Todd McCarthy
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For 1,421 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.4 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Shrek
Lowest review score: 0 Being Human
Score distribution:
1,421 movie reviews
    • 28 Metascore
    • 60 Todd McCarthy
    The Ugly Truth is an arch, contrived, entirely predictable romantic comedy assembled with sufficient audience-friendly elements to put it over as both a good girls' night attraction and a date-night lure raunchy enough to leave couples in the right mood afterward.
    • 48 Metascore
    • 60 Todd McCarthy
    A very mild animated entry from Disney with a distinctly recycled feel.
    • 77 Metascore
    • 60 Todd McCarthy
    Blue Ruin is a talented but sophomoric low-budgeter that straddles the divide between genre thriller and art piece with mixed results.
    • 69 Metascore
    • 60 Todd McCarthy
    A balanced, evenhanded film about a subject who has always managed to provoke intemperate reactions.
    • 61 Metascore
    • 60 Todd McCarthy
    No matter how silly and outlandish the action gets — and it does become ridiculous — it also delivers the goods its audience expects.
    • 56 Metascore
    • 60 Todd McCarthy
    A not-bad futuristic actioner with three or four astounding sequences, an unusual hero, a nifty villain and less mythic and romantic resonance than might be desired.
    • 66 Metascore
    • 60 Todd McCarthy
    Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up and some of the characters are left in a kind of dramatic no-man's-land.
    • 49 Metascore
    • 60 Todd McCarthy
    As computer game-derived features go, it sure beats "Lara Croft: Tomb Raider."
    • 77 Metascore
    • 60 Todd McCarthy
    A pictorially unusual but dramatically listless tale.
    • 52 Metascore
    • 60 Todd McCarthy
    This entertaining confection possesses the substance of the TV show, the pacing of a Hong Kong actioner and the production values of a James Bond thriller.
    • 62 Metascore
    • 60 Todd McCarthy
    Egoyan's pedantic, lecturing approach makes the film a bit of a slog, although the basic material has an intrinsic interest that makes one at least want to know more about the historical events.
    • 57 Metascore
    • 60 Todd McCarthy
    It's hard to dislike a movie this light-hearted, but there's something terribly ephemeral about it as well; it's a film of complete weightlessness.
    • 73 Metascore
    • 60 Todd McCarthy
    Garcia’s take, however beautiful physically, is intellectually opaque and creatively cautious, leaving the interested viewer, whether or not a believer, with much to wonder about but little to actually chew on.
    • 66 Metascore
    • 60 Todd McCarthy
    Amusingly eccentric rather than outright funny.
    • 77 Metascore
    • 60 Todd McCarthy
    While pic remains sympathetic and appealing, the endless dialogue and repetitive settings become wearing through the couple's one long night together, and the artifice of the premise may contribute to the difficulty the film has in coming to romantic life.
    • 57 Metascore
    • 60 Todd McCarthy
    For Altman, this is a major statement about American hypocrisy and society’s haves and have-nots, in line with many of his films, but issued in a kind of offhand way that delivers only glancing emotional impact.
    • 81 Metascore
    • 60 Todd McCarthy
    The ultimate effect of [Östlund's] studied techniques is more restricting than beneficial, which, combined with a protracted running time, faintly self-righteous air and a perplexing, misguided coda, produces a sense of letdown at the end despite the strength of much that has come before.
    • 59 Metascore
    • 60 Todd McCarthy
    A frothy, lightweight romantic comedy that strives to seem richer and more complex than it really is.
    • 51 Metascore
    • 60 Todd McCarthy
    300
    A blustery, bombastic, visually arresting account of the Battle of Thermopylae as channeled through the rabid imagination of graphic novelist Frank Miller.
    • 72 Metascore
    • 60 Todd McCarthy
    After impressing well enough in his previous big screen directorial outings, Abrams works in a narrower, less imaginative mode here; there's little sense of style, no grace notes or flights of imagination. One feels the dedication of a young musician at a recital determined not to make any mistakes, but there's no hint of creative interpretation, personal feelings or the spreading of artistic wings.
    • 50 Metascore
    • 60 Todd McCarthy
    Red State is cleverly contrarian enough to get a rise out of almost any audience.
    • 69 Metascore
    • 60 Todd McCarthy
    This reflection on the past, love and death through the prism of layers of theatrical endeavor is both serious and frisky, engaging on a refined level but frustratingly limited in its complexity and depth.
    • 67 Metascore
    • 60 Todd McCarthy
    Cronenberg assumes a distinctly clinical approach to the emotional, social and business shenanigans on display here, a perspective that has brilliantly served some of his overtly psychological, horror and sci-fi pieces but gives this one a brittle and airless feel.
    • 56 Metascore
    • 60 Todd McCarthy
    Just two weeks after successfully targeting boys with "Holes," Disney is giving girls something they want with this mild, quasi-romantic romp.
    • 48 Metascore
    • 60 Todd McCarthy
    A blatant commodity designed to illustrate what a splendid influence the hit television show has been on the world at large, if the series' creators don't mind saying so themselves.
    • 67 Metascore
    • 60 Todd McCarthy
    Reasonably intelligent, well-crafted and dramatically understated.
    • 61 Metascore
    • 60 Todd McCarthy
    Misses its comic targets as often as it hits them but is endearing all the same for the good-natured cheer with which it skewers the eminently skewerable.
    • 53 Metascore
    • 60 Todd McCarthy
    An immediately involving yarn of an ace Marine sharpshooter set up to take the fall for an attempted presidential assassination, picture saddles itself with stereotypical villains, hokey contrivances and too-expedient crisis solutions.
    • 59 Metascore
    • 60 Todd McCarthy
    007 is undone by villainous scripting and misguided casting and acting in a couple of key secondary roles.
    • 47 Metascore
    • 60 Todd McCarthy
    Sheer energy and audience allure to burn, even if numerous speed bumps cause many of the comic possibilities to go tumbling overboard.

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