For 1,314 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.8 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
Average review score: 62
Highest review score: 100 Boyhood
Lowest review score: 0 Showgirls
Score distribution:
1,314 movie reviews
    • 73 Metascore
    • 80 Todd McCarthy
    Robert Altman takes an elegant, appealingly unemphatic look at the world of ballet.
    • 65 Metascore
    • 80 Todd McCarthy
    Directing himself for the first time, Redford has lavished his usual meticulous care on popular material that comes alive on the screen in ways that it never could on the page.
    • 61 Metascore
    • 80 Todd McCarthy
    Viewers looking for old-fashioned movie thrills as a change of pace from the glut of alien and digital-oriented features might paradoxically enjoy the feeling of being back on terra firma with this airborne adventure.
    • 68 Metascore
    • 80 Todd McCarthy
    About twice as good as the original...bigger and more ambitious in every respect, from its action and visceral qualities to its themes.
    • 57 Metascore
    • 80 Todd McCarthy
    The continuing saga of one of contemporary literature and cinema's most fascinating villains, as played once again with exquisite taste and riveting force by Anthony Hopkins.
    • 69 Metascore
    • 80 Todd McCarthy
    Breezy, enjoyable romp gratifyingly zigzags in directions that aren't apparent at the outset and features some intriguingly personal subtext for longtime Woody watchers.
    • 55 Metascore
    • 80 Todd McCarthy
    Dazzlingly nimble and light on its feet, this breezy but densely textured love letter to modern, multicultural Paris in the guise of a romantic suspenser returns its director to the vibrant vein of his pre-Oscar work in "Something Wild" and "Married to the Mob."
    • 51 Metascore
    • 80 Todd McCarthy
    A spectacularly gung-ho sci-fi epic that delivers two hours of good, nasty fun.
    • 63 Metascore
    • 80 Todd McCarthy
    In a very demanding role demanding a vast emotional range from clueless innocent to confident role player and emotional adventurer, Gyllenhaal is outstanding.
    • 72 Metascore
    • 80 Todd McCarthy
    Consistently engrossing as an unusual character study and as a trip to the mysterious border-crossing between rarified brilliance and madness, this serious-minded but lively film is distinguished by an exceptional performance by Russell Crowe.
    • 79 Metascore
    • 80 Todd McCarthy
    Witty, thoughtful and illuminating.
    • 76 Metascore
    • 80 Todd McCarthy
    An intermittently compelling and occasionally hilarious road movie.
    • 63 Metascore
    • 80 Todd McCarthy
    The return of the legendary swordsman is well served by a grandly mounted production in the classical style.
    • 66 Metascore
    • 80 Todd McCarthy
    A tour de force of artifice, a dazzling pastiche of musical and visual elements at the service of a blatantly artificial story.
    • 38 Metascore
    • 80 Todd McCarthy
    A somber, absorbing thriller that treads familiar psycho serial killer terrain with style. Elegantly made and comparatively restrained in cramming sick and grisly stuff down the audience's throat.
    • 76 Metascore
    • 80 Todd McCarthy
    Like a trot around the track for the thoroughbreds involved, and one of the results is that it takes them far too long to get to the finish line.
    • 58 Metascore
    • 80 Todd McCarthy
    A gritty and gratifying cheap thrill, Rob Cohen's high-octane hot-car meller is a true rarity these days, a really good exploitationer, the sort of thing that would rule at drive-ins if they still existed.
    • 80 Metascore
    • 80 Todd McCarthy
    Montenegro carries the film su-perbly with her portrait of gritty strength being worn down to a state of tattered vulnerability, while newcomer de Oliveira, a shoeshine boy who won the role over 1,500 other aspirants, is engagingly natural and happily doesn't beg for viewer sympathy.
    • 72 Metascore
    • 80 Todd McCarthy
    A well-observed and deftly performed examination of upper-middle-class emotional deep freeze, The Ice Storm is an intelligent, adult American film.
    • 67 Metascore
    • 80 Todd McCarthy
    A funny and unexpectedly beguiling account of the outrageous humorist's unlikely rise to the pinnacle of radio celebrity.
    • 65 Metascore
    • 80 Todd McCarthy
    An intelligent, insidiously plotted Hitchcockian thriller directed in souped-up, modern expressionistic style.
    • 65 Metascore
    • 80 Todd McCarthy
    Smartly plotted, convincingly acted and brilliantly executed technically, this engrossing thriller adds some clever modern wrinkles to the time-tested formula of sinister intruders threatening innocents in their home.
    • 69 Metascore
    • 80 Todd McCarthy
    Lee has made a brutal but sensitively observed film about the fringes of the Civil War.
    • 69 Metascore
    • 80 Todd McCarthy
    A charming, if lightweight, Coen brothers escapade flecked by plenty of visual and performance grace notes.
    • 63 Metascore
    • 80 Todd McCarthy
    Serves up a judicious blend of showy action, political intrigue, ticking-clock suspense and intramural CIA one-upsmanship for mainstream entertainment.
    • 39 Metascore
    • 80 Todd McCarthy
    The central idea is quite clever and appealing, and that the charm meter is turned up all the way.
    • 71 Metascore
    • 80 Todd McCarthy
    Low on plot but high on charm and personality, Next Stop Wonderland is a sly, hand-crafted indie that is very alive and attentive to its characters' feelings and foibles.
    • 85 Metascore
    • 80 Todd McCarthy
    Films exist for different reasons, and the indisputable raison d'etre for About Schmidt is to showcase Jack Nicholson giving a master class in the art of screen acting.
    • 70 Metascore
    • 80 Todd McCarthy
    A randy, irreverent, slice-of-life no-budgeter that's played for laughs and gets them.
    • 86 Metascore
    • 80 Todd McCarthy
    Beautifully acted by a diverse ensemble, this Good Machine production is carefully crafted and deliberately paced.