For 1,314 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
Average review score: 62
Highest review score: 100 Spider-Man 2
Lowest review score: 0 Showgirls
Score distribution:
1,314 movie reviews
    • 83 Metascore
    • 90 Todd McCarthy
    Through immaculate use of picture, sound and time, the director adds another panel to his series of pictures about disaffected, disconnected youth.
    • 83 Metascore
    • 100 Todd McCarthy
    A fabulous and passionate love letter to the cinema and its preservation framed by the strenuous adventures of two orphans in 1930s Paris.
    • 83 Metascore
    • 80 Todd McCarthy
    The film rips right along and never relinquishes its grip.
    • 83 Metascore
    • 80 Todd McCarthy
    The antithesis of “let’s-put-on-a-show” fluff, Whiplash...is about the wages of all-out sacrifice and commitment.
    • 83 Metascore
    • 90 Todd McCarthy
    The timing in the Clooney-Farmiga scenes is like splendid tennis, with each player surprising the other with shots but keeping the rally going to breathtaking duration.
    • 83 Metascore
    • 100 Todd McCarthy
    Originally conceived as one film, the two-parter that has finally emerged can now be seen as a truly epic work.
    • 83 Metascore
    • 90 Todd McCarthy
    By getting Tyson to open up as he has, Toback has succeeded in illuminating one of the most polarizing, complex and -- the film almost forces one to admit -- misunderstood figures of our time.
    • 83 Metascore
    • 80 Todd McCarthy
    Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.
    • 83 Metascore
    • 90 Todd McCarthy
    Brandishes the sort of intelligent wit and bracing nastiness that will make it more appealing to discerning adults than to teens who just want to have fun.
    • 82 Metascore
    • 70 Todd McCarthy
    Genuinely funny, randy and moving by turns, breezily enjoyable throughout.
    • 82 Metascore
    • 100 Todd McCarthy
    Clint Eastwood has crafted a tense, hard-edged, superbly dramatic yarn that is also an exceedingly intelligent meditation on the West, its myths and its heroes.
    • 82 Metascore
    • 70 Todd McCarthy
    As intensely personal and deeply felt as it is, however, Davies' attempt to breathe new life into Rattigan's 1952 play is a rather bloodless, suffocating thing, lent tragic passion more by its use of Samuel Barber's Violin Concerto than by anything achieved by his star Rachel Weisz and her leading man.
    • 82 Metascore
    • 80 Todd McCarthy
    Succeeds in capturing the book's essential themes and concerns, albeit in a hectic style that could not be more antithetical to that of the literary master of international intrigue.
    • 82 Metascore
    • 80 Todd McCarthy
    Sympathetic, genial and exceedingly wholesome, it's a film that, once seen, will permanently and favorably influence the way viewers regard the characters' real-life counterparts.
    • 82 Metascore
    • 70 Todd McCarthy
    A provocative premise, virtuoso direction and two dazzling lead performances go a long way toward offsetting a lack of dramatic structure and a sense of when to quit in Face/Off.
    • 82 Metascore
    • 90 Todd McCarthy
    The director mixes moods with a playfulness that is both brazen and carefree and yet precisely modulated, yielding results that amplify the specific content of the screenplay. This makes for a film that, however cheap it was to make, is incredibly rich to watch.
    • 82 Metascore
    • 90 Todd McCarthy
    Manages the difficult feat of being an intimate, even delicate tale played with an appealingly light touch against an epic backdrop.
    • 82 Metascore
    • 80 Todd McCarthy
    Ordinary in some ways and extraordinary in others, The Spectacular Now benefits from an exceptional feel for its main characters on the parts of the director and lead actors.
    • 82 Metascore
    • 60 Todd McCarthy
    Jewish and academically inclined audiences worldwide will respond to numerous aspects of this unusual drama, although it is paradoxically both too broad and too esoteric for the general art house public.
    • 82 Metascore
    • 90 Todd McCarthy
    Immaculately crafted in beautiful black-and-white and entirely absorbing through its longish running time, Michael Haneke’s The White Ribbon nonetheless proves a difficult film to entirely embrace.
    • 82 Metascore
    • 70 Todd McCarthy
    An impudently comic, stylistically aggressive and, finally, very thoughtful manner.
    • 82 Metascore
    • 90 Todd McCarthy
    Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.
    • 82 Metascore
    • 70 Todd McCarthy
    Audiences looking for something fresh and different, not to mention a head trip, will find it in Waking Life.
    • 82 Metascore
    • 90 Todd McCarthy
    A superbly wrought yarn set in the milieu of first-generation Russian mobsters in London that is simultaneously tough-minded and compassionate about the human condition, Eastern Promises instantly takes its place among David Cronenberg's very best films.
    • 81 Metascore
    • 70 Todd McCarthy
    Lack of depth, complexity or strangeness make this a relatively routine entry for the director.
    • 81 Metascore
    • 80 Todd McCarthy
    A genuinely ominous and suspenseful thriller.
    • 81 Metascore
    • 80 Todd McCarthy
    An ultra-smart-mouthed comedy about a planned adoption that goes weirdly awry.
    • 81 Metascore
    • 80 Todd McCarthy
    On balance, this is a meaty, strongly realized dramatic work of considerable accomplishment.
    • 81 Metascore
    • 90 Todd McCarthy
    Truly beguiling romantic comedy.
    • 81 Metascore
    • 100 Todd McCarthy
    Rare proof that a gigantic production in contemporary Hollywood can possess a distinctive personality and its own approach to storytelling, Master and Commander: The Far Side of the World proves as bracing as a stiff wind on the open sea.