Todd McCarthy
Select another critic »
For 1,360 reviews, this critic has graded:
  • 51% higher than the average critic
  • 2% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 2.6 points higher than other critics. (0-100 point scale)

Todd McCarthy's Scores

  • Movies
  • TV
Average review score: 62
Highest review score: 100 Shrek
Lowest review score: 0 Being Human
Score distribution:
1,360 movie reviews
    • 72 Metascore
    • 80 Todd McCarthy
    Well-observed and superbly cast picture is the filmmaker's best in quite a long time.
    • 74 Metascore
    • 80 Todd McCarthy
    What neophyte scripterscripter Jeff Maguire's plot comes down to, however, is the cat-and-mouse game between Horrigan and Leary, and the craftiness and strategies involved on both sides, while not exactly ingenious, are tantalizing enough to compel interest.
    • 78 Metascore
    • 80 Todd McCarthy
    First-time helmer Jan De Bont, the ace lenser of most of Paul Verhoeven's films as well as "Die Hard" and numerous other large-scale pix, handles the action with great nimbleness and dexterity; film can hardly be faulted for its visual presentation of very complex action.
    • 71 Metascore
    • 80 Todd McCarthy
    Lucid and engaging, Sketches of Frank Gehry provides the enormously gratifying opportunity to spend an hour-and-a-half with an artistic giant.
    • 75 Metascore
    • 80 Todd McCarthy
    Never really addresses why aspects of the ratings don't work, proposes concrete improvements or compares the system to those in other countries. Still, picture's bracing, hilarious and out-there elements make it a landmark.
    • 54 Metascore
    • 80 Todd McCarthy
    Ending is on the conventional side, more so than anything else in the picture , but script by Ann Biderman and David Madsen keeps the tart surprises coming throughout most of the picture with only occasional lapses into red herrings and artificial manipulation.
    • 81 Metascore
    • 80 Todd McCarthy
    Craig comes closer to the author's original conception of this exceptionally long-lived male fantasy figure than anyone since early Sean Connery.
    • 77 Metascore
    • 80 Todd McCarthy
    One of the very best directed animated films on record. Not surprisingly from the force behind the "Babe" movies, the attention to detail is phenomenal, the humor ample.
    • 66 Metascore
    • 80 Todd McCarthy
    On a scene-by-scene basis, in terms of performance and the grave issues under consideration, the film is quite absorbing.
    • 61 Metascore
    • 80 Todd McCarthy
    A sharp-minded, plenty entertaining toon that will keep children of all ages wide-eyed and on their toes.
    • 77 Metascore
    • 80 Todd McCarthy
    Planet Terror delivers only momentary kicks...while Tarantino's Death Proof is a juicy, delicious treat, its pleasures stem much less from the play with genre conventions than from great dialogue and electric performances.
    • 58 Metascore
    • 80 Todd McCarthy
    After a buoyantly funny first half-hour, stylish animated comedy takes a breather before ramping it up again for a rambunctious, girrrl-power finale that provides a convenient springboard for further adventures to come.
    • 53 Metascore
    • 80 Todd McCarthy
    Just as quirky and idiosyncratic as the Gotham-based writer-director's earlier efforts, this one pushes the spiky humor a bit more to the fore while unfolding a tale loaded with offbeat oppositions and odd character detailing.
    • 62 Metascore
    • 80 Todd McCarthy
    As smooth as a good mojito, as stylish as an Armani suit and as meaningful in the grand scheme of things as yesterday's Las Vegas betting odds, Ocean's Thirteen"continues the breezy good times of the first two series entries without missing a beat.
    • 69 Metascore
    • 80 Todd McCarthy
    The sheer quantity of often outrageous stunts should help overcome franchise mustiness to entertain.
    • 64 Metascore
    • 80 Todd McCarthy
    Rough as can be in both content and style, Ghosts will be welcome everywhere tough, provocative docus are shown.
    • 69 Metascore
    • 80 Todd McCarthy
    A creepy-little-kid suspenser decked out with sufficient class to lend it a certain distinction.
    • 76 Metascore
    • 80 Todd McCarthy
    James Mangold's remake walks a fine line in retaining many of the original's qualities while smartly shaking things up a bit.
    • 84 Metascore
    • 80 Todd McCarthy
    The excitement, majesty and extraordinary human accomplishment of the American lunar program of the '60s and early '70s is rousingly captured in In the Shadow of the Moon.
    • 76 Metascore
    • 80 Todd McCarthy
    Absorbing, exciting at times and undeniably entertaining, and is poised to be a major commercial hit. But great it's not.
    • 75 Metascore
    • 80 Todd McCarthy
    A full-blown musical that commutes between Disney's patented cartoon universe and the "real" world with cleverness and grace, this splashy production reminds one of nothing in the Disney canon so much as "Mary Poppins," not least due to the "star is born" aura that surrounds Amy Adams here, just as it did Julie Andrews 43 years ago.
    • 81 Metascore
    • 80 Todd McCarthy
    An ultra-smart-mouthed comedy about a planned adoption that goes weirdly awry.
    • 69 Metascore
    • 80 Todd McCarthy
    Charlie Wilson's War is that rare Hollywood commodity these days: a smart, sophisticated entertainment for grownups.
    • 83 Metascore
    • 80 Todd McCarthy
    Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.
    • 72 Metascore
    • 80 Todd McCarthy
    A wonderful, serious-minded romantic comedy-drama.
    • 62 Metascore
    • 80 Todd McCarthy
    Closer to a straight-ahead medieval battle picture than the fantastical, other-worldly journey depicted in "The Lion, the Witch and the Wardrobe," this new entry is a bit darker, more conventional and more crisply made than its 2005 predecessor.
    • 65 Metascore
    • 80 Todd McCarthy
    Nineteen years after their last adventure, director Steven Spielberg and star Harrison Ford have no trouble getting back in the groove with a story and style very much in keeping with what has made the series so perennially popular.
    • 94 Metascore
    • 80 Todd McCarthy
    Walks a fine line between the rarefied and the immediately accessible as it explores new territory for animation, yet remains sufficiently crowd-pleasing.
    • 64 Metascore
    • 80 Todd McCarthy
    Like it or not, Wanted pretty much slams you to the back of your chair from the outset and scarcely lets up for the duration.
    • 69 Metascore
    • 80 Todd McCarthy
    An unusually fresh-feeling indie with a nice sense of style. The potentially predictable story of a young man who undertakes an impromptu journey to resolve some unfinished family business emerges as an appealing tale of personal growth with hand-crafted contours.