For 682 reviews, this critic has graded:
  • 66% higher than the average critic
  • 7% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 3.3 points higher than other critics. (0-100 point scale)

Tom Gliatto's Scores

Average review score: 68
Highest review score: 100 Ringer: Season 1
Lowest review score: 25 Here Comes Honey Boo Boo: Season 1
Score distribution:
  1. Negative: 93 out of 682
682 tv reviews
    • 38 Metascore
    • 50 Tom Gliatto
    Some of it's funny, but revelatory? Not too. [6 Dec 2010, p.52]
    • People Weekly
    • 56 Metascore
    • 50 Tom Gliatto
    Even this adventuresome idiosyncratic actor [Malkovich] doesn't seem to be having much fun. [2 Jun 2014, p.46]
    • People Weekly
    • 63 Metascore
    • 50 Tom Gliatto
    It's like Lisa Kudrow's Comeback without the satiric contempt. [10 Apr 2006, p.35]
    • People Weekly
    • 45 Metascore
    • 50 Tom Gliatto
    This is like dramatizing War and peace without commenting on war or peace. [11 Mar 2013, p.46]
    • People Weekly
    • 72 Metascore
    • 50 Tom Gliatto
    The series goes overboard on cutesy domestic details but as a Bret Bulletin, it should gratify and reassure his fans. [1 Nov 2010, p.42]
    • People Weekly
    • 70 Metascore
    • 50 Tom Gliatto
    Weeds feels like a stoned Desperate Housewives: The pupils are dilated wide, as if able to pick out in sharp relief every detail of this suburban America, yet nothing really seems in focus at all.
    • 49 Metascore
    • 50 Tom Gliatto
    There are rivalries and feuds and dangerous situations, as well as a complete lack of personality. [29 Oct 2012, p.38]
    • People Weekly
    • 45 Metascore
    • 50 Tom Gliatto
    Shift is competent but useful mostly as a reminder to stay healthy at all costs and avoid this sort of place. [9 Jun 2014, p.34]
    • People Weekly
    • tbd Metascore
    • 50 Tom Gliatto
    This is a well-constructed, old-school sex farce. [15 Nov 2011, p.43]
    • People Weekly
    • 80 Metascore
    • 50 Tom Gliatto
    A wiry, tired jitteriness has crept in. [24 Oct 2011, p.48]
    • People Weekly
    • 59 Metascore
    • 50 Tom Gliatto
    There isn't much of a story, though. The best thing is the terrific song in the opening credits: Aloe Blacc's "I Need a Dollar." It has the sort of itchy desperation that should have driven the whole show.
    • People Weekly
    • 42 Metascore
    • 50 Tom Gliatto
    This Miami trauma-hospital drama is marginally better than "Three Rivers."
    • People Weekly
    • 40 Metascore
    • 50 Tom Gliatto
    Sort of a Real Housewives with saddles. [16 Dec 2013]
    • People Weekly
    • 51 Metascore
    • 50 Tom Gliatto
    The stunts are a confusing mix of bullets and blowups: Apocalypse Now on the scale of Wipeout. [3 Sep 2012, p.40]
    • People Weekly
    • 61 Metascore
    • 50 Tom Gliatto
    This adaptation of the hit 1989 movie is emotionally ample, as any decent family drama should be, but the premiere feels like a dowdier cousin of shows already out there.
