Todd McCarthy

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For 1,587 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 0.7 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 Master and Commander: The Far Side of the World
Lowest review score: 0 Being Human
Score distribution:
1587 movie reviews
    • 62 Metascore
    • 90 Todd McCarthy
    Expert story construction and compelling thesping and direction make all the narrative elements pay off as if calculated by a precision instrument in which all the parts are working perfectly.
    • 84 Metascore
    • 90 Todd McCarthy
    Crucially for such an elaborately dressed production, the characters all come thoroughly alive with their ready wits and pulsing emotions, overcoming the two-century gap with seeming effortlessness.
    • 72 Metascore
    • 90 Todd McCarthy
    Performed with matchless aplomb and made with plush professionalism, pic serves up pure pleasure from beginning to end.
    • 75 Metascore
    • 90 Todd McCarthy
    An exemplary and dynamic work that goes about as far as a narrative film can in both analyzing a complex personality and portraying a cultural scene.
    • 83 Metascore
    • 90 Todd McCarthy
    Tightly made and populated by a uniformly larger-than-life cast of characters , pic is a total delight for every second of its running time.
    • 36 Metascore
    • 90 Todd McCarthy
    With its strong premise, a couple of fine performances and highly polished tooling, The Jackal scores as an involving high-tech thriller that occasionally hits peaks of pulsating excitement.
    • 68 Metascore
    • 90 Todd McCarthy
    Emerges as the best in the overall series since "The Empire Strikes Back."
    • 73 Metascore
    • 90 Todd McCarthy
    A gritty, intense and supremely accomplished sci-fier.
    • 73 Metascore
    • 90 Todd McCarthy
    In his bigscreen feature debut, director and co-writer Jonathan Mostow displays real flair for visceral cinema while adroitly sidestepping many of the usual tripwires of this sort of film, particularly silly coincidences, stupid decisions on the part of characters with whom you're supposed to identify, and superheroics performed by ordinary people.
    • 60 Metascore
    • 90 Todd McCarthy
    Although the story is built around the automatically emotional situation of an imperiled kid, scripters Richard Price (who appears briefly as an uncomfortably handcuffed victim of Sinise in the early going) and Alexander Ignon and director Ron Howard largely steer clear of milking the easy melodrama.
    • 54 Metascore
    • 90 Todd McCarthy
    As originated by Grisham and adapted by Akiva Goldsman, this is a story of elemental emotional and legal issues splashed across a large canvas, and director Joel Schumacher has done a solid job of keeping the many components in focus and balance.
    • 81 Metascore
    • 90 Todd McCarthy
    Last year's "The Prisoner of Azkaban" seemed dark, but this excellent fourth film derived from J.K. Rowling's books is the darkest "Potter" yet, intense enough to warrant a PG-13 rating.
    • 81 Metascore
    • 90 Todd McCarthy
    Almost too much of a good thing, Peter Jackson's remake of the film that made him want to make movies is a super-sized version of a yarn that was big to begin with, a stupendous adventure that maximizes, and sometimes oversells, its dazzling wares.
    • 77 Metascore
    • 90 Todd McCarthy
    Outstandingly realized on all levels.
    • 60 Metascore
    • 90 Todd McCarthy
    But where most rugged he-man films feature a few action sequences scattered throughout, director Renny Harlin keeps the adventure stuff in this reputed $ 65 million production coming at an astonishing pace.
    • 58 Metascore
    • 90 Todd McCarthy
    Rebounding from his biggest career flopflop with "Havana," Sydney Pollack has done an ultra-pro job in giving spit and polish to this star-driven, sure-fire commercial project.
    • 89 Metascore
    • 90 Todd McCarthy
    Lee takes a conventional, talking-heads-and-archival-clips approach to the material, but rewardingly establishes an intimate connection with his subjects by devoting considerable time to the personalities and families of the four victims.
    • 75 Metascore
    • 90 Todd McCarthy
    Rib-ticklingly funny at times and genial as all get-out.
    • 72 Metascore
    • 90 Todd McCarthy
    Grandly conceived and sensitively drawn.
    • 85 Metascore
    • 90 Todd McCarthy
    This reworking of a popular Hong Kong picture pulses with energy, tangy dialogue and crackling performances from a fine cast.
    • 79 Metascore
    • 90 Todd McCarthy
    Ambitiously tackling his biggest canvas to date, Clint Eastwood continues to defy and triumph over the customary expectations for a film career in Flags of Our Fathers.
    • 57 Metascore
    • 90 Todd McCarthy
    It's not really either an animal or a kids' film but rather a young adult drama that rings emotionally true.
    • 69 Metascore
    • 90 Todd McCarthy
    Effectively building dread and emotional tension as tragic incidents triggered by human stupidity and carelessness steadily multiply, this film, like "21 Grams" in particular, employs a deterministically grim mindset in the cause of its philosophical aspirations, but is gripping nearly all the way.
    • 89 Metascore
    • 90 Todd McCarthy
    Taken together, "Flags" and "Letters" represent a genuinely imposing achievement, one that looks at war unflinchingly -- that does not deny its necessity but above all laments the human loss it entails.
    • 78 Metascore
    • 90 Todd McCarthy
    Conveying an astonishing array of information across a long narrative arc while still maintaining dramatic rhythm and tension, this adaptation of Robert Graysmith's bestseller reps by far director David Fincher's most mature and accomplished work.
    • 72 Metascore
    • 90 Todd McCarthy
    As vivid and suspenseful as Roman Polanski has made this claustrophobic tale of a torture victim turning the tables on her putative tormentor, one is still left with a film in which each character represents a mouthpiece for an ideology.
    • 83 Metascore
    • 90 Todd McCarthy
    An astonishing work of studio artifice, A Little Princess is that rarest of creations, a children's film that plays equally well to kids and adults.
    • 80 Metascore
    • 90 Todd McCarthy
    A "GoodFellas" with heart, A Bronx Tale represents a wonderfully vivid snapshot of a colorful place and time, as well as a very satisfying directorial debut by Robert De Niro. Overflowing with behavioral riches and the flavor of a deep-dyed New York Italian neighborhood, the film also trades intelligently in pertinent moral and social issues that raise it above the level of nostalgia or the mere memoir.
    • 93 Metascore
    • 90 Todd McCarthy
    A frank, intimate look at a phenomenal popular artist and his extraordinarily dysfunctional family, Crumb is an excellent countercultural documentary.
    • 87 Metascore
    • 90 Todd McCarthy
    This handsomely produced period piece is easily the most emotionally effective bigscreen melodrama since "The Joy Luck Club," as well as the most intelligent.

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