For 765 reviews, this critic has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 3 points lower than other critics. (0-100 point scale)

Tim Goodman's Scores

Average review score: 62
Highest review score: 100 Flight of the Conchords: Season 1
Lowest review score: 0 Work It : Season 1
Score distribution:
765 tv reviews
    • 40 Metascore
    • 50 Tim Goodman
    It never finds a compelling vision while inside those heads to suggest it will be anything more than a good, but not great, hospital drama.
    • 65 Metascore
    • 50 Tim Goodman
    There's an old-school feel to the storytelling (shades of "Columbo") that makes it feel comfortable--perhaps too comfortable, or at least too easy.
    • 62 Metascore
    • 50 Tim Goodman
    There's not much payoff to the premise. Which is a real shame, because there's a good show here somewhere
    • 59 Metascore
    • 50 Tim Goodman
    And yet, after watching the first two episodes, it's a shame that Legends (and TNT) weren't a bit more ambitious with the show. The pilot is splashy and action-packed, but overall the lack of complexity--and yes, I know I cited that as a plus earlier--makes it less satisfying.
    • 48 Metascore
    • 50 Tim Goodman
    Although the cases in Raising the Bar are apparently influenced by real-life cases, they tend to be either predictable or predictably unpredictable, however you want to look at it. In combination with the characters, this makes Raising the Bar about an average law series. That's pretty good for TNT, but less than expected from Bochco - fair or not.
    • 55 Metascore
    • 50 Tim Goodman
    There’s nothing overtly bad about the first two episodes of Dracula but neither was there anything compelling.
    • 58 Metascore
    • 50 Tim Goodman
    What NCIS: Los Angeles does well is what all CBS procedurals do well--bring mostly believable, semi-pulse-pounding justice to bad guys by the end of the hour with some action, a dose of humor and the weekly, methodical unpeeling of each character's private onion skin.
    • 65 Metascore
    • 50 Tim Goodman
    What Animals is trying to do is take The West Wing and turn it into Dallas. And if you don't like Dallas, that can be a real letdown.
    • 68 Metascore
    • 50 Tim Goodman
    Despite having Berry and a sci-fi idea that, while not super-original, is still intriguing, Extant lays flat for most of the hour, failing to set the hook.
    • 57 Metascore
    • 50 Tim Goodman
    Joss Whedon is one of television's most talented visionaries, but his latest series--the highly anticipated midseason drama Dollhouse--is a major disappointment.
    • 49 Metascore
    • 50 Tim Goodman
    Right now, outside of Anderson struggling to make something from the limited ingredients he's been given, New Orleans itself is the only interesting element.
    • 63 Metascore
    • 50 Tim Goodman
    The pilot of Miss Guided suffers a bit from being too cute with a device where the actors talk into the camera for narration and expository purposes.
    • 59 Metascore
    • 50 Tim Goodman
    Applegate is charming, adorable and funny. But she's going to need that plus a car battery or a purposeful dip in the bathtub with a hair dryer to get much spark into this series.
    • 60 Metascore
    • 50 Tim Goodman
    The hour goes by fairly quickly, but it's neither overtly scary nor overtly funny, and mixing those tones is very hard indeed.
    • 53 Metascore
    • 50 Tim Goodman
    There are bits of "8 Simple Rules..." that are genuinely funny and hint at better things to come. But the full 22 minutes doesn't stick together well and ends up feeling like a comedy that's been overdone.
    • 61 Metascore
    • 50 Tim Goodman
    This is a series that throws so much lunacy into the plotlines that even the writers on "Dynasty" must be hissing.
    • 50 Metascore
    • 50 Tim Goodman
    The trouble with Welcome to the Captain, outside of the title and romantic emphasis, is that two episodes haven't revealed any clear direction.
    • 65 Metascore
    • 50 Tim Goodman
    It seems the writers got the initial idea in their heads -- Kyra Sedgwick raises hell -- then faltered in stacking the bricks around her. The accent is distracting, though the writers must have chosen Atlanta for a reason. The sweet tooth is gimmicky. And the fact she doesn't exactly close the trunk with force in the pilot is of some concern.
    • 60 Metascore
    • 50 Tim Goodman
    At some point, your head will explode.
    • 47 Metascore
    • 50 Tim Goodman
    There are funny moments here, mostly coming from Mohr's agitated rantings. But the laugh track is mighty intrusive, which detracts from the average jokes by throwing them in your face (or down your ear, as it were).
    • 54 Metascore
    • 50 Tim Goodman
    When Bob's Burgers gets rolling and hints at the smarts that made Home Movies and Dr. Katz so good, it only makes you long for a distancing on the inane, easy-joke riffs that try to be "edgy."
    • 55 Metascore
    • 50 Tim Goodman
    "The Dresden Files" is currently mediocre, a series searching for the right tone, seemingly unsure of itself and all the while not quite selling itself to the non sci-fi crowd.
    • 46 Metascore
    • 50 Tim Goodman
    It's painfully derivative on so many fronts that it sometimes seems you're watching five reality shows at once.
    • 67 Metascore
    • 50 Tim Goodman
    In truth, it's the bountiful hamminess of McShane and the other evildoers that makes Pillars great fun, even if it's never going to be a candidate for "Masterpiece Theatre."
    • 58 Metascore
    • 50 Tim Goodman
    The pilot is not especially funny. But it has potential.
    • 63 Metascore
    • 50 Tim Goodman
    It's light but predictable fun.
    • 67 Metascore
    • 50 Tim Goodman
    Even in the first episode, it's clear that "Desperate Housewives" is a vastly improved series from a year ago. The passing is better; the tone is more focused. It's funnier and more focused. But it's also still "Desperate Housewives," and there's that malodorous whiff of the whole thing being past its sell-by date. [22 Sep 2006]
    • San Francisco Chronicle
    • 48 Metascore
    • 50 Tim Goodman
    Actually, "Emily's Reasons Why Not" does have its funny moments. The problem is twofold. The show tweaks and contorts itself so hard to get those laughs that the whole thing feels forced and unmanageable for two consecutive episodes, much less a season. And secondly, the premise is unlikely to hold up for any length of time.
    • 56 Metascore
    • 50 Tim Goodman
    The Whole Truth, which airs opposite "The Defenders" on ABC, is less lousy.
    • 29 Metascore
    • 50 Tim Goodman
    Sometimes the suburban jokes work -- every little girl seems to be named Caitlin -- but Hidden Hills is mostly still foraging for the hidden jokes that will make it more original.

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