    • People Weekly
    • 39 Metascore
    • 50 Tom Gliatto
    Anyone who saw Team America, the movie send-up of all things Bruckheimerian, will find E-Ring hard to take too seriously. [24 Oct 2005, p.41]
    • People Weekly
    • 39 Metascore
    • 50 Tom Gliatto
    Gilbert seems like the one you'd most like the one you'd like to have in your actual mom's group. The others, not so much. [15 Nov 2010, p.43]
    • People Weekly
    • 41 Metascore
    • 50 Tom Gliatto
    This is all nicely produced with mild offbeat tweaks along the way... But none of this is original either. [24 Apr 2006, p.39]
    • People Weekly
    • tbd Metascore
    • 50 Tom Gliatto
    Just call it Molly.... Trouble, is, Melissa McCarthy's brash persona in films is too big for the small screen. [11 Nov 2013, p.40]
    • People Weekly
    • 42 Metascore
    • 50 Tom Gliatto
    The declining but not yet flatlining EKG of their relationship is captured very nicely by Williams and Matchett, both giving strong, stoic performances. Everything else is too quiet, though. [25 Jun 2007, p.41]
    • People Weekly
    • 39 Metascore
    • 50 Tom Gliatto
    The "nuttiness" is contrived, but Johnny Argent, Roseanne's boyfriend of eight years, is amusingly droll. [1 Aug 2011, p.41]
    • People Weekly
    • 60 Metascore
    • 50 Tom Gliatto
    It has some good jokes, but this overly familiar spoof lacks the strength to push the envelope. [2 Sep 2013]
    • People Weekly
    • 44 Metascore
    • 50 Tom Gliatto
    It's well cast but conceptually unadventurous. [31 Jan 2011, p.39]
    • People Weekly
    • 21 Metascore
    • 50 Tom Gliatto
    Something like Entourage without the manic, kick-start fury of Ari Gold. [2 Apr 2007, p.37]
    • People Weekly
    • 69 Metascore
    • 50 Tom Gliatto
    If anything, it moves so tentatively through the baffling investigation and trial that Hayden Panettiere seems to play a dozen Amandas: cheerful, furtive, erratic--and at times literally clueless. [28 Feb 2011, p.40]
    • People Weekly
    • 64 Metascore
    • 50 Tom Gliatto
    It's a temperature-controlled How I Met Your Mother. [27 Sep 2010, p.56]
    • People Weekly
    • tbd Metascore
    • 50 Tom Gliatto
    Bachelor Pad ups the ante this season with a cheesy gimmick that turns out to be ingenious. [6 Aug 2012, p.37]
    • People Weekly
    • 52 Metascore
    • 50 Tom Gliatto
    It is nice but overly familiar in its reliance on pop-culture signposts and snuggly sentimentality. [30 Sep 2013, p.53]
    • People Weekly
    • 39 Metascore
    • 50 Tom Gliatto
    Innocently goofy. [30 Apr 2007, p.37]
    • People Weekly
    • 56 Metascore
    • 50 Tom Gliatto
    Not a bad concept, but the casting is out of whack. [21 Mar 2011, p.46]
    • People Weekly
    • 58 Metascore
    • 50 Tom Gliatto
    I kept wishing for a rose ceremony to perk things up. [8 May 2006, p.39]
    • People Weekly
    • 38 Metascore
    • 50 Tom Gliatto
    The cast has an ordinariness that's a little too believable. [16 Apr 2007, p.43]
    • People Weekly
    • 40 Metascore
    • 50 Tom Gliatto
    The scale is wrong. This is an overelaborate piffle, a crate-size bon-bon. The best thinge is Papa.
    • People Weekly
    • 66 Metascore
    • 50 Tom Gliatto
    The show is overworked and overthought. [25 Mar 2013, p.43]
    • People Weekly
    • 29 Metascore
    • 50 Tom Gliatto
    So far, it's of interest only for watching Lithgow--who likes to shout his lines with quivering urgency, as if he'd just seen a UFO--as he goes over the top to get a laugh. [16 Oct 2006, p.39]
    • People Weekly
    • 57 Metascore
    • 50 Tom Gliatto
    Her mind has repressed the clues [to her sister's murder]. Clever paradox, but as a result the show is an unsatisfying mix of razor-sharp thinking and befogged gloom. [10 Oct 2011, p.44]
    • People Weekly
    • tbd Metascore
    • 42 Tom Gliatto
    The opening narrative chunk of Odyssey 5 [is] a beaut. But then .... Odyssey suddenly feels like a return trip to The X-Files.
    • 52 Metascore
    • 42 Tom Gliatto
    Neither [Underwood nor Moyer were] helped by the fact that the production stuck to the original Broadway show, which premiered more than half a century ago. It was full of business that might be delightful or even exciting on a stage--nuns gliding about while singing their alleluias, characters racing up and down grand, sweeping staircases--but on a wide-screen television it tended to look like just that, lots and lots of stage business.
    • 61 Metascore
    • 42 Tom Gliatto
    Meyers is talented and interesting enough that I shouldn't be watching his premiere and wishing that Stefon had shown up instead of Joe Biden.... The monologue was nothing much. Meyers at least seemed instantly comfortable, at home, once he finished a string of so-so punchlines and sat down behind the desk.
    • 63 Metascore
    • 42 Tom Gliatto
    In contrast, the British original, while just as explicit, is also funny and warm, with a Trainspotting zip. You'll be happier renting videotapes of that.
