Todd McCarthy
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For 1,417 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.5 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Youth
Lowest review score: 0 Showgirls
Score distribution:
1,417 movie reviews
    • 79 Metascore
    • 100 Todd McCarthy
    Meticulous care is evident in every aspect of the film. All three actors playing Pi are outstanding.
    • 79 Metascore
    • 70 Todd McCarthy
    Convincing as a portrait of a marginal man gone beyond the emotional pale.
    • 78 Metascore
    • 70 Todd McCarthy
    Clever and jokey in a vaudeville sort of way, but lacks the heart and sheer imagination of the company's best work for Disney, "Toy Story 2" and "A Bug's Life."
    • 78 Metascore
    • 80 Todd McCarthy
    So it's a fun, if not exhilarating, ride, one sped along with the help of a wonderfully assembled cast.
    • 78 Metascore
    • 80 Todd McCarthy
    This is Holofcener’s sweet spot, the depiction of the emotional confusions, self-deceptions, uncertainties and misguided decisions that can cloud and get the better of otherwise bright, aware people, especially the female characters she tends to specialize in.
    • 78 Metascore
    • 80 Todd McCarthy
    A labor of love made over the course of seven years that crucially matches the energy and passion Langlois himself embodied, this deep-dish account of the life and times of the longtime head of the Cinematheque Francaise will enthrall buffs.
    • 78 Metascore
    • 100 Todd McCarthy
    Youth is a voluptuary’s feast, a full-body immersion in the sensory pleasures of the cinema.
    • 78 Metascore
    • 80 Todd McCarthy
    Taking film noir material and turning it inside out visually and morally, The Deep End is an absorbing, beautifully made melodrama that succeeds on formal levels more than it does with suspense or emotion.
    • 78 Metascore
    • 80 Todd McCarthy
    Although marred by a couple of too-convenient plot contrivances, this often humorous drama lands firmly in the plus column among the Woodman's recent works.
    • 78 Metascore
    • 80 Todd McCarthy
    First-time helmer Jan De Bont, the ace lenser of most of Paul Verhoeven's films as well as "Die Hard" and numerous other large-scale pix, handles the action with great nimbleness and dexterity; film can hardly be faulted for its visual presentation of very complex action.
    • 78 Metascore
    • 70 Todd McCarthy
    Even if the film itself is relatively conventional, its exposure of a squalid city's most benighted neighborhood and its introduction of hope into nearly hopeless lives give it strong human interest value.
    • 78 Metascore
    • 70 Todd McCarthy
    Binoche and Stewart seem so natural and life-like that it would be tempting to suggest that they are playing characters very close to themselves. But this would also be denigrating and condescending, as if to suggest that they’re not really acting at all.
    • 78 Metascore
    • 90 Todd McCarthy
    Entirely unpredictable and marked by audacious strokes of directorial bravado.
    • 78 Metascore
    • 80 Todd McCarthy
    Like a Rousseau painting splattered with carnage of warfare.
    • 78 Metascore
    • 60 Todd McCarthy
    More pictorially arresting than intellectually coherent.
    • 78 Metascore
    • 100 Todd McCarthy
    Makes everything in the rival Marvel universe look thoroughly silly and childish. Entirely enveloping and at times unnerving in a relevant way one would never have imagined, as a cohesive whole this ranks as the best of Nolan's trio, even if it lacks -- how could it not? -- an element as unique as Heath Ledger's immortal turn in The Dark Knight. It's a blockbuster by any standard.
    • 78 Metascore
    • 60 Todd McCarthy
    On its own terms, the plotting of "Devil" is absorbing, and the pieces actually fit together pretty decently. On the other hand, when scenes directly call to mind similar ones in "Chinatown," this effort's stepchild relationship to the classic is forcibly demonstrated.
    • 78 Metascore
    • 90 Todd McCarthy
    Dazzlingly well made and perhaps deliberately less fanciful than the previous entries, this one is played in a mode closer to palpable life-or-death drama than any of the others and is quite effective as such.
    • 78 Metascore
    • 90 Todd McCarthy
    Gripping, highly dramatic thriller that more than confirms the distinctive talent of young Brit helmer Christopher Nolan.
    • 78 Metascore
    • 90 Todd McCarthy
    Conveying an astonishing array of information across a long narrative arc while still maintaining dramatic rhythm and tension, this adaptation of Robert Graysmith's bestseller reps by far director David Fincher's most mature and accomplished work.
    • 77 Metascore
    • 100 Todd McCarthy
    An enormously entertaining slice of biographical drama, The Aviator flies like one of Howard Hughes' record-setting speed airplanes.
    • 77 Metascore
    • 80 Todd McCarthy
    One of the very best directed animated films on record. Not surprisingly from the force behind the "Babe" movies, the attention to detail is phenomenal, the humor ample.
    • 77 Metascore
    • 70 Todd McCarthy
    It's exceedingly linear structure, while unavoidable, renders it rather methodical and shallow in characterization.
    • 77 Metascore
    • 60 Todd McCarthy
    While pic remains sympathetic and appealing, the endless dialogue and repetitive settings become wearing through the couple's one long night together, and the artifice of the premise may contribute to the difficulty the film has in coming to romantic life.
    • 77 Metascore
    • 60 Todd McCarthy
    A pictorially unusual but dramatically listless tale.
    • 77 Metascore
    • 70 Todd McCarthy
    Nunez achieves a rare, and rarely earned, emotional depth that rewards the moderate demands he makes on contemporary viewers' short attention spans.
    • 77 Metascore
    • 80 Todd McCarthy
    An exceptionally tasty contempo comedic romance.
    • 77 Metascore
    • 90 Todd McCarthy
    The rough power, as well as the humor and sensitivity, of pop phenom Eminem is delivered intact in 8 Mile.
    • 77 Metascore
    • 60 Todd McCarthy
    Blue Ruin is a talented but sophomoric low-budgeter that straddles the divide between genre thriller and art piece with mixed results.
    • 77 Metascore
    • 70 Todd McCarthy
    Entertaining in a very showbizzy way.

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