Todd McCarthy

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For 1,499 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 1.7 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Revenant
Lowest review score: 0 Being Human
Score distribution:
1499 movie reviews
    • 67 Metascore
    • 40 Todd McCarthy
    Pic fails to provide any hard facts or make any incriminating connections that a reasonably informed person doesn't already know about, so intellectually Moore is largely preaching to the converted in this blatant cinematic 2004 campaign pamphlet.
    • 67 Metascore
    • 60 Todd McCarthy
    Eventually, the impression is created of notes for good scenes full of pungent observations and sharp asides, but without fully developed drama or emotion, leaving a sketchy, wispy feeling when all is said and done.
    • 67 Metascore
    • 40 Todd McCarthy
    The gambits in Ghost Dog seem simply like literary and cinematic games devoid of any larger meaning.
    • 67 Metascore
    • 60 Todd McCarthy
    Achieves a certain poignancy through its sensitivity to mortality in a context where illness and death are often thought of primarily in terms of gossip, blown deals and lost money.
    • 67 Metascore
    • 60 Todd McCarthy
    Feels too piecemeal and ultimately inconsequential.
    • 67 Metascore
    • 60 Todd McCarthy
    Watching a bunch of people take a drug trip is seldom either entertaining or edifying, but Chilean director Sebastian Silva manages to make it at least tolerably amusing.
    • 67 Metascore
    • 60 Todd McCarthy
    The performances are all sincere and solid and the situation is easy to respond to emotionally. But as a case history in the annals of political repression, it feels like a bit of a side show.
    • 67 Metascore
    • 60 Todd McCarthy
    Despite a sprinkling of laughs and eye-catching moments, this adaptation of a popular comicstrip reps a middling effort from the house that "Shrek" built, a rather narrowly conceived tale that makes only modest hay from the overworked conflict between wildlife and encroaching humans.
    • 67 Metascore
    • 60 Todd McCarthy
    Cronenberg assumes a distinctly clinical approach to the emotional, social and business shenanigans on display here, a perspective that has brilliantly served some of his overtly psychological, horror and sci-fi pieces but gives this one a brittle and airless feel.
    • 67 Metascore
    • 60 Todd McCarthy
    A sporadically funny romantic comedy with all the dramatic plausibility and tonal consistency of a TV variety show.
    • 67 Metascore
    • 60 Todd McCarthy
    An oddly schizophrenic fantasy thriller that ultimately succumbs to a fatal case of sentimentality.
    • 66 Metascore
    • 50 Todd McCarthy
    A potentially fun premise soon turns into no fun at all in Cop Car, a seriously imagination-challenged low-end action thriller.
    • 66 Metascore
    • 60 Todd McCarthy
    The gifted fantasy/sci-fi/horror specialist has made a film that's very bloody, and bloody stylish at that, one that's certainly unequaled in its field for the beauty of its camerawork, sets, costumes and effects. But it's also conventionally plotted and not surprising or scary at all, as it resurrects hoary horror tropes from decades ago to utilize them in conventional, rather than fresh or subversive ways
    • 66 Metascore
    • 60 Todd McCarthy
    Avengers: Age of Ultron succeeds in the top priority of creating a worthy opponent for its superheroes and giving the latter a few new things to do, but this time the action scenes don't always measure up and some of the characters are left in a kind of dramatic no-man's-land.
    • 66 Metascore
    • 50 Todd McCarthy
    Never less than watchable and loaded with trademark negativity so extreme it's sometimes funny, the new film is nonetheless saddled with a protagonist so narrowly and unlikably presented that, in the end, he doesn't seem worth the time devoted to him.
    • 66 Metascore
    • 60 Todd McCarthy
    Life may be as unfair and arbitrary as Solondz portrays it, but it is arguably more diverse in its moods and its ups and downs. The pic may not be a dog, but nor is it likely to become anyone’s best friend.
    • 66 Metascore
    • 40 Todd McCarthy
    The story is undoubtedly weird, but perhaps more so on paper than on the screen, since Russell and his actors have played it mostly straight in attempting to confer psychological validity on all the untoward developments.
    • 66 Metascore
    • 60 Todd McCarthy
    Coppola’s attitude toward her subject seems equivocal, uncertain; there is perhaps a smidgen of social commentary, but she seems far too at home in the world she depicts to offer a rewarding critique of it.
    • 66 Metascore
    • 60 Todd McCarthy
    Amusingly eccentric rather than outright funny.
    • 66 Metascore
    • 50 Todd McCarthy
    What they have done is taken a few second-hand ideas from noir and speculative fiction and mixed them in occasionally striking ways, even if, in the end, the result isn't all that much fun.
    • 66 Metascore
    • 50 Todd McCarthy
    The film represents the director in a more pensive, even philosophical vein, less interested in propulsive cinema and more reflective about what would seem to mean the most to him—dreams, and the ability to make them come true. This is what The BFG is about but, unfortunately, that is basically all it’s about and by a considerable measure too explicitly and single-mindedly so.
    • 66 Metascore
    • 60 Todd McCarthy
    Inspiring if not inspired, Lee Daniels' The Butler is a sort of Readers' Digest overview of the 20th century American civil rights movement centered on an ordinary individual with an extraordinary perspective.
    • 66 Metascore
    • 60 Todd McCarthy
    Duplass and Moss are put to the test to carry the film entirely on their shoulders and unquestionably carry it off... On the other hand, viewers will have widely disparate reactions to spending 90 uninterrupted minutes with these characters.
    • 66 Metascore
    • 60 Todd McCarthy
    Often a gutsy, intelligent writer, Toback has yet to prove himself decisively as a director, and this, his first fictional effort behind the camera in a decade, shows his talents to be as variable as ever.
    • 65 Metascore
    • 50 Todd McCarthy
    Despite its undeniably pure and earnest intent, Solaris is equally undeniably an arid, dull affair that imposes and maintains a huge distance between the viewer and what happens onscreen.
    • 65 Metascore
    • 50 Todd McCarthy
    The Client is a satisfactory, by-the-numbers child-in-jeopardy thriller that will fill the bill as a very commercial hot weather popcorn picture.
    • 65 Metascore
    • 60 Todd McCarthy
    A minor affair, a confection based on dalliances and the way a set of sophisticated theater people handle them, that lacks true distinction.
    • 65 Metascore
    • 60 Todd McCarthy
    It is far from unpleasant to watch an attractive cast led by Kirsten Dunst parading around Versailles accoutered in Milena Canonero's luxuriant costumes to the accompaniment of catchy pop tunes. But the writer-director's follow-up to her breakthrough second feature, "Lost in Translation," is no more nourishing than a bonbon.
    • 65 Metascore
    • 60 Todd McCarthy
    This is a dish that has been prepared over a low heat for a long time, which makes for some pretty slow-going early on.
    • 65 Metascore
    • 50 Todd McCarthy
    A humdrum straight line of a film, Monsters University never surprises, goes off in unexpected directions or throws you for a loop in the manner of the best Pixar stories. Nor does it come close to elating through the sheer imagination of its conceits and storytelling.

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