    • 50 Metascore
    • 38 Tom Gliatto
    The hot-potato miniseries dares to be unflattering. [11 Apr 2011, p.45]
    • People Weekly
    • 35 Metascore
    • 38 Tom Gliatto
    [Laura Prepon] doesn't have any of the original's bone-tired, hard-earned scorn. [19 Jan 2012, p.42]
    • People Weekly
    • 53 Metascore
    • 38 Tom Gliatto
    There's no real awe or fear-just a relatively safe Haven. So, no go.
    • People Weekly
    • 59 Metascore
    • 38 Tom Gliatto
    Wonderland grabs elements from the Lewis Carroll classic, throwing them down a rabbit hole and lets them land willy-nilly. [28 Oct 2013, p.42]
    • People Weekly
    • tbd Metascore
    • 38 Tom Gliatto
    Cosmetically frozen and emotionally infantile. [17 Sep 2012, p.40]
    • People Weekly
    • tbd Metascore
    • 38 Tom Gliatto
    The coach-team setup give the show a slight Voice vibe, but the whole thing feels flat. [10 Feb 2014, p.50]
    • People Weekly
    • 33 Metascore
    • 38 Tom Gliatto
    Maybe Prinze should just clear the soundstage of all these people, stand there alone and start over. [24 Oct 2005, p.41]
    • People Weekly
    • tbd Metascore
    • 38 Tom Gliatto
    The show consists mostly of cheap re-creations of cases in which a marriage is undone by infidelity--and murder. [10 Sep 2012, p.40]
    • People Weekly
    • 47 Metascore
    • 38 Tom Gliatto
    It's like a David Mamet parody of Roseanne. [19 Jun 2006, p.37]
    • People Weekly
    • 53 Metascore
    • 38 Tom Gliatto
    It's not a fascinating process. As host and co-judge, Jewel is so glamorously reserved, she's faintly sinister. [6 Jun 2011, p.46]
    • People Weekly
    • 29 Metascore
    • 38 Tom Gliatto
    [A] dull new sitcom. [23 Jan 2012, p.40]
    • People Weekly
    • 46 Metascore
    • 38 Tom Gliatto
    It's still not funny. [23 Jan 2012, p.42]
    • People Weekly
    • 42 Metascore
    • 38 Tom Gliatto
    [A] disappointingly thin, damp new series. [10 Jun 2013, p.47]
    • People Weekly
    • 64 Metascore
    • 38 Tom Gliatto
    Annie calls for some sort of inner steel, but Perabo looks less like an untested agent than an overwhelmed intern.
    • People Weekly
    • 39 Metascore
    • 38 Tom Gliatto
    Silly. [7 Nov 2005, p.41]
    • People Weekly
    • 55 Metascore
    • 38 Tom Gliatto
    It has none of Desperate Housewives' winking cuteness, none of Revenge's dagger-eyed, fire-breathing kick. [12 Mar 2012, p.43]
    • People Weekly
    • 37 Metascore
    • 38 Tom Gliatto
    The show is just as bad as several other recent WB shows (Modern Men, The Bedford Diaries), neither cartoonish enough nor realistic enough to register as anything more than a conceptual shell with a handful of dried peas rattling inside. [24 Apr 2006, p.39]
    • People Weekly
    • 58 Metascore
    • 38 Tom Gliatto
    The premise might make sense if Stults had a Rain Man intensity. Instead he's laid back and scruffy. [6 Feb 2012, p.40]
    • People Weekly
    • 41 Metascore
    • 38 Tom Gliatto
    The Nashville-meets-California jokes are pretty weak. [12 Nov 2012, p.46]
    • People Weekly
    • 40 Metascore
    • 38 Tom Gliatto
    There are small funny moments along the way. [4 Dec 2006, p.39]
    • People Weekly
    • 33 Metascore
    • 38 Tom Gliatto
    This isn't much different from the studied vapidity of an earlier E! star, Paris Hilton, except that Lochte seems awfully nice. [29 Apr 2013, p.40]
    • People Weekly
    • 23 Metascore
    • 38 Tom Gliatto
    Is there anything here that Bruce Springsteen hasn't already sung about? [19 Mar 2007, p.39]
    • People Weekly
    • 36 Metascore
    • 38 Tom Gliatto
    An abysmal new series, but Tony winner Katie Finneran is a great comic talent. [5 Dec 2011, p.48]
    • People Weekly
    • 28 Metascore
    • 38 Tom Gliatto
    The experience is like having the velvet rope lifted, then wishing you could use it to hogtie the charmed circle behind it. [22 Aug 2011, p.48]
    • People Weekly
    • 38 Metascore
    • 38 Tom Gliatto
    Reiser, a precise, nimble comic, doesn't have the gut-level energy to bully life into this contraption. It's stalled. [25 Apr 2011, p.46]
    • People Weekly
    • 50 Metascore
    • 38 Tom Gliatto
    The tone of the first three episodes is grubby yet also precious. [11 Jun 2007, p.41]
    • People Weekly
    • 33 Metascore
    • 38 Tom Gliatto
