Todd McCarthy

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For 1,470 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 2.2 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Iron Man
Lowest review score: 0 Being Human
Score distribution:
1470 movie reviews
    • 56 Metascore
    • 60 Todd McCarthy
    Just two weeks after successfully targeting boys with "Holes," Disney is giving girls something they want with this mild, quasi-romantic romp.
    • 48 Metascore
    • 60 Todd McCarthy
    A blatant commodity designed to illustrate what a splendid influence the hit television show has been on the world at large, if the series' creators don't mind saying so themselves.
    • 67 Metascore
    • 60 Todd McCarthy
    Reasonably intelligent, well-crafted and dramatically understated.
    • 61 Metascore
    • 60 Todd McCarthy
    Misses its comic targets as often as it hits them but is endearing all the same for the good-natured cheer with which it skewers the eminently skewerable.
    • 53 Metascore
    • 60 Todd McCarthy
    An immediately involving yarn of an ace Marine sharpshooter set up to take the fall for an attempted presidential assassination, picture saddles itself with stereotypical villains, hokey contrivances and too-expedient crisis solutions.
    • 57 Metascore
    • 60 Todd McCarthy
    007 is undone by villainous scripting and misguided casting and acting in a couple of key secondary roles.
    • 47 Metascore
    • 60 Todd McCarthy
    Sheer energy and audience allure to burn, even if numerous speed bumps cause many of the comic possibilities to go tumbling overboard.
    • 71 Metascore
    • 60 Todd McCarthy
    Holes will no doubt speak clearly and appealingly to its intended early teen audience.
    • 56 Metascore
    • 60 Todd McCarthy
    It's a film of myriad minor pleasures but scant compelling qualities.
    • 41 Metascore
    • 60 Todd McCarthy
    Crucially, the teaming of standup favorite and "Martin" star Lawrence and "Fresh Prince" Smith clicks from the outset, with both right at home handling action and comedy on the bigscreen. Even when it's not particularly funny, their interplay is engaging, and their lively, raucous personalities keep the proceedings punchy and watchable for the slightly overlong running time.
    • 52 Metascore
    • 60 Todd McCarthy
    So determinedly old-fashioned it makes a strong claim to being the best film musical of 1959.
    • 52 Metascore
    • 60 Todd McCarthy
    Undeniably fascinating as a visit to a world you'd never have wanted to have come near in real life -- that of the Hussein family's inner sanctum -- the film falls crucially short by not providing a window into the mind of the man who was coerced into acting as his double.
    • 62 Metascore
    • 60 Todd McCarthy
    More intriguing on paper than when it actually unspools onscreen. Kevin Willmott's small-scaled but ambitious picture is well-researched, sometimes amusing and not unintelligent.
    • 65 Metascore
    • 60 Todd McCarthy
    This is a dish that has been prepared over a low heat for a long time, which makes for some pretty slow-going early on.
    • 45 Metascore
    • 60 Todd McCarthy
    This decorous look at the great man's five years as ambassador to France in the period leading up to the French Revolution touches upon much significant history, incident and emotion but, ironically, lacks the intrigue and drama of great fiction.
    • 63 Metascore
    • 60 Todd McCarthy
    A live-wire performance by Benicio Del Toro sparks an otherwise morose study of loss, addiction and catharsis.
    • 64 Metascore
    • 60 Todd McCarthy
    Although the story dynamics are fundamentally silly and the family stuff, with its parallel father-daughter melodrama, is elemental button-pushing, a good cast led by a winning Paul Rudd puts the nonsense over in reasonably disarming fashion.
    • 53 Metascore
    • 60 Todd McCarthy
    A potentially provocative idea is played out to diminishing returns.
    • 67 Metascore
    • 60 Todd McCarthy
    A sporadically funny romantic comedy with all the dramatic plausibility and tonal consistency of a TV variety show.
    • 57 Metascore
    • 60 Todd McCarthy
    Rodrigo Garcia's film only intermittently surmounts the limitations of the central character's parched emotional existence and restricted horizons, and the resolutions to some principal dramatic lines seem rather too easy.
    • 67 Metascore
    • 60 Todd McCarthy
    Feels too piecemeal and ultimately inconsequential.
    • 56 Metascore
    • 60 Todd McCarthy
    A psychotic seizure of a performance by Christian Bale dominates Harsh Times, the directorial debut of David Ayer that channels "Taxi Driver."
    • 58 Metascore
    • 60 Todd McCarthy
    Largely set in two of the least appetizing locations imaginable, a concentration camp and an insane asylum, this is a rigorously made film that does almost nothing to invite the viewer into its world.
    • 53 Metascore
    • 60 Todd McCarthy
    This perky, episodic film is as broad and obvious as it could be, but delivers on its own terms thanks to sparky chemistry between its sunny blond stars, Owen Wilson and Jennifer Aniston, and the unabashed emotion-milking of the final reel.
    • 67 Metascore
    • 60 Todd McCarthy
    Despite a sprinkling of laughs and eye-catching moments, this adaptation of a popular comicstrip reps a middling effort from the house that "Shrek" built, a rather narrowly conceived tale that makes only modest hay from the overworked conflict between wildlife and encroaching humans.
    • 48 Metascore
    • 60 Todd McCarthy
    A fine group of comic performers manages to keep the screen worth looking at despite the obsessively one-note nature of this curious matchup between MTV Films and producer Scott Rudin.
    • 55 Metascore
    • 60 Todd McCarthy
    The few who saw the embalmed adaptation of "Snow Falling on Cedars" will recognize the same stifling approach brought to this more accessible material by director Scott Hicks.
    • 56 Metascore
    • 60 Todd McCarthy
    A melodramatic step backward for writer-director Victor Nunez after his last two pictures, the first-rate "Ruby in Paradise" and "Ulee's Gold."
    • 43 Metascore
    • 60 Todd McCarthy
    A disappointingly pedestrian prison meller that falls between stools artistically and politically.
    • 29 Metascore
    • 60 Todd McCarthy
    Although decked out with a legitimate star and handsome production carpentry, pic takes no greater interest in creating three-dimensional characters or fleshing out a credible storyline than does the run-of-the-mill straight-to-video thriller.

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