For 703 reviews, this critic has graded:
  • 53% higher than the average critic
  • 4% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Orphan Black: Season 2
Lowest review score: 0 Watching Ellie: Season 2
Score distribution:
703 tv reviews
    • 61 Metascore
    • 75 Tim Goodman
    More emotional, equally gripping, "CSI: N.Y." proves that with care you can successfully copy yourself across the TV schedule. [21 Sep 2004]
    • San Francisco Chronicle
    • 79 Metascore
    • 75 Tim Goodman
    Big Love just doesn't induce love. And yet, the series crafts compelling stories.
    • 79 Metascore
    • 75 Tim Goodman
    Project Runway is entertaining and likable on so many levels that it's hard to resist.
    • 71 Metascore
    • 75 Tim Goodman
    "Thief" doesn't levitate with genre-busting genius, but it is very FX, which means it's very real and well executed, a series that doesn't pander.
    • 69 Metascore
    • 75 Tim Goodman
    Entourage works precisely because it's nearly soulless. These guys are wallowing in excess. Any less of a cannonball into it would seem unbelievable. But there's no ignoring how childish and annoyingly limited the group can be, including some aspects of Eric.
    • 59 Metascore
    • 75 Tim Goodman
    Ackles and Padalecki are good-looking, yes, get to drive a '67 Chevy and will undoubtedly run into a lot of really hot women in peril, but "Supernatural" works. It's just serious enough, just hip enough and, as advertised, more scary than imagined.
    • 56 Metascore
    • 75 Tim Goodman
    It's a whole lot better than the premise on paper, and though initially it takes a bit to warm to Davis.
    • 67 Metascore
    • 75 Tim Goodman
    The documentary look is engaging, and Lilley's wildly over-the-top performance as three distinct characters is made all the more funny as it clashes against the reserved nature of the nonactors.
    • 64 Metascore
    • 75 Tim Goodman
    Dinklage is particularly good here and the whole idea of trying to hide from the public the fact we've been invaded is intriguing fare.
    • 55 Metascore
    • 75 Tim Goodman
    Deschanel, who's believable either serious or perplexed -- and adorable in her quirkiness -- immediately becomes this series' most important ingredient.
    • 64 Metascore
    • 75 Tim Goodman
    "Love Monkey" manages in one hour to be both funny and endearing, a more option-rich version of "Ed."
    • 62 Metascore
    • 75 Tim Goodman
    Sometimes formula done entertainingly is just what the country wants to eat.
    • 39 Metascore
    • 75 Tim Goodman
    The jaded will have a field day, but so what? In the end, if lives are changed like they are on "Three Wishes" and "Extreme Makeover: Home Edition," then who cares what corporate names are flashed or how many manufactured "reveals" there are?
    • 79 Metascore
    • 75 Tim Goodman
    It's helpful to remember that Life on Mars is less about said realism and more about Sam's twisted journey. Enjoying that retro-cool ride is the essence of the series.
    • 51 Metascore
    • 75 Tim Goodman
    The promise of grown up storytelling is alluring. This is a series to watch to see if it grows.
    • 73 Metascore
    • 75 Tim Goodman
    "Andy Barker, P.I." is a joyous, ridiculous, warm, affecting and silly comedy that is tone specific (read: Not everybody is going to get the vibe, and thus the jokes).
    • 83 Metascore
    • 75 Tim Goodman
    Friday Night Lights, like "Battlestar Galactica," also proved initial assumptions wildly wrong and deserves credit for being vastly better than either a show about high school football or an irksome teen drama.
    • 88 Metascore
    • 75 Tim Goodman
    New characters, new rivalry, same old high quality.
    • 68 Metascore
    • 75 Tim Goodman
    Tonight's pilot has a film quality to it and the narrative flow is both intriguing and unexpected.
    • 81 Metascore
    • 75 Tim Goodman
    Save for one far-fetched incident, the two hours provided enough clues as to where the season will head--and how much conflict from secrets and lies will be coming down the pike - to hook fans of the show who might have been waffling on the commitment.
    • 51 Metascore
    • 75 Tim Goodman
    "Vanished" is indeed compelling. And it is without question Fox's best fall offering (though, having seen all its shows, that praise is not as high as you might expect).
    • 38 Metascore
    • 75 Tim Goodman
    Unexpectedly, it's funny. And it gets funnier and sharper in future episodes.
    • 75 Metascore
    • 75 Tim Goodman
    "Ugly Betty" is worth checking out. It retains a charm that far outstrips expectations. And Ferrera's performances are small wonders to behold.
    • 64 Metascore
    • 75 Tim Goodman
    It has a goofy charm and outsize ridiculousness that wins you over -- even if you'd prefer more snark.
    • 75 Metascore
    • 75 Tim Goodman
    The acting here is exceptional and the writing strong and honest. Though "Brotherhood" may not be in the rarefied air of "The Sopranos" or "The Wire," it's still a major achievement for Showtime's original-series development and yet another top-notch cable drama.
    • 67 Metascore
    • 75 Tim Goodman
    The good news is that State of Mind is surprisingly engaging and Taylor continues to be wonderful in just about any role she plays. This is a series that bears watching.
    • 68 Metascore
    • 75 Tim Goodman
    The Riches is gloriously inventive, daring and provocative, with excellent performances.
    • 66 Metascore
    • 75 Tim Goodman
    Dirty Sexy Money is compelling even when it's not, funny when you're not quite sure it should be, ridiculous in the strangest spots and ultimately addictive if, for no other reason, you want to watch more episodes to find out what kind of beast it is.
    • 57 Metascore
    • 75 Tim Goodman
    It's a big soapy epic that allows you to turn off your brain late at night, but it ultimately carries no gravitas, minority hiring or not. As long as we're clear on that, there's nothing wrong for applauding what the series gets right, given the constraints of the genre.
    • 44 Metascore
    • 75 Tim Goodman
    What works so well in the series is that the four friends are so distinctly different, and the writers are able to adjust the level of humor to each.