    As an ensemble they are, like their teacher, attractive but not very exciting. [10 Apr 2006, p.35]
    • People Weekly
    • 44 Metascore
    • 38 Tom Gliatto
    For now, it's a mess. [2 Jul 2012, p.37]
    • People Weekly
    • 44 Metascore
    • 38 Tom Gliatto
    It just doesn't work. [30 Jan 2006, p.38]
    • People Weekly
    • 49 Metascore
    • 38 Tom Gliatto
    The Exes is New Girl fallen off the back of a truck. [19 Dec 2011, p.44]
    • People Weekly
    • 53 Metascore
    • 38 Tom Gliatto
    In the first few episodes, nothing's happening. No pulse. Doctor, what's wrong? [24 Oct 2005, p.41]
    • People Weekly
    • 58 Metascore
    • 38 Tom Gliatto
    Diaries is lukewarm and earnest. [21 Jan 2013]
    • People Weekly
    • 49 Metascore
    • 38 Tom Gliatto
    The show's main problem is that the guys, straddling the line between undateable-cute and undateable-unlikeable, more frequently fall into the latter camp. [2 Jun 2014, p.46]
    • People Weekly
    • 48 Metascore
    • 38 Tom Gliatto
    This is competent reality fare, but coming after the besotted Ali and Roberto, it's like tying cans of nitroglycerin to a honeymooner's car. [23 Aug 2010, p.35]
    • People Weekly
    • 53 Metascore
    • 38 Tom Gliatto
    It feels less like Freud's fun house than an opportunity for one performer after another to launch into frenzied, vituperative speeches. [24 Apr 2006, p.39]
    • People Weekly
    • 77 Metascore
    • 38 Tom Gliatto
    Lee may lack the essential sweetness, or pathos, to make Earl ever seem like more than a cute variation on those lovable, loquacious losers who tumble, beer can spurting, through Coen brothers movies. [3 Oct 2005, p.39]
    • People Weekly
    • 64 Metascore
    • 38 Tom Gliatto
    It's more like Seinfeld reconceived for the slacker sensibility of a director like Kevin Smith or Richard Linklater. And that's what's wrong with the show: It's hard to shake the feeling that it's just someone's project.
    • tbd Metascore
    • 38 Tom Gliatto
    Kathy isn't a vehicle. It's a parking space. [21 May 2012, p.38]
    • People Weekly
    • 54 Metascore
    • 38 Tom Gliatto
    The show's a letdown, especially since it comes with one of the most lovingly assembled casts of any series. [9 Oct 2006, p.41]
    • People Weekly
    • 33 Metascore
    • 38 Tom Gliatto
    It's like watching The Hills with all the shallow fun, glamor and Lauren Conrad edited out. [25 Jun 2012, p.47]
    • People Weekly
    • 54 Metascore
    • 38 Tom Gliatto
    Clive Owen teams with Nicole Kidman for a long, lopsided slog through the life of Ernest Hemingway and war journalist Martha Gellhorn. [4 Jun 2012, p.42]
    • People Weekly
    • 61 Metascore
    • 38 Tom Gliatto
    The show's tone of enigmatic menace is overcooked. [25 Jun 2007, p.41]
    • People Weekly
    • 59 Metascore
    • 38 Tom Gliatto
    Sorry, this one doesn't cick. [9 Aug 2010, p.35]
    • People Weekly
    • 47 Metascore
    • 38 Tom Gliatto
    Thandie Newton is intimidatingly fierce.... The problem is everyone else. [8 Apr 2013, p.45]
    • People Weekly
    • 51 Metascore
    • 38 Tom Gliatto
    The show wants to mix in big themes (politics, money) with a family soap opera, but it just feels bloated and vague. [25 Sep 2006, p.43]
    • People Weekly
    • 59 Metascore
    • 38 Tom Gliatto
    Unlike Monk, a gently comic character coping with mental illness, Roday's just an overgrown kid. [10 Jul 2006, p.39]
    • People Weekly
    • tbd Metascore
    • 38 Tom Gliatto
    They all work hard at being catty, as reality format demands, but the snideness is forced. [3 Sep 2012, p.40]
    • People Weekly
    • 58 Metascore
    • 38 Tom Gliatto
    In its zeal to avoid Johnny Depp-style silliness, any sense of pirate fun is lost at sea. [3 Feb 2014, p.44]
    • People Weekly
    • 40 Metascore
    • 38 Tom Gliatto
    Cox... doesn't have the right vulgar relish to hold the show together. [8 Jan 2007, p.35]
    • People Weekly
    • 45 Metascore
    • 38 Tom Gliatto
    Outsourced really needs to move beyond this sort of broad stupidity because its cast, notably Sacha Dhawan, is actually quite good. [27 Sep 2010, p.56]
    • People Weekly
    • 52 Metascore
    • 38 Tom Gliatto
    Now, ma'am, no need to bolt like a horse-unless you're scared of cliches. You aren't, are you?
