Todd McCarthy
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For 1,361 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.5 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Beasts of the Southern Wild
Lowest review score: 0 Being Human
Score distribution:
1,361 movie reviews
    • 81 Metascore
    • 90 Todd McCarthy
    Considerable intelligence and strategic finesse have been brought to bear on this handsomely mounted adaptation of Michael Cunningham's Pulitzer Prize-winning novel, which was hardly a natural for the bigscreen.
    • 71 Metascore
    • 90 Todd McCarthy
    A smart sex comedy that successfully swims upstream to spawn and score.
    • 82 Metascore
    • 90 Todd McCarthy
    Manages the difficult feat of being an intimate, even delicate tale played with an appealingly light touch against an epic backdrop.
    • 84 Metascore
    • 90 Todd McCarthy
    This full-bodied adaptation of Dennis Lehane's involved and involving 2001 bestselling crime novel about old friends in Boston's working-class Irish neighborhood finds Clint Eastwood near the top of his directorial game with a cast of first-rate actors.
    • 69 Metascore
    • 90 Todd McCarthy
    Wayne Kramer's sexy and often humorous feature directorial debut surrounds its sweet center with the energy, flash and risk of the gambling capital. Sterling performances by William H. Macy and Maria Bello as the long-shot lovers and Alec Baldwin as a temperamental casino operator.
    • 72 Metascore
    • 90 Todd McCarthy
    An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.
    • 87 Metascore
    • 90 Todd McCarthy
    Errol Morris delivers a compelling, thoughtful and entirely involving documentary in The Fog of War.
    • 71 Metascore
    • 90 Todd McCarthy
    A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.
    • 82 Metascore
    • 90 Todd McCarthy
    Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.
    • 72 Metascore
    • 90 Todd McCarthy
    A dazzling delight.
    • 84 Metascore
    • 90 Todd McCarthy
    Wang has made a dramatically confident move into the mainstream on his own terms with highly congenial material.
    • 89 Metascore
    • 90 Todd McCarthy
    If films about coping with memory loss and/or reverse-order storytelling now constitute a mini-genre, then Eternal Sunshine of the Spotless Mind is arguably the best of the lot.
    • 75 Metascore
    • 90 Todd McCarthy
    Lightning strikes twice, but not as brilliantly as before, in Shrek 2. The welcome sequel to the monster 2001 Oscar winner about an ogre's unlikely romance with a beautiful princess successfully recycles many of the qualities that made the first one an instant animated classic and worldwide smash.
    • 62 Metascore
    • 90 Todd McCarthy
    A very entertaining get-tough fantasy with political and feminist underpinnings.
    • 76 Metascore
    • 90 Todd McCarthy
    Structurally and thematically similar to John Frankenheimer's original but entirely different in style, feel and nuance, this political thriller about a brainwashed soldier being positioned for the White House provides a delectable network of dramatic tripwires that teases the mind and quickens the pulse. This is brainy popcorn fare.
    • 72 Metascore
    • 90 Todd McCarthy
    As carefully constructed, handsomely crafted and flavorsomely acted as a top-of-the-line production from Hollywood's classical studio era, Francis Ford Coppola's screen version of John Grisham's The Rainmaker would seem to represent just about all a filmmaker could do with the best-selling author's patented dramatic formulas without subverting them altogether.
    • 94 Metascore
    • 90 Todd McCarthy
    A beautifully observed, small-scale study of personal foibles, romantic uncertainty and two sides of the sadly predictable male animal.
    • 68 Metascore
    • 90 Todd McCarthy
    Wonderfully acted and slickly mad. Acutely written with an eye to the motivations and ambiguities involved on both sides in such a relationship.
    • 62 Metascore
    • 90 Todd McCarthy
    Expert story construction and compelling thesping and direction make all the narrative elements pay off as if calculated by a precision instrument in which all the parts are working perfectly.
    • 84 Metascore
    • 90 Todd McCarthy
    Crucially for such an elaborately dressed production, the characters all come thoroughly alive with their ready wits and pulsing emotions, overcoming the two-century gap with seeming effortlessness.
    • 72 Metascore
    • 90 Todd McCarthy
    Performed with matchless aplomb and made with plush professionalism, pic serves up pure pleasure from beginning to end.
    • 75 Metascore
    • 90 Todd McCarthy
    An exemplary and dynamic work that goes about as far as a narrative film can in both analyzing a complex personality and portraying a cultural scene.
    • 83 Metascore
    • 90 Todd McCarthy
    Tightly made and populated by a uniformly larger-than-life cast of characters , pic is a total delight for every second of its running time.
    • 36 Metascore
    • 90 Todd McCarthy
    With its strong premise, a couple of fine performances and highly polished tooling, The Jackal scores as an involving high-tech thriller that occasionally hits peaks of pulsating excitement.
    • 68 Metascore
    • 90 Todd McCarthy
    Emerges as the best in the overall series since "The Empire Strikes Back."
    • 73 Metascore
    • 90 Todd McCarthy
    A gritty, intense and supremely accomplished sci-fier.
    • 73 Metascore
    • 90 Todd McCarthy
    In his bigscreen feature debut, director and co-writer Jonathan Mostow displays real flair for visceral cinema while adroitly sidestepping many of the usual tripwires of this sort of film, particularly silly coincidences, stupid decisions on the part of characters with whom you're supposed to identify, and superheroics performed by ordinary people.
    • 60 Metascore
    • 90 Todd McCarthy
    Although the story is built around the automatically emotional situation of an imperiled kid, scripters Richard Price (who appears briefly as an uncomfortably handcuffed victim of Sinise in the early going) and Alexander Ignon and director Ron Howard largely steer clear of milking the easy melodrama.
    • 54 Metascore
    • 90 Todd McCarthy
    As originated by Grisham and adapted by Akiva Goldsman, this is a story of elemental emotional and legal issues splashed across a large canvas, and director Joel Schumacher has done a solid job of keeping the many components in focus and balance.
    • 81 Metascore
    • 90 Todd McCarthy
    Last year's "The Prisoner of Azkaban" seemed dark, but this excellent fourth film derived from J.K. Rowling's books is the darkest "Potter" yet, intense enough to warrant a PG-13 rating.