Todd McCarthy
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For 1,426 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.4 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Lord of the Rings: The Return of the King
Lowest review score: 0 Being Human
Score distribution:
1,426 movie reviews
    • 66 Metascore
    • 60 Todd McCarthy
    Often a gutsy, intelligent writer, Toback has yet to prove himself decisively as a director, and this, his first fictional effort behind the camera in a decade, shows his talents to be as variable as ever.
    • 44 Metascore
    • 60 Todd McCarthy
    A heaping serving of metaphysical gobbledygook wrapped in a physically striking package.
    • 47 Metascore
    • 60 Todd McCarthy
    Refreshingly revisionist in the sense that it takes a relatively clear-eyed view of the messy lives and equivocal circumstances of many of the key participants.
    • 47 Metascore
    • 60 Todd McCarthy
    One of the more absorbing and palatable entries in the rather disreputable "Death Wish"-style self-appointed vigilante sub-genre.
    • 35 Metascore
    • 60 Todd McCarthy
    The sense of evil overkill is entirely representative of the picture itself, which repeatedly looks ready to blow all its fuses due to sensory overload.
    • 56 Metascore
    • 60 Todd McCarthy
    Despite a sensationally attractive cast and an array of well-staged combat scenes presented on a vast scale, Wolfgang Petersen's highly telescoped rendition of the Trojan War lurches ahead in fits and starts for much of its hefty running time, to OK effect.
    • tbd Metascore
    • 60 Todd McCarthy
    Compensating for the technical faults is the writer-director's unmistakable and undiluted need to express the issues he feels are at the heart of his community.
    • 77 Metascore
    • 60 Todd McCarthy
    While pic remains sympathetic and appealing, the endless dialogue and repetitive settings become wearing through the couple's one long night together, and the artifice of the premise may contribute to the difficulty the film has in coming to romantic life.
    • 69 Metascore
    • 60 Todd McCarthy
    A balanced, evenhanded film about a subject who has always managed to provoke intemperate reactions.
    • 49 Metascore
    • 60 Todd McCarthy
    Takes plenty of liberties with the material and never generates much genuine excitement, but provides an agreeable ride without overloading it with contemporary filmmaking mannerisms.
    • 67 Metascore
    • 60 Todd McCarthy
    Feels too piecemeal and ultimately inconsequential.
    • 46 Metascore
    • 60 Todd McCarthy
    Replete with smart, capable characters and crimes so bizarre that they lend the film a suspiciously lurid nature, this tony suspenser is hampered by the presence of a villain who is all too obvious from the very beginning.
    • 53 Metascore
    • 60 Todd McCarthy
    Nair's approach never entirely convinces, and the adaptation of the 900-plus-page book becomes increasingly episodic, making this Vanity Fair more a collection of intermittent pleasures than a satisfying emotional repast.
    • 48 Metascore
    • 60 Todd McCarthy
    With the combination of mobster characters and heavily R&B, hip-hop and disco/soul tune orientation of the soundtrack, pic has a more streetwise feel than most animated fare, which is not to say that it has street smarts.
    • 70 Metascore
    • 60 Todd McCarthy
    Butler is in no way a hot-headed or contentious piece of agit-prop, unlike so many other election year documentaries; like Kerry himself, the film speaks to the mind, not the emotions.
    • 47 Metascore
    • 60 Todd McCarthy
    An unabashedly old-fashioned entertainment loaded with traditional dancing and music.
    • 65 Metascore
    • 60 Todd McCarthy
    A minor affair, a confection based on dalliances and the way a set of sophisticated theater people handle them, that lacks true distinction.
    • 29 Metascore
    • 60 Todd McCarthy
    Although The Postman conveys a thoroughly imagined vision of a future society, its basic concerns are actually far from those of traditional sci-fi, as it quickly comes to feel more like a Western than anything else.
    • 52 Metascore
    • 60 Todd McCarthy
    Although uneven and too deliberately obscure in meaning to be entirely satisfying, result remains sufficiently intriguing and startling to bring many of Lynch's old fans back on board for this careening ride.
    • 50 Metascore
    • 60 Todd McCarthy
    A generic suspenser that doesn't taste bad at first bite but becomes increasingly hard to swallow, The Saint comes off more as a pallid imitation of Paramount's Eurothriller "Mission: Impossible" than as anything resembling the further adventures of Leslie Charteris' charming rogue.
    • 56 Metascore
    • 60 Todd McCarthy
    It's a film of myriad minor pleasures but scant compelling qualities.
    • 56 Metascore
    • 60 Todd McCarthy
    A not-bad futuristic actioner with three or four astounding sequences, an unusual hero, a nifty villain and less mythic and romantic resonance than might be desired.
    • 71 Metascore
    • 60 Todd McCarthy
    A witty and sometimes surreal sci-fi comedy, Men in Black is a wild knuckleball of a movie that keeps dancing in and out of the strike zone.
    • 55 Metascore
    • 60 Todd McCarthy
    An exhaustingly elaborate romantic fantasy actioner.
    • 63 Metascore
    • 60 Todd McCarthy
    Although it will most readily appeal to cinephiles…offers sufficient reality-based incident and ponderable cultural issues to attract curious audiences.
    • 47 Metascore
    • 60 Todd McCarthy
    Atom Egoyan's most mainstream and genre-oriented picture in his 20-year career applies a thick noir lacquer to a jumbled, time-jumping tale of a young female journalist prying the facts out of the aging entertainers and their cronies.
    • 58 Metascore
    • 60 Todd McCarthy
    Part absurdist drama, part personal observational commentary and part hormonal explosion, all seen through the filter of previous war pics, Sam Mendes' third feature has numerous arresting moments but never achieves a confident, consistent or sufficiently audacious tone.
    • 45 Metascore
    • 60 Todd McCarthy
    Mildly engaging but very far from being for 50 Cent what "8 Mile" was for Eminem, this lurchingly structured story of survival against the odds looks to get off to a strong start thanks to the singer's large following.
    • 74 Metascore
    • 60 Todd McCarthy
    Beautifully made pic will spur newsy media coverage and possible consternation on both sides of the Israeli-Palestinian divide, but members of the general public will be glancing at their watches rather than having epiphanies about world peace.
    • 52 Metascore
    • 60 Todd McCarthy
    So determinedly old-fashioned it makes a strong claim to being the best film musical of 1959.

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