    • People Weekly
    • 33 Metascore
    • 38 Tom Gliatto
    Allen and Travis, who are both better than you r average comic actor, seem aware that they're trapped in a particular cookie-cutter sitcom hell, forced to laugh their way through stale gags about kids while other new TV comedies explore family life with clever, contemporary touches. [17 Oct 2011, p.39]
    • People Weekly
    • 47 Metascore
    • 38 Tom Gliatto
    It's Jersey Shore toned up as an Abercrombie & Fitch campaign. [12 Aug 2013]
    • People Weekly
    • 41 Metascore
    • 38 Tom Gliatto
    The show can be wonderfully mean... but it's too spotty. [24 Oct 2005, p.41]
    • People Weekly
    • 38 Metascore
    • 38 Tom Gliatto
    The acting in the kickoff episode is awfully anemic, and that's no lie. [24 Jul 2006, p.33]
    • People Weekly
    • 46 Metascore
    • 25 Tom Gliatto
    Here Comes Honey Boo Boo Child is one miserable half-hour. [27 Aug 2012, p.44]
    • People Weekly
    • tbd Metascore
    • 25 Tom Gliatto
    Battle doesn't have much to offer that's original. [5 Sep 2011, p.44]
    • People Weekly
    • 44 Metascore
    • 25 Tom Gliatto
    It's like watching a marionette with one set of strings operated by John Lithgow and the other by Pee-wee Herman. [12 Mar 2007, p.39]
    • People Weekly
    • 37 Metascore
    • 25 Tom Gliatto
    The show is flat. [7 Nov 2005, p.41]
    • People Weekly
    • 19 Metascore
    • 25 Tom Gliatto
    It's a hair-sprayed cobweb. And not funny. [9 Jan 2012, p.40]
    • People Weekly
    • 30 Metascore
    • 25 Tom Gliatto
    Done without any of the smart silliness that made Drew Barrymore's 2000 movie reboot so much fun, the show is just vixen nostalgia. [17 Oct 2011, p.42]
    • People Weekly
    • 40 Metascore
    • 25 Tom Gliatto
    This is one kid who should not stay in the picture. [7 Nov 2011, p.45]
    • People Weekly
    • 36 Metascore
    • 25 Tom Gliatto
    The only thing that might make them come to their senses would be a violent but salutary shock. Like Cancellation. [7 Nov 2011, p.45]
    • People Weekly
    • 48 Metascore
    • 25 Tom Gliatto
    I just wish he'd [Will Arnett] run away from this dead horse of a sitcom. [11 Oct 2010, p.38]
    • People Weekly
    • 19 Metascore
    • 25 Tom Gliatto
    Apart from the fact that the gags aren't funny... it's off-putting to see something sacred being mucked around with. [30 Apr 2007, p.37]
    • People Weekly
    • 55 Metascore
    • 25 Tom Gliatto
    [Skip's] part is virtually unplayable, especially since Bill Pullman and Jenna Elfman, as the first couple, give restrained, relatively natural performances, and Skip's siblings are written more along the lines of Modern Family. [14 Jan 2013, p.52]
    • People Weekly
    • 54 Metascore
    • 25 Tom Gliatto
    The show moves along with the dull, humming smoothness of commerce. [19 Mar 2012, p.42]
    • People Weekly
    • 24 Metascore
    • 25 Tom Gliatto
    The show makes Survivor look like a utopia. [17 Apr 2006, p.43]
    • People Weekly
    • 15 Metascore
    • 25 Tom Gliatto
    The pilot has come under fire for racist jokes, but at Cheap Laffs there's not enough of a creative sensibility for that to matter. [23 Sep 2013]
    • People Weekly
    • 48 Metascore
    • 25 Tom Gliatto
    Saddled with stars who neither clash nor click, breaking In appears to be broken. [19 Mar 2012, p.46]
    • People Weekly
    • 39 Metascore
    • 25 Tom Gliatto
    It hyperventilates when it means to be breathless. [18 Feb 2013, p.44]
    • People Weekly
