Todd McCarthy

Select another critic »
For 1,543 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 1.2 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Life of Pi
Lowest review score: 0 Showgirls
Score distribution:
1543 movie reviews
    • 51 Metascore
    • 60 Todd McCarthy
    The lead role of a working class former smuggler who dirties his hands again to save his family fits Mark Wahlberg like a glove.
    • 67 Metascore
    • 60 Todd McCarthy
    The performances are all sincere and solid and the situation is easy to respond to emotionally. But as a case history in the annals of political repression, it feels like a bit of a side show.
    • 51 Metascore
    • 60 Todd McCarthy
    Phantom is easily consumable eye candy, but it contains no nutrients for the heart or mind.
    • 78 Metascore
    • 60 Todd McCarthy
    More pictorially arresting than intellectually coherent.
    • 48 Metascore
    • 60 Todd McCarthy
    More palatable than most pictures of its ilk due to its keen awareness of its own preposterousness, a self-knowledge exuberantly expressed by a mostly live-wire cast.
    • 58 Metascore
    • 60 Todd McCarthy
    Part absurdist drama, part personal observational commentary and part hormonal explosion, all seen through the filter of previous war pics, Sam Mendes' third feature has numerous arresting moments but never achieves a confident, consistent or sufficiently audacious tone.
    • 67 Metascore
    • 60 Todd McCarthy
    Achieves a certain poignancy through its sensitivity to mortality in a context where illness and death are often thought of primarily in terms of gossip, blown deals and lost money.
    • 93 Metascore
    • 60 Todd McCarthy
    This material cant help but be interesting, even compelling up to a point, but its prosaic presentation suggests that the story's full potential, encompassing deep, disturbing and enduring pain on all sides of the issue, has only begun to be touched.
    • 66 Metascore
    • 60 Todd McCarthy
    The gifted fantasy/sci-fi/horror specialist has made a film that's very bloody, and bloody stylish at that, one that's certainly unequaled in its field for the beauty of its camerawork, sets, costumes and effects. But it's also conventionally plotted and not surprising or scary at all, as it resurrects hoary horror tropes from decades ago to utilize them in conventional, rather than fresh or subversive ways
    • 59 Metascore
    • 60 Todd McCarthy
    All smoke and mirrors. With his third straight excursion into the supernatural, M. Night Shyamalan has begun revealing the hand that works his spooky tricks so much that the lack of substance is plainly seen.
    • 56 Metascore
    • 60 Todd McCarthy
    Max
    The film is ultimately too glib in its suggestion that Hitler's discovering his career path was a matter of sheerest chance, even an accident.
    • 41 Metascore
    • 60 Todd McCarthy
    Genre fans always looking for something new and awesome may feel like they've seen most of this before, but the conceptual and emotional strength of Summit's Nicolas Cage starrer largely carries the day.
    • 57 Metascore
    • 60 Todd McCarthy
    For a time, an appealing gentleness prevails that's rooted in this unique inter-generational romance, a feeling augmented in particular by Purnell's slow-blooming flower of a performance, and if the film had remained focused more on the improbabilities of this love story, it might have emerged as something rather special.
    • 53 Metascore
    • 60 Todd McCarthy
    Nair's approach never entirely convinces, and the adaptation of the 900-plus-page book becomes increasingly episodic, making this Vanity Fair more a collection of intermittent pleasures than a satisfying emotional repast.
    • 28 Metascore
    • 60 Todd McCarthy
    The Ugly Truth is an arch, contrived, entirely predictable romantic comedy assembled with sufficient audience-friendly elements to put it over as both a good girls' night attraction and a date-night lure raunchy enough to leave couples in the right mood afterward.
    • 48 Metascore
    • 60 Todd McCarthy
    A very mild animated entry from Disney with a distinctly recycled feel.
    • 77 Metascore
    • 60 Todd McCarthy
    Blue Ruin is a talented but sophomoric low-budgeter that straddles the divide between genre thriller and art piece with mixed results.
    • 69 Metascore
    • 60 Todd McCarthy
    A balanced, evenhanded film about a subject who has always managed to provoke intemperate reactions.
    • 61 Metascore
    • 60 Todd McCarthy
    No matter how silly and outlandish the action gets — and it does become ridiculous — it also delivers the goods its audience expects.
    • 56 Metascore
    • 60 Todd McCarthy
    A not-bad futuristic actioner with three or four astounding sequences, an unusual hero, a nifty villain and less mythic and romantic resonance than might be desired.
    • 66 Metascore
    • 60 Todd McCarthy
    Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up and some of the characters are left in a kind of dramatic no-man's-land.
    • 49 Metascore
    • 60 Todd McCarthy
    As computer game-derived features go, it sure beats "Lara Croft: Tomb Raider."
    • 77 Metascore
    • 60 Todd McCarthy
    A pictorially unusual but dramatically listless tale.
    • 52 Metascore
    • 60 Todd McCarthy
    This entertaining confection possesses the substance of the TV show, the pacing of a Hong Kong actioner and the production values of a James Bond thriller.
    • 62 Metascore
    • 60 Todd McCarthy
    Egoyan's pedantic, lecturing approach makes the film a bit of a slog, although the basic material has an intrinsic interest that makes one at least want to know more about the historical events.
    • 57 Metascore
    • 60 Todd McCarthy
    It's hard to dislike a movie this light-hearted, but there's something terribly ephemeral about it as well; it's a film of complete weightlessness.
    • 67 Metascore
    • 60 Todd McCarthy
    Garcia’s take, however beautiful physically, is intellectually opaque and creatively cautious, leaving the interested viewer, whether or not a believer, with much to wonder about but little to actually chew on.
    • 66 Metascore
    • 60 Todd McCarthy
    Amusingly eccentric rather than outright funny.
    • 77 Metascore
    • 60 Todd McCarthy
    While pic remains sympathetic and appealing, the endless dialogue and repetitive settings become wearing through the couple's one long night together, and the artifice of the premise may contribute to the difficulty the film has in coming to romantic life.
    • 57 Metascore
    • 60 Todd McCarthy
    For Altman, this is a major statement about American hypocrisy and society’s haves and have-nots, in line with many of his films, but issued in a kind of offhand way that delivers only glancing emotional impact.

Top Trailers