For 682 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3.3 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

Average review score: 68
Highest review score: 100 Veep: Season 3
Lowest review score: 25 The Playboy Club: Season 1
Score distribution:
  1. Negative: 93 out of 682
682 tv reviews
    • 53 Metascore
    • 75 Tom Gliatto
    The arbitrary leap overseas moves the show that much closer to pure sitcom--an improvement. [22 Aug 2011, p.45]
    • People Weekly
    • 56 Metascore
    • 75 Tom Gliatto
    The acting is flat, but the show casts a hokey spell. [19 Sep 2011, p.65]
    • People Weekly
    • 66 Metascore
    • 75 Tom Gliatto
    VanCamp goes about her business with a purse-lipped Jodie Foster earnestness that makes her hard to root for. But Stowe coos, scowls, flirts and thunders. She roils Revenge. [26 sep 2011, p.56]
    • People Weekly
    • 68 Metascore
    • 75 Tom Gliatto
    The show is fueled with so much soap-operatic hot air that it takes off. [26 Sep 2011, p.54]
    • People Weekly
    • 65 Metascore
    • 75 Tom Gliatto
    [Bello's] sour, tough intelligence is right on the money. [3 Oct 2011, p.45]
    • People Weekly
    • 64 Metascore
    • 75 Tom Gliatto
    Up All Night is adorable without being cute. [3 Oct 2011, p.41]
    • People Weekly
    • 82 Metascore
    • 75 Tom Gliatto
    Boardwalk is still solid, but it's sacrificed some of its nervy power. [10 Oct 2011, p.40]
    • People Weekly
    • 70 Metascore
    • 75 Tom Gliatto
    The talent is good, and on the long road to announcing a top 16, the show expertly milking every drop of pathos. [24 Oct 2011, p.39]
    • People Weekly
    • 70 Metascore
    • 75 Tom Gliatto
    The show is a quietly intriguing, informative study of assimilation, identity and community. [21 Nov 2011, p.40]
    • People Weekly
    • 66 Metascore
    • 75 Tom Gliatto
    This could grow into a show of more than ordinary interest. [28 Nov 2011, p.57]
    • People Weekly
    • 59 Metascore
    • 75 Tom Gliatto
    This Victorian-era prequel to Peter Pan works. [12 Dec 2011, p.48]
    • People Weekly
    • 85 Metascore
    • 75 Tom Gliatto
    Luckily the characters are so fully formed, and so fully inhabited by the cast, that the whole mess staggers up out of the trenches and keeps going. [9 Jan 2012, p.39]
    • People Weekly
    • 63 Metascore
    • 75 Tom Gliatto
    It takes a few half-hour episodes before the tone gels. [16 Jan 2012, p.39]
    • People Weekly
    • 52 Metascore
    • 75 Tom Gliatto
    A solid, well-done series. [19 Jan 2012, p.42]
    • People Weekly
    • 73 Metascore
    • 75 Tom Gliatto
    There's always a laugh or two. [30 Jan 2012, p.44]
    • People Weekly
    • 58 Metascore
    • 75 Tom Gliatto
    It's fun sport. [30 Jan 2012, p.44]
    • People Weekly
    • 68 Metascore
    • 75 Tom Gliatto
    Girl has a surprisingly casual sense of humor and Anna Silk is physically just right in the lead role. [13 Feb 2012, p.45]
    • People Weekly
    • 80 Metascore
    • 75 Tom Gliatto
    The humor is so lighthearted, the show practically skips. [20 Feb 2012, p.48]
    • People Weekly
    • 74 Metascore
    • 75 Tom Gliatto
    A tricky show with serious potential. [5 Mar 2012, p.45]
    • People Weekly
    • 56 Metascore
    • 75 Tom Gliatto
    This bifurcated character--Mother of the Year meets Jack Bauer--isn't always believable, but Judd welds the two Beccas together through sheer willpower. [19 Mar 2012, p.41]
    • People Weekly
    • 63 Metascore
    • 75 Tom Gliatto
    The one great redemptive asset--and it's significant--is Kiefer Sutherland. [26 Mar 2012, p.41]
    • People Weekly
    • 68 Metascore
    • 75 Tom Gliatto
    The humor has a light, convivial burble. [26 Mar 2012, p.45]
    • People Weekly
    • 56 Metascore
    • 75 Tom Gliatto
    The story is promising. [9 Apr 2012, p.42]
    • People Weekly
    • 64 Metascore
    • 75 Tom Gliatto
    Scandal is about as realistic as Mamie Eisenhower Witch Hunter but it has so much headlong energy, you may not care. [9 Apr 2012, p.40]
    • People Weekly
    • 71 Metascore
    • 75 Tom Gliatto
    The jokes hop all over the place but the show, like Chloe, is refreshingly wild. [16 Apr 2012, p.49]
    • People Weekly
    • 59 Metascore
    • 75 Tom Gliatto
    The show is gentle, winning and sympathetic. [7 May 2012, p.48]
    • People Weekly

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