Todd McCarthy

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For 1,433 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.2 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Incredibles
Lowest review score: 0 Being Human
Score distribution:
1,433 movie reviews
    • 67 Metascore
    • 60 Todd McCarthy
    A sporadically funny romantic comedy with all the dramatic plausibility and tonal consistency of a TV variety show.
    • 67 Metascore
    • 60 Todd McCarthy
    An oddly schizophrenic fantasy thriller that ultimately succumbs to a fatal case of sentimentality.
    • 66 Metascore
    • 50 Todd McCarthy
    A potentially fun premise soon turns into no fun at all in Cop Car, a seriously imagination-challenged low-end action thriller.
    • 66 Metascore
    • 60 Todd McCarthy
    Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up and some of the characters are left in a kind of dramatic no-man's-land.
    • 66 Metascore
    • 50 Todd McCarthy
    Never less than watchable and loaded with trademark negativity so extreme it's sometimes funny, the new film is nonetheless saddled with a protagonist so narrowly and unlikably presented that, in the end, he doesn't seem worth the time devoted to him.
    • 66 Metascore
    • 40 Todd McCarthy
    The story is undoubtedly weird, but perhaps more so on paper than on the screen, since Russell and his actors have played it mostly straight in attempting to confer psychological validity on all the untoward developments.
    • 66 Metascore
    • 60 Todd McCarthy
    Coppola’s attitude toward her subject seems equivocal, uncertain; there is perhaps a smidgen of social commentary, but she seems far too at home in the world she depicts to offer a rewarding critique of it.
    • 66 Metascore
    • 60 Todd McCarthy
    Amusingly eccentric rather than outright funny.
    • 66 Metascore
    • 50 Todd McCarthy
    What they have done is taken a few second-hand ideas from noir and speculative fiction and mixed them in occasionally striking ways, even if, in the end, the result isn't all that much fun.
    • 66 Metascore
    • 60 Todd McCarthy
    Inspiring if not inspired, Lee Daniels' The Butler is a sort of Readers' Digest overview of the 20th century American civil rights movement centered on an ordinary individual with an extraordinary perspective.
    • 66 Metascore
    • 60 Todd McCarthy
    Duplass and Moss are put to the test to carry the film entirely on their shoulders and unquestionably carry it off... On the other hand, viewers will have widely disparate reactions to spending 90 uninterrupted minutes with these characters.
    • 66 Metascore
    • 60 Todd McCarthy
    Often a gutsy, intelligent writer, Toback has yet to prove himself decisively as a director, and this, his first fictional effort behind the camera in a decade, shows his talents to be as variable as ever.
    • 65 Metascore
    • 50 Todd McCarthy
    Despite its undeniably pure and earnest intent, Solaris is equally undeniably an arid, dull affair that imposes and maintains a huge distance between the viewer and what happens onscreen.
    • 65 Metascore
    • 50 Todd McCarthy
    The Client is a satisfactory, by-the-numbers child-in-jeopardy thriller that will fill the bill as a very commercial hot weather popcorn picture.
    • 65 Metascore
    • 60 Todd McCarthy
    A minor affair, a confection based on dalliances and the way a set of sophisticated theater people handle them, that lacks true distinction.
    • 65 Metascore
    • 60 Todd McCarthy
    It is far from unpleasant to watch an attractive cast led by Kirsten Dunst parading around Versailles accoutered in Milena Canonero's luxuriant costumes to the accompaniment of catchy pop tunes. But the writer-director's follow-up to her breakthrough second feature, "Lost in Translation," is no more nourishing than a bonbon.
    • 65 Metascore
    • 50 Todd McCarthy
    A humdrum straight line of a film, Monsters University never surprises, goes off in unexpected directions or throws you for a loop in the manner of the best Pixar stories. Nor does it come close to elating through the sheer imagination of its conceits and storytelling.
    • 65 Metascore
    • 50 Todd McCarthy
    When Coppola finds creative nirvana, he frequently has trouble delivering the full goods. Tetro represents something of a middle ground in that respect.
    • 65 Metascore
    • 60 Todd McCarthy
    Unswervingly sincere and dramatic without surprise or revelation, screenwriter Joe Eszterhas' longtime pet project may be personal, but it offers little to audiences that hasn't been served up in quantity in the past.
    • 65 Metascore
    • 50 Todd McCarthy
    The overall enterprise, for all its intrigue and visceral impact, feels overly thought out, affected and forced in its stylization.
    • 65 Metascore
    • 60 Todd McCarthy
    There is a trumped-up quality to the action climaxes that is disappointingly perfunctory, and the story's final revelation is simultaneously far-fetched and unsurprising.
    • 65 Metascore
    • 50 Todd McCarthy
    More than even the most faithful of the earlier episodes, this film feels devoted above all to reproducing the novel onscreen as closely as possible, an impulse that drags it toward ponderousness at times and rather sorely tests the abilities of the young actors to hold the screen entirely on their own, without being propped up by the ever-fabulous array of character actors the series offers.
    • 64 Metascore
    • 50 Todd McCarthy
    A superficial look at the '50s sex icon, picture feels like it was researched via press clippings rather than attempting a fresh rethinking of its era and provocative subject.
    • 64 Metascore
    • 50 Todd McCarthy
    A quiet work with Ozu-like structure and concerns, but remains more an intellectual exercise than one from the heart.
    • 64 Metascore
    • 60 Todd McCarthy
    Although there is incident in the film's second half...it doesn't build to the level of compelling drama, leaving the film in a quiet, temperate realm that scarcely makes the pulse race.
    • 64 Metascore
    • 60 Todd McCarthy
    Borderline dull to sit through, The Sixth Sense is actually rather interesting to think about afterward because of the revelation of its ending.
    • 64 Metascore
    • 60 Todd McCarthy
    Che
    If the director has gone out of his way to avoid the usual Hollywood biopic conventions, he has also withheld any suggestion of why the charismatic doctor, fighter, diplomat, diarist and intellectual theorist became and remains such a legendary figure; if anything, Che seems diminished by the way he's portrayed here.
    • 64 Metascore
    • 50 Todd McCarthy
    A great title in search of a movie to live up to it, this startlingly uneventful compendium of thick-headed boy-talk and female tolerance squanders a fine cast on incredibly ordinary characters and situations.
    • 64 Metascore
    • 50 Todd McCarthy
    Despite her (Judd's) efforts and those of a generally talented cast, picture just pokes along and offers nothing out of the ordinary in terms of drama, characterization or insight. Judd's presence notwithstanding, this one would be more at home on small than on big screens.
    • 64 Metascore
    • 60 Todd McCarthy
    Some fancy footwork in the writing and directing can't disguise the hoary "Ten Little Indians" origins of Identity.

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