Todd McCarthy
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For 1,380 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.7 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Iron Man
Lowest review score: 0 Showgirls
Score distribution:
1,380 movie reviews
    • 69 Metascore
    • 80 Todd McCarthy
    Breezy, enjoyable romp gratifyingly zigzags in directions that aren't apparent at the outset and features some intriguingly personal subtext for longtime Woody watchers.
    • 76 Metascore
    • 80 Todd McCarthy
    Like a trot around the track for the thoroughbreds involved, and one of the results is that it takes them far too long to get to the finish line.
    • 74 Metascore
    • 80 Todd McCarthy
    An all-star remake of the all-star original, Ocean's Eleven is a lark for everybody concerned, including the audience. Breezy, nonchalant and without a thing on its mind except having a little fun.
    • 62 Metascore
    • 80 Todd McCarthy
    Jolting, superbly acted film.
    • 81 Metascore
    • 80 Todd McCarthy
    A genuinely ominous and suspenseful thriller.
    • 76 Metascore
    • 80 Todd McCarthy
    Performances are aces top to bottom
    • 68 Metascore
    • 80 Todd McCarthy
    About twice as good as the original...bigger and more ambitious in every respect, from its action and visceral qualities to its themes.
    • 64 Metascore
    • 80 Todd McCarthy
    John Mathieson's widescreen cinematography is magnificent, and the pacing across 2½ hours is well modulated.
    • 80 Metascore
    • 80 Todd McCarthy
    May be a shade too serious and contemplative to completely enchant the thrill-seeking masses, while simultaneously seeming too mainstream-minded and genre-bound to be entirely embraced by highbrows.
    • 64 Metascore
    • 80 Todd McCarthy
    This immaculately made first feature from noted musicvid and commercials director Mark Romanek provides Robin Williams with one of his creepiest, atypical roles, and the comic star responds with an unusually restrained performance that is, in the end, quite moving.
    • 58 Metascore
    • 80 Todd McCarthy
    A gritty and gratifying cheap thrill, Rob Cohen's high-octane hot-car meller is a true rarity these days, a really good exploitationer, the sort of thing that would rule at drive-ins if they still existed.
    • 84 Metascore
    • 80 Todd McCarthy
    One of Caine's meatiest roles, and he handles it with power, humanity and remarkable emotional fluidity; from the opening moments, an enormous amount comes through his eyes alone.
    • 80 Metascore
    • 80 Todd McCarthy
    Montenegro carries the film su-perbly with her portrait of gritty strength being worn down to a state of tattered vulnerability, while newcomer de Oliveira, a shoeshine boy who won the role over 1,500 other aspirants, is engagingly natural and happily doesn't beg for viewer sympathy.
    • 57 Metascore
    • 80 Todd McCarthy
    The continuing saga of one of contemporary literature and cinema's most fascinating villains, as played once again with exquisite taste and riveting force by Anthony Hopkins.
    • 65 Metascore
    • 80 Todd McCarthy
    Smartly plotted, convincingly acted and brilliantly executed technically, this engrossing thriller adds some clever modern wrinkles to the time-tested formula of sinister intruders threatening innocents in their home.
    • 72 Metascore
    • 80 Todd McCarthy
    Consistently engrossing as an unusual character study and as a trip to the mysterious border-crossing between rarified brilliance and madness, this serious-minded but lively film is distinguished by an exceptional performance by Russell Crowe.
    • 76 Metascore
    • 80 Todd McCarthy
    Exceedingly imaginative, beautifully realized animated epic adventure.
    • 66 Metascore
    • 80 Todd McCarthy
    A tour de force of artifice, a dazzling pastiche of musical and visual elements at the service of a blatantly artificial story.
    • 67 Metascore
    • 80 Todd McCarthy
    A pleasurable throwback to the sort of gritty, low-tech international thriller that was a staple of the 1960s.
    • 67 Metascore
    • 80 Todd McCarthy
    Lin's nicely turned out picture is sometimes both predictable and a bit far-fetched narratively, but still provides a generally absorbing look at a slice of society normally taken for granted, both in life and onscreen.
    • 90 Metascore
    • 80 Todd McCarthy
    Very clever and imaginative indeed, and its pictures are so gorgeous that they alone could warrant a second viewing.
    • 55 Metascore
    • 80 Todd McCarthy
    A roundly entertaining romantic comedy, Love Actually is still nearly as cloying as it is funny…its cheeky wit, impossibly attractive cast and sure-handed professionalism are beguiling.
    • 52 Metascore
    • 80 Todd McCarthy
    Dramatically powerful, surprising in its strong narrative differences from previous cinematic tellings of "the greatest story" and bold in the extent to which it presents Jesus as a confrontational and threatening figure in the Judean context of the time.
    • 73 Metascore
    • 80 Todd McCarthy
    A grim picaresque odyssey across a beautiful scarred landscape laced together by private romantic longing. Handsomely made and vividly acted.
    • 73 Metascore
    • 80 Todd McCarthy
    Robert Altman takes an elegant, appealingly unemphatic look at the world of ballet.
    • 47 Metascore
    • 80 Todd McCarthy
    If an age produces the renditions of classic stories that reflect those times, then The Passion of the Christ, which is violent, contentious, emotional, extreme and highly proficient, must be the Jesus movie for this era.
    • 65 Metascore
    • 80 Todd McCarthy
    Directing himself for the first time, Redford has lavished his usual meticulous care on popular material that comes alive on the screen in ways that it never could on the page.
    • 71 Metascore
    • 80 Todd McCarthy
    Low on plot but high on charm and personality, Next Stop Wonderland is a sly, hand-crafted indie that is very alive and attentive to its characters' feelings and foibles.
    • 61 Metascore
    • 80 Todd McCarthy
    Viewers looking for old-fashioned movie thrills as a change of pace from the glut of alien and digital-oriented features might paradoxically enjoy the feeling of being back on terra firma with this airborne adventure.
    • 38 Metascore
    • 80 Todd McCarthy
    A somber, absorbing thriller that treads familiar psycho serial killer terrain with style. Elegantly made and comparatively restrained in cramming sick and grisly stuff down the audience's throat.

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