Todd McCarthy
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For 1,426 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.4 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Spider-Man 2
Lowest review score: 0 Being Human
Score distribution:
1,426 movie reviews
    • 59 Metascore
    • 60 Todd McCarthy
    But the film also has its turgid, dialogue-heavy stretches, and the leading performances, if acceptable, are not everything they needed to be to fully flesh out these elegant immortals.
    • 38 Metascore
    • 60 Todd McCarthy
    After lightly going through the motions of a plot, it all ends up in the quarry, where assorted machinery provides the excuse for a parade of slapstick gags and amusement park-like predicaments that seem mostly lumbering.
    • 62 Metascore
    • 60 Todd McCarthy
    More intriguing on paper than when it actually unspools onscreen. Kevin Willmott's small-scaled but ambitious picture is well-researched, sometimes amusing and not unintelligent.
    • 71 Metascore
    • 60 Todd McCarthy
    The only problem is that the great majority of screen time is devoted to the kind of loutish, drunken, small-minded, confrontational macho posturing that, in assorted ethnic stripes, has been paraded across the screen innumerable times in recent years.
    • 60 Metascore
    • 60 Todd McCarthy
    It is unfortunate when such a difficult, ambitious film doesn't quite pay off after building up so much solid credit, but that is the case here. It is possible that the nature of the history under consideration is as responsible for this as any other single factor.
    • 67 Metascore
    • 60 Todd McCarthy
    Eventually, the impression is created of notes for good scenes full of pungent observations and sharp asides, but without fully developed drama or emotion, leaving a sketchy, wispy feeling when all is said and done.
    • 58 Metascore
    • 60 Todd McCarthy
    Highlighted by a strong and sensual performance from Salma Hayek as the doomed heroine, elegant pic's muted quality and the central character's vexingly contrary behavior will keep auds from connecting with characters who themselves have trouble establishing bonds.
    • 55 Metascore
    • 60 Todd McCarthy
    Strikes some resonant chords but also hits notes that simply don't ring true and are borderline risible at times
    • 58 Metascore
    • 60 Todd McCarthy
    A tad crasser and pushier than its predecessor, Ice Age: The Meltdown is still an entirely serviceable follow-up to the 2002 hit that will thoroughly amuse kids and get a rise or two out of parents as well.
    • 67 Metascore
    • 60 Todd McCarthy
    Despite a sprinkling of laughs and eye-catching moments, this adaptation of a popular comicstrip reps a middling effort from the house that "Shrek" built, a rather narrowly conceived tale that makes only modest hay from the overworked conflict between wildlife and encroaching humans.
    • 56 Metascore
    • 60 Todd McCarthy
    A melodramatic step backward for writer-director Victor Nunez after his last two pictures, the first-rate "Ruby in Paradise" and "Ulee's Gold."
    • 48 Metascore
    • 60 Todd McCarthy
    After the accomplished smoothness of "Match Point," it's back to more ragged form in Scoop, despite the almost identical posh settings, and the return of Scarlett Johansson as leading lady.
    • 62 Metascore
    • 60 Todd McCarthy
    The battle of the sexes is restaged to clever but inconsequential effect in Conversations With Other Women. Very much a case of old wine in a new bottle.
    • tbd Metascore
    • 60 Todd McCarthy
    A comprehensive, personal and surprisingly engaging look at how film crews routinely work hours far beyond anything that can be considered safe, healthy or conducive to a balanced life.
    • 62 Metascore
    • 60 Todd McCarthy
    First-time scripter Paul Bernbaum's framing story, designed to stir up suspicion that George Reeves was a murder victim rather than a suicide, unfortunately proves far less intriguing than does the melancholy tale of a limited actor reaching the end of the line during a transitional period in Hollywood.
    • 49 Metascore
    • 60 Todd McCarthy
    "Chinatown" it ain't, not in any department. On its own level, however, new pic generates a reasonable degree of intrigue.
    • 47 Metascore
    • 60 Todd McCarthy
    Lovingly and knowledgeably made by director Tony Bill, who got his pilot's license as a teenager, pic nonetheless has a lightweight, airbrushed feel; despite the brutal dogfights and inevitable deaths, there's little gravity or resonance.
    • 64 Metascore
    • 60 Todd McCarthy
    Unquestionably the most sexually graphic American narrative feature ever made outside the realm of the porn industry, John Cameron Mitchell's ambitious attempt to merge his characters' active sexual lives with more conventional emotional content is playfully and provocatively entertaining for roughly the first half, but loses staying power thereafter when investment in the uncompelling characters' problems is requested.
    • 65 Metascore
    • 60 Todd McCarthy
    It is far from unpleasant to watch an attractive cast led by Kirsten Dunst parading around Versailles accoutered in Milena Canonero's luxuriant costumes to the accompaniment of catchy pop tunes. But the writer-director's follow-up to her breakthrough second feature, "Lost in Translation," is no more nourishing than a bonbon.
    • 78 Metascore
    • 60 Todd McCarthy
    On its own terms, the plotting of "Devil" is absorbing, and the pieces actually fit together pretty decently. On the other hand, when scenes directly call to mind similar ones in "Chinatown," this effort's stepchild relationship to the classic is forcibly demonstrated.
    • 62 Metascore
    • 60 Todd McCarthy
    Stories of resistance to oppression will never become obsolete, but this feels like a picture that should have been made a long time ago.
    • 56 Metascore
    • 60 Todd McCarthy
    A psychotic seizure of a performance by Christian Bale dominates Harsh Times, the directorial debut of David Ayer that channels "Taxi Driver."
    • 50 Metascore
    • 60 Todd McCarthy
    Picture is impressively crafted and acted but far too narrowly and benignly conceived to satisfy even on its own terms.
    • 56 Metascore
    • 60 Todd McCarthy
    Entirely respectable in every way, it nonetheless has a very cool body temperature and thus likely will inspire polite admiration rather than excitement among viewers.
    • 69 Metascore
    • 60 Todd McCarthy
    Intelligent scripting, solid thesping and eye-catching location shooting aren't enough to make a compelling modern film of The Painted Veil.
    • 51 Metascore
    • 60 Todd McCarthy
    300
    A blustery, bombastic, visually arresting account of the Battle of Thermopylae as channeled through the rabid imagination of graphic novelist Frank Miller.
    • 53 Metascore
    • 60 Todd McCarthy
    An immediately involving yarn of an ace Marine sharpshooter set up to take the fall for an attempted presidential assassination, picture saddles itself with stereotypical villains, hokey contrivances and too-expedient crisis solutions.
    • 57 Metascore
    • 60 Todd McCarthy
    Francis Ford Coppola's take on the Dracula legend is a bloody visual feast. Both the most extravagant screen telling of the oft-filmed story and the one most faithful to its literary source, this rendition sets grand romantic goals for itself that aren't fulfilled emotionally, and it is gory without being at all scary.
    • 45 Metascore
    • 60 Todd McCarthy
    This decorous look at the great man's five years as ambassador to France in the period leading up to the French Revolution touches upon much significant history, incident and emotion but, ironically, lacks the intrigue and drama of great fiction.
    • 65 Metascore
    • 60 Todd McCarthy
    Unswervingly sincere and dramatic without surprise or revelation, screenwriter Joe Eszterhas' longtime pet project may be personal, but it offers little to audiences that hasn't been served up in quantity in the past.

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