Todd McCarthy

Select another critic »
For 1,562 reviews, this critic has graded:
  • 50% higher than the average critic
  • 2% same as the average critic
  • 48% lower than the average critic
On average, this critic grades 0.8 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 63
Highest review score: 100 The Wizard of Oz (re-release)
Lowest review score: 0 Showgirls
Score distribution:
1562 movie reviews
    • 53 Metascore
    • 80 Todd McCarthy
    Just as quirky and idiosyncratic as the Gotham-based writer-director's earlier efforts, this one pushes the spiky humor a bit more to the fore while unfolding a tale loaded with offbeat oppositions and odd character detailing.
    • 81 Metascore
    • 80 Todd McCarthy
    Upstream Colors certainly is something to see if you’re into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress.
    • 65 Metascore
    • 80 Todd McCarthy
    An entertainingly eccentric horror tale that envelopes the audience in a dreamy and bloody nightmare.
    • 64 Metascore
    • 80 Todd McCarthy
    Fury is a good, solid World War II movie, nothing more and nothing less.
    • 76 Metascore
    • 80 Todd McCarthy
    Exceedingly imaginative, beautifully realized animated epic adventure.
    • 67 Metascore
    • 80 Todd McCarthy
    A pleasurable throwback to the sort of gritty, low-tech international thriller that was a staple of the 1960s.
    • 65 Metascore
    • 80 Todd McCarthy
    Audacious, confident and fueled by youthful energy.
    • 71 Metascore
    • 80 Todd McCarthy
    Engaging, refreshingly human in its humor and becomingly modest in its aspirations, this hip look at being out of it announces some promising new talent and will play well with young audiences looking for comfortable entertainment that doesn't feel manufactured.
    • 76 Metascore
    • 80 Todd McCarthy
    Underachieves in its own way by trapping an expansive, probing story in a brittle, highly artificial style that constricts character and emotional development.
    • 73 Metascore
    • 80 Todd McCarthy
    The film yanks the viewer to attention with its keen sensitivity to the rough winter conditions and limited prospects faced by the locals. It also features one of Jeremy Renner’s best recent performances, but does fall into some traps when it ventures into Tarantino and Peckinpah territory.
    • 69 Metascore
    • 80 Todd McCarthy
    An unusually fresh-feeling indie with a nice sense of style. The potentially predictable story of a young man who undertakes an impromptu journey to resolve some unfinished family business emerges as an appealing tale of personal growth with hand-crafted contours.
    • 86 Metascore
    • 80 Todd McCarthy
    Beautifully acted by a diverse ensemble, this Good Machine production is carefully crafted and deliberately paced.
    • 63 Metascore
    • 80 Todd McCarthy
    Increasingly exhibits a desire to amuse and distract rather than go deep, which ultimately generates disappointment in light of its announced intentions.
    • 64 Metascore
    • 80 Todd McCarthy
    Rough as can be in both content and style, Ghosts will be welcome everywhere tough, provocative docus are shown.
    • 77 Metascore
    • 80 Todd McCarthy
    Planet Terror delivers only momentary kicks...while Tarantino's Death Proof is a juicy, delicious treat, its pleasures stem much less from the play with genre conventions than from great dialogue and electric performances.
    • 67 Metascore
    • 80 Todd McCarthy
    John Mathieson's widescreen cinematography is magnificent, and the pacing across 2½ hours is well modulated.
    • 52 Metascore
    • 80 Todd McCarthy
    A deliriously trashy, exuberantly vulgar, lavishly appointed exploitation picture, this weird combo of road-kill movie and martial-arts vampire gorefest is made to order for the stimulation of teenage boys.
    • 78 Metascore
    • 80 Todd McCarthy
    Taking film noir material and turning it inside out visually and morally, The Deep End is an absorbing, beautifully made melodrama that succeeds on formal levels more than it does with suspense or emotion.
    • 63 Metascore
    • 80 Todd McCarthy
    Serves up a judicious blend of showy action, political intrigue, ticking-clock suspense and intramural CIA one-upsmanship for mainstream entertainment.
    • 67 Metascore
    • 80 Todd McCarthy
    After building up a narrative head of steam, the film relaxes too much back into expository documentary form. What might have been thrilling is merely entirely engrossing.
    • 70 Metascore
    • 80 Todd McCarthy
    A randy, irreverent, slice-of-life no-budgeter that's played for laughs and gets them.
    • 75 Metascore
    • 80 Todd McCarthy
    Never really addresses why aspects of the ratings don't work, proposes concrete improvements or compares the system to those in other countries. Still, picture's bracing, hilarious and out-there elements make it a landmark.
    • 74 Metascore
    • 80 Todd McCarthy
    It's juicy, fascinating stuff, well orchestrated by Carion and finely thesped -- especially by Kusturica.
    • 58 Metascore
    • 80 Todd McCarthy
    A knockout documentary with a renegade personality ideally suited to its anarchic subject matter.
    • 86 Metascore
    • 80 Todd McCarthy
    Tony Kushner's densely packed script has been directed by Spielberg in an efficient, unpretentious way that suggests Michael Curtiz at Warner Bros. in the 1940s, right down to the rogue's gallery of great character actors in a multitude of bewhiskered supporting roles backing up a first-rate leading performance by Daniel Day-Lewis.
    • 72 Metascore
    • 80 Todd McCarthy
    A well-observed and deftly performed examination of upper-middle-class emotional deep freeze, The Ice Storm is an intelligent, adult American film.
    • 85 Metascore
    • 80 Todd McCarthy
    As Oscar, Jordan at moments gives off vibes of a very young Denzel Washington in the way he combines gentleness and toughness; he effortlessly draws the viewer in toward him.
    • 75 Metascore
    • 80 Todd McCarthy
    An array of supporting craftspeople pull the viewer into a credible alternative world, even if the film itself is more prosaic than inspiring.
    • 55 Metascore
    • 80 Todd McCarthy
    A roundly entertaining romantic comedy, Love Actually is still nearly as cloying as it is funny…its cheeky wit, impossibly attractive cast and sure-handed professionalism are beguiling.
    • 65 Metascore
    • 80 Todd McCarthy
    Directing himself for the first time, Redford has lavished his usual meticulous care on popular material that comes alive on the screen in ways that it never could on the page.

Top Trailers