Todd McCarthy
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For 1,407 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.7 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 The Great Museum
Lowest review score: 0 Showgirls
Score distribution:
1,407 movie reviews
    • 83 Metascore
    • 90 Todd McCarthy
    An astonishing work of studio artifice, A Little Princess is that rarest of creations, a children's film that plays equally well to kids and adults.
    • 83 Metascore
    • 90 Todd McCarthy
    All but stealing the film is Cooper, who seizes a rare opportunity as an extroverted, rather than buttoned-up, character to bust loose like an uncaged alligator.
    • 83 Metascore
    • 90 Todd McCarthy
    Avatar is all-enveloping and transporting, with Cameron & Co.'s years of R&D paying off with a film that, as his work has done before, raises the technical bar and throws down a challenge for the many other filmmakers toiling in the sci-fi/fantasy realm.
    • 83 Metascore
    • 80 Todd McCarthy
    The film's style, paradoxically both precious and rough-hewn, positions this as the season's defiantly anti-CGI toon, and its retro charms will likely appeal more strongly to grown-ups than to moppets; it's a picture for people who would rather drive a 1953 Jaguar XK 120 than a new one.
    • 83 Metascore
    • 100 Todd McCarthy
    Blasting onto the screen at warp speed and remaining there for two hours, the new and improved Star Trek will transport fans to sci-fi nirvana.
    • 83 Metascore
    • 70 Todd McCarthy
    Ultimately, the pic will be noted and remembered not for any inherent drama or analysis but for its simply having so thoroughly documented a strange place most people have never seen and never knew existed.
    • 83 Metascore
    • 70 Todd McCarthy
    Scorsese has met most of the challenges inherent in tackling such a formidable period piece, but the material remains cloaked by the very propriety, stiff manners and emotional starchiness the picture delineates in such copious detail.
    • 83 Metascore
    • 100 Todd McCarthy
    The pleasure is doubled in Spider-Man 2. Crackerjack entertainment from start to finish, this rousing yarn about a reluctant superhero and his equally conflicted friends and enemies improves in every way on its predecessor and is arguably about as good a live-action picture as anyone's ever made using comicbook characters.
    • 83 Metascore
    • 90 Todd McCarthy
    Tightly made and populated by a uniformly larger-than-life cast of characters , pic is a total delight for every second of its running time.
    • 83 Metascore
    • 90 Todd McCarthy
    Through immaculate use of picture, sound and time, the director adds another panel to his series of pictures about disaffected, disconnected youth.
    • 83 Metascore
    • 100 Todd McCarthy
    A fabulous and passionate love letter to the cinema and its preservation framed by the strenuous adventures of two orphans in 1930s Paris.
    • 83 Metascore
    • 80 Todd McCarthy
    The film rips right along and never relinquishes its grip.
    • 83 Metascore
    • 90 Todd McCarthy
    The timing in the Clooney-Farmiga scenes is like splendid tennis, with each player surprising the other with shots but keeping the rally going to breathtaking duration.
    • 83 Metascore
    • 100 Todd McCarthy
    Originally conceived as one film, the two-parter that has finally emerged can now be seen as a truly epic work.
    • 83 Metascore
    • 90 Todd McCarthy
    By getting Tyson to open up as he has, Toback has succeeded in illuminating one of the most polarizing, complex and -- the film almost forces one to admit -- misunderstood figures of our time.
    • 83 Metascore
    • 80 Todd McCarthy
    Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.
    • 83 Metascore
    • 90 Todd McCarthy
    Brandishes the sort of intelligent wit and bracing nastiness that will make it more appealing to discerning adults than to teens who just want to have fun.
    • 82 Metascore
    • 70 Todd McCarthy
    Genuinely funny, randy and moving by turns, breezily enjoyable throughout.
    • 82 Metascore
    • 100 Todd McCarthy
    Clint Eastwood has crafted a tense, hard-edged, superbly dramatic yarn that is also an exceedingly intelligent meditation on the West, its myths and its heroes.
    • 82 Metascore
    • 70 Todd McCarthy
    As intensely personal and deeply felt as it is, however, Davies' attempt to breathe new life into Rattigan's 1952 play is a rather bloodless, suffocating thing, lent tragic passion more by its use of Samuel Barber's Violin Concerto than by anything achieved by his star Rachel Weisz and her leading man.
    • 82 Metascore
    • 80 Todd McCarthy
    Succeeds in capturing the book's essential themes and concerns, albeit in a hectic style that could not be more antithetical to that of the literary master of international intrigue.
    • 82 Metascore
    • 80 Todd McCarthy
    Sympathetic, genial and exceedingly wholesome, it's a film that, once seen, will permanently and favorably influence the way viewers regard the characters' real-life counterparts.
    • 82 Metascore
    • 70 Todd McCarthy
    A provocative premise, virtuoso direction and two dazzling lead performances go a long way toward offsetting a lack of dramatic structure and a sense of when to quit in Face/Off.
    • 82 Metascore
    • 90 Todd McCarthy
    The director mixes moods with a playfulness that is both brazen and carefree and yet precisely modulated, yielding results that amplify the specific content of the screenplay. This makes for a film that, however cheap it was to make, is incredibly rich to watch.
    • 82 Metascore
    • 90 Todd McCarthy
    Manages the difficult feat of being an intimate, even delicate tale played with an appealingly light touch against an epic backdrop.
    • 82 Metascore
    • 80 Todd McCarthy
    Ordinary in some ways and extraordinary in others, The Spectacular Now benefits from an exceptional feel for its main characters on the parts of the director and lead actors.
    • 82 Metascore
    • 60 Todd McCarthy
    Jewish and academically inclined audiences worldwide will respond to numerous aspects of this unusual drama, although it is paradoxically both too broad and too esoteric for the general art house public.
    • 82 Metascore
    • 90 Todd McCarthy
    Immaculately crafted in beautiful black-and-white and entirely absorbing through its longish running time, Michael Haneke’s The White Ribbon nonetheless proves a difficult film to entirely embrace.
    • 82 Metascore
    • 70 Todd McCarthy
    An impudently comic, stylistically aggressive and, finally, very thoughtful manner.
    • 82 Metascore
    • 90 Todd McCarthy
    Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.

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