures, you'll opt-in to FlashForward. And you'll be rewarded. Here's hoping it stays strong and compelling as it heads to April 29.
    • 84 Metascore
    • 100 Tim Goodman
    It means there's finally something good (and funny) on Tuesday nights.
    • 80 Metascore
    • 100 Tim Goodman
    The best news of all is that Olyphant backs it up with an incredibly riveting performance. Better yet, Justified as a whole really delivers, from the explosive pilot to a couple of other, less adrenaline-filled but no less superb episodes that add humor and nuanced storytelling to the mix.
    • 88 Metascore
    • 100 Tim Goodman
    Just like "The Wire," Simon has again delivered a series unlike anything you've seen on television before.
    • 84 Metascore
    • 100 Tim Goodman
    Sons of Anarchy remains as bare-knuckled and, almost inconceivably, as funny and crass as ever. And it doesn't take Season 3 very long to ratchet up the twists
    • 84 Metascore
    • 100 Tim Goodman
    In the case of Sunny, it comes out of the gate as brilliantly twisted as ever.
    • 88 Metascore
    • 100 Tim Goodman
    There's a vibrancy to the stories in each Boardwalk Empire episode. With echoes of the gangland mentality of "The Sopranos" and the frontier recklessness of "Deadwood," HBO seems to have found in Boardwalk Empire a fertile, sprawling new franchise series.
    • 85 Metascore
    • 100 Tim Goodman
    State of Play is one of those series where a moment's brilliance is rivaled by the very next scene, a careening thriller that gives credence to the idea that there may not be any better format for telling an impact story than over the course of four or six hours. [16 Apr 2004, p.E1]
    • San Francisco Chronicle
    • 86 Metascore
    • 100 Tim Goodman
    Lost has a stellar, varied cast, it is shot beautifully and it surprises more often than it makes you wince or wheeze, which, in the math of action-adventure-sci-fi-thrillers, is a good thing. [22 Sept 2004, p.E1]
    • San Francisco Chronicle
    • 76 Metascore
    • 100 Tim Goodman
    The joy of this series really comes down to two things: lots of action and some babelicious butt-kicking. Not something to be proud of for enjoying it, but true. Pass the chips and ale -- and down in front!

Top Trailers