For 677 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3.9 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

Average review score: 68
Highest review score: 100 The Trip to Bountiful: Season 1
Lowest review score: 25 The Client List: Season 1
Score distribution:
  1. Negative: 93 out of 677
677 tv reviews
    • 63 Metascore
    • 75 Tom Gliatto
    The one great redemptive asset--and it's significant--is Kiefer Sutherland. [26 Mar 2012, p.41]
    • People Weekly
    • 59 Metascore
    • 75 Tom Gliatto
    It's fun sport. [30 Jan 2012, p.44]
    • People Weekly
    • 52 Metascore
    • 75 Tom Gliatto
    A solid, well-done series. [19 Jan 2012, p.42]
    • People Weekly
    • 63 Metascore
    • 75 Tom Gliatto
    It takes a few half-hour episodes before the tone gels. [16 Jan 2012, p.39]
    • People Weekly
    • 73 Metascore
    • 75 Tom Gliatto
    The show is still crazily entertaining. [11 Jun 2012, p.41]
    • People Weekly
    • 71 Metascore
    • 75 Tom Gliatto
    The jokes hop all over the place but the show, like Chloe, is refreshingly wild. [16 Apr 2012, p.49]
    • People Weekly
    • 75 Metascore
    • 75 Tom Gliatto
    A tricky show with serious potential. [5 Mar 2012, p.45]
    • People Weekly
    • 56 Metascore
    • 75 Tom Gliatto
    This bifurcated character--Mother of the Year meets Jack Bauer--isn't always believable, but Judd welds the two Beccas together through sheer willpower. [19 Mar 2012, p.41]
    • People Weekly
    • 73 Metascore
    • 75 Tom Gliatto
    Their white collar cases aren't always riveting but as summer fares goes, hot guys and Manhattan backdrops are a reliably escapist combo. [25 Jun 2012, p.47]
    • People Weekly
    • 68 Metascore
    • 75 Tom Gliatto
    The humor has a light, convivial burble. [26 Mar 2012, p.45]
    • People Weekly
    • 75 Metascore
    • 75 Tom Gliatto
    Season 2 of the Hollywood satire still plays too broad, [...] But Matt LeBlanc's understated performance as himself has gotten even better. [9 Jul 2012, p.36]
    • People Weekly
    • 56 Metascore
    • 75 Tom Gliatto
    The story is promising. [9 Apr 2012, p.42]
    • People Weekly
    • 64 Metascore
    • 75 Tom Gliatto
    Scandal is about as realistic as Mamie Eisenhower Witch Hunter but it has so much headlong energy, you may not care. [9 Apr 2012, p.40]
    • People Weekly
    • 60 Metascore
    • 75 Tom Gliatto
    This air of finality throws the many small, fine details of Parker's performance, the main reason for the show's existence, into sharp relief. [13 Aug 2012, p.42]
    • People Weekly
    • 75 Metascore
    • 75 Tom Gliatto
    Kane's visions aren't done with originality, but Grammer's performance is still powerful. [27 Aug 2012, p.48]
    • People Weekly
    • 56 Metascore
    • 75 Tom Gliatto
    The show is gentle, winning and sympathetic. [7 May 2012, p.48]
    • People Weekly
    • 67 Metascore
    • 75 Tom Gliatto
    If the show's isn't terribly ambitious to break new ground, it's a nice lull. [11 Jun 2012, p.42]
    • People Weekly
    • 74 Metascore
    • 75 Tom Gliatto
    Gilmore creator Amy Sherman-Palladino gives her actors a zip drive's worth of dialogue....Foster's got the mouth--and charm--to pull it off. [18 Jun 2012, p.43]
    • People Weekly
    • 65 Metascore
    • 75 Tom Gliatto
    The Soul Man isn't great, but it's the best sitcom yet developed for TV Land. [2 Jul 2012, p.40]
    • People Weekly
    • 73 Metascore
    • 75 Tom Gliatto
    The overall mythology is sprouting nicely thorny tendrils. [10 Sep 2012, p.42]
    • People Weekly
    • 73 Metascore
    • 75 Tom Gliatto
    The high school stories are tighter-focused, and the Manhattan ones breathe with Broadway romanticism. [5 Nov 2012, p.42]
    • People Weekly
    • 80 Metascore
    • 75 Tom Gliatto
    Branagh is very fine as Wallander. [10 Sep 2012, p.40]
    • People Weekly
    • 72 Metascore
    • 75 Tom Gliatto
    About Face addresses some deeper implications--Gia Carangi's early death is a cautionary tale--but knows better than to over do it. [6 Aug 2012, p.39]
    • People Weekly
    • 48 Metascore
    • 75 Tom Gliatto
    The show is cleverer than you'd expect. [20 Aug 2012, p.41]
    • People Weekly
    • 84 Metascore
    • 75 Tom Gliatto
    Girls can still be Girls. [21 Jan 2013]
    • People Weekly
    • 60 Metascore
    • 75 Tom Gliatto
    The color, pace and performance are vibrant, often crazily so. [10 Sep 2012, p.39]
    • People Weekly
    • 64 Metascore
    • 75 Tom Gliatto
    The melodrama of it all is tasty--a jumbo macaroon. [27 Aug 2012, p.43]
    • People Weekly
    • 62 Metascore
    • 75 Tom Gliatto
    666 Park Avenue remains good Gothic Trash. [26 Nov 2012, p.44]
    • People Weekly
    • 74 Metascore
    • 75 Tom Gliatto
    This new series is a bold military thriller. [8 Oct 2012, p.60]
    • People Weekly
    • 61 Metascore
    • 75 Tom Gliatto
    The Inbetweeners is a companion to the network's hit Awkward. And equally funny. [27 Aug 2012, p.48]
    • People Weekly