For 773 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Sherlock: Season 2
Lowest review score: 0 Til Death: Season 1
Score distribution:
773 tv reviews
    • 64 Metascore
    • 75 Tim Goodman
    The series gets better with each episode, and the characters become funnier and more interesting when you come to know (or pity) them along the way.
    • 83 Metascore
    • 75 Tim Goodman
    '24' keeps you on edge like no other series. [28 Oct 2002]
    • San Francisco Chronicle
    • 79 Metascore
    • 75 Tim Goodman
    Big Love just doesn't induce love. And yet, the series crafts compelling stories.
    • 81 Metascore
    • 75 Tim Goodman
    Save for one far-fetched incident, the two hours provided enough clues as to where the season will head--and how much conflict from secrets and lies will be coming down the pike - to hook fans of the show who might have been waffling on the commitment.
    • 73 Metascore
    • 75 Tim Goodman
    Breaking Bad promises seven compelling and unique hours of drama.
    • 60 Metascore
    • 75 Tim Goodman
    At times slight--the trick of talking into the camera was never novel, and the absence of an erotic backbone made it feel partly contrived--Secret Diary of a Call Girl nevertheless ends up at an unexpected place: smartly satisfying.
    • 75 Metascore
    • 75 Tim Goodman
    The acting here is exceptional and the writing strong and honest. Though "Brotherhood" may not be in the rarefied air of "The Sopranos" or "The Wire," it's still a major achievement for Showtime's original-series development and yet another top-notch cable drama.
    • 38 Metascore
    • 75 Tim Goodman
    Unexpectedly, it's funny. And it gets funnier and sharper in future episodes.
    • 69 Metascore
    • 75 Tim Goodman
    What's partly holding "CSI: Miami" back from being great is that, as in the original "CSI," the whole premise is too pat.
    • 61 Metascore
    • 75 Tim Goodman
    It stars Elizabeth Reaser ("Grey's Anatomy"), as Bella, who strikes the right balance of snide, seasoned relationship survivor and romantic hopeful. There's a winning cast, particularly Rachel Boston who plays Bella's sister and Amir Talai ("Campus Ladies") as one of Bella's male buddies.
    • 65 Metascore
    • 75 Tim Goodman
    To its credit, there are a few extra twists along the way that make the show more intriguing and which hint at a slightly darker feel (but not too bleak) and a chance to have a more complicated story than simply one family with super powers.
    • 64 Metascore
    • 75 Tim Goodman
    It has a goofy charm and outsize ridiculousness that wins you over -- even if you'd prefer more snark.
    • 66 Metascore
    • 70 Tim Goodman
    Both Emerson and Caviezel are compelling and the way Nolan and Abrams have constructed the look (lots of nourish far-away shots in crowded streets, a sense of contained doom in an urban city) bodes well. That alone is worth the investment.
    • 58 Metascore
    • 70 Tim Goodman
    Better dense than dumb, however, and the move by Black Sails into something unexpected--better acted and better written than you might have guessed--is its own little treasure.
    • 74 Metascore
    • 70 Tim Goodman
    The pilot is one of those good-not-great propositions that many pilots are, particularly those trying to establish a complex world.
    • 67 Metascore
    • 70 Tim Goodman
    As first nights go, this was a winner for Corden.... This is very much a show under construction.
    • 73 Metascore
    • 70 Tim Goodman
    Arrow, proves to be both on-brand and entertaining--if you turn off the snark detector and downplay the need for plausibility or logic.
    • 66 Metascore
    • 70 Tim Goodman
    There's a great cast here--including Zeljko Ivanek as the president's Chief Of Staff and budding nemesis to Elizabeth; and Bebe Neuwirth as head of the staff Elizabeth has inherited. Yet the secondary players have yet to pop.
    • 73 Metascore
    • 70 Tim Goodman
    Battle Creek works best when it lays on the quirkiness and sputters a bit when it gets too coy or sappy about the crimes the detectives are solving. But the series, thanks to Winters and Duhamel, is very entertaining and kills an hour with ease (as most good CBS procedurals do).
    • 57 Metascore
    • 70 Tim Goodman
    There's a lot of genre-bending in this one but some real entertainment value, dramatic potential and, hell, if it can be half of what Battlestar Galactica was, that's a winning combination.
    • 67 Metascore
    • 70 Tim Goodman
    Maybe a solid Western-ish offering like Longmire will be good enough.
    • 63 Metascore
    • 70 Tim Goodman
    Mob City is a big, bloody, flashy, violent and pulpy exercise that slowly builds into some solid entertainment and it’s a fine, identity-bending effort on the part of TNT.
    • 67 Metascore
    • 70 Tim Goodman
    In many ways, The Bridge is better in season two than in season one, but for some reason it decided to triple-down on the plot and make the whole thing a complex web of interconnected stories.
    • 49 Metascore
    • 70 Tim Goodman
    Not all of the acting works all of the time, but the cast holds it together when necessary, guided with assurance by Montgomery, who alone deserves another episode or two just to appreciate.
    • 60 Metascore
    • 70 Tim Goodman
    Despite feeling like the concept owes quite a bit to the British series Gavin & Stacey, and a nagging suspicion that the evolution of one couple completely smitten and the other ready to spit on each other will take a long time to come around to four friends and two happy couples, that's not a problem if the jokes are funny. So far, so good.
    • 52 Metascore
    • 70 Tim Goodman
    A solid if unspectacular story about one of the most unlucky lawyers ever depicted on television.
    • 69 Metascore
    • 70 Tim Goodman
    As for first impressions, I liked it. ... Slight nitpicking should not obscure the fact that overall Wilmore was funny; his show was smart and thoughtful, has a bright future and seems an excellent fit with Stewart and the Comedy Central brand.
    • 78 Metascore
    • 70 Tim Goodman
    The first hour moves slower than people might be expecting, but builds to and ends on a wonderful cliff-hanger that is partly but not fully solved in the second episode.
    • 66 Metascore
    • 70 Tim Goodman
    A cool video-meets-soap concept that looks as fresh as anything in years. ... [But] the dialogue falters and the acting is, in spots, forced.
    • 73 Metascore
    • 70 Tim Goodman
    Stoppard's storytelling structure has an odd rhythm to it, and White's direction can be both majestically beautiful and transitionally jarring. But combined, their choices allow Parade's End to achieve an exquisiteness, a sense of high art.

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