    • 37 Metascore
    • 25 Tom Gliatto
    The show might work if Steven Pasquale had a script that allowed for bolder contrasts. [2 Feb 2013, p.40]
    • People Weekly
    • 33 Metascore
    • 25 Tom Gliatto
    There's no erotic pull between him (Jay Ryan) and the detective (Kristin Kreuk). [15 Oct 2012, p.49]
    • People Weekly
    • 48 Metascore
    • 25 Tom Gliatto
    Kathy Bates' surly gravity can't prevail over the silliness of this new series. [24 Jan 2010, p.43]
    • People Weekly
    • 45 Metascore
    • 25 Tom Gliatto
    Playboy Club makes the mistake of aping Mad Men's Stern social seriousness. [26 Sep 2011, p.54]
    • People Weekly
    • 20 Metascore
    • 25 Tom Gliatto
    Like the world cares. [6 Jun 2011, p.46]
    • People Weekly
    • 51 Metascore
    • 25 Tom Gliatto
    No zest, no fun. [26 Mar 2007, p.37]
    • People Weekly
    • 48 Metascore
    • 25 Tom Gliatto
    Mostly it feels like an instructional film about disaster preparedness. [2 Oct 2006, p.45]
    • People Weekly
    • 50 Metascore
    • 25 Tom Gliatto
    The show makes little effort to create a sense of the potent clash--or erotic attraction--between cultures. [24 Feb 2014, p.38]
    • People Weekly
    • 79 Metascore
    • 25 Tom Gliatto
    An irritating comedy-drama. [15 Jul 2013]
    • People Weekly
    • 28 Metascore
    • 25 Tom Gliatto
    Everything has the familiar mechanical deadness of a sitcom assembled from old ideas. [12 Feb 2007, p.39]
    • People Weekly
    • 23 Metascore
    • 25 Tom Gliatto
    The premiere hour is abysmal, and the women's cluelessness is profound.[2 Jun 2014, p.49]
    • People Weekly
    • 28 Metascore
    • 25 Tom Gliatto
    The only good thing is Anita Barone. [19 Sep 2005, p.48]
    • People Weekly
    • 28 Metascore
    • 25 Tom Gliatto
    CBS prounouces $#*! as "bleep," although the Twitter account that inspired the show uses an actual profanity. Either works as a short critique. [4 Oct 2010, p.38]
    • People Weekly
    • 59 Metascore
    • 25 Tom Gliatto
    The production is gorgeous and the tedium unrelenting. [8 Apr 2013, p.42]
    • People Weekly
    • 70 Metascore
    • 25 Tom Gliatto
    This blah drama about kids living in an LA apartment complex while hustling for big breaks is a Canadian import. [7 May 2012, p.46]
    • People Weekly
    • 67 Metascore
    • 25 Tom Gliatto
    The show is The Odd Couple redefined by psychosis and whimsy. I'm not wagging my tail. [27 Jun 2011, p.46]
    • People Weekly
    • 43 Metascore
    • 25 Tom Gliatto
    It's Court TV's first original scripted drama, and it's bad. [16 Apr 2007, p.43]
    • People Weekly
    • 43 Metascore
    • 25 Tom Gliatto
    Consider it dead on arrival. [27 May 2013, p.40]
    • People Weekly
    • 41 Metascore
    • 25 Tom Gliatto
    Here, with no force of personality, the format is just a congress of faux-fabulous. [28 Feb 2011, p.39]
    • People Weekly
    • 43 Metascore
    • 25 Tom Gliatto
    Contrasting the then-and-now lives of a group of high school students, class of 2000, the show is drearily familiar. [27 Sep 2010, p.56]
    • People Weekly
    • 44 Metascore
    • 25 Tom Gliatto
    Love Hewitt goes for soft, cozy sentiment. [16 Apr 2012, p.53]
    • People Weekly
    • 49 Metascore
    • 25 Tom Gliatto
    FX's spy parody Archer is funnier, and AMC's short-lived Rubicon was a more sharply realized fantasy of work life in a shadow bureaucracy. This is a botched mission. [4 Apr 2011, p.50]
    • People Weekly

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