Tom Huddleston

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For 317 reviews, this critic has graded:
  • 37% higher than the average critic
  • 6% same as the average critic
  • 57% lower than the average critic
On average, this critic grades 1.7 points lower than other critics. (0-100 point scale)

Tom Huddleston's Scores

  • Movies
  • TV
Average review score: 61
Highest review score: 100 The Night of the Hunter (re-release)
Lowest review score: 20 The Inbetweeners 2
Score distribution:
  1. Negative: 17 out of 317
317 movie reviews
    • 75 Metascore
    • 100 Tom Huddleston
    At once an investigation, a polemic and, in its final sequences, a tribute to human endurance. A remarkable film.
    • 96 Metascore
    • 100 Tom Huddleston
    What 12 Years a Slave is really interested in is creating an honest, believable experience: in culture and context, place and people, soil and skin. The result can, at times, be alienating.
    • 99 Metascore
    • 100 Tom Huddleston
    It’s the most haunted and dreamlike of all American films, a gothic backwoods ramble with the Devil at its heels.
    • 83 Metascore
    • 100 Tom Huddleston
    It’s impossible adequately to describe the haunting intensity of It Follows: this is a film that makes a virtue of silence, that lives in the shadowy spaces between the splattery kill scenes that punctuate your average stalk-and-slasher.
    • 93 Metascore
    • 100 Tom Huddleston
    Jennifer Peedom’s film is stunningly photographed (how could it not be?) and brilliantly sly: she gives the tour guides and their rich, self-absorbed charges just enough rope to hang themselves, and they duly oblige. But it’s also a heartfelt tribute to the resilience of a people.
    • 93 Metascore
    • 100 Tom Huddleston
    It may lack the authority-baiting, satire-with-a-purpose edge of Life of Brian, but Holy Grail is the looser, sillier, ultimately funnier film, packed with actual goofy laughs rather than hey-I-get-that cleverness.
    • 86 Metascore
    • 100 Tom Huddleston
    Best of all is Steven Spielberg’s direction: the camera moves like a predatory animal, gliding eerily across the surface of the vast Atlantic, creating sequences of almost unbearable suspense.
    • 93 Metascore
    • 100 Tom Huddleston
    It’s one of the most insightful films ever made about the British class system.
    • tbd Metascore
    • 100 Tom Huddleston
    Lang’s direction is never heavy-handed. Instead, he glories in the magic-weaving possibilities of cinema, from gorgeous visual effects – there’s a lovely flying carpet sequence – to expressionist sets, dreamy dissolves and postmodern looks-to-camera. This one will haunt your dreams.
    • 85 Metascore
    • 100 Tom Huddleston
    This is quite simply one of the saddest movies ever made, a tale of loss, grief and absolute loneliness, an unflinching stare into the darkest moral abyss.
    • 90 Metascore
    • 100 Tom Huddleston
    [A] calm, reflective, gorgeously uneventful slice of nostalgic romance.
    • 57 Metascore
    • 100 Tom Huddleston
    The Thing has emerged as one of our most potent modern terrors, combining the icy-cold chill of suspicion and uncertainty with those magnificently imaginative effects blowouts.
    • 78 Metascore
    • 90 Tom Huddleston
    The word "personal" is bandied around a lot in film reviews, but it’s hard to think of a work that better fits the description than avant-garde icon Chantal Akerman’s intimate swansong No Home Movie.
    • 80 Metascore
    • 80 Tom Huddleston
    As an insight into the way families cope with adversity this is both razor-sharp and completely heartbreaking.
    • 84 Metascore
    • 80 Tom Huddleston
    Kore-eda’s insight is so unflinching, his affection for his characters so intimate and sure, that not a moment here feels wasted.
    • 79 Metascore
    • 80 Tom Huddleston
    It may lack its predecessor’s lofty ambitions, but once the bullets, spears and hairy fists start flying you’ll be too wrapped up to care.
    • 75 Metascore
    • 80 Tom Huddleston
    Overall this is a terrifically watchable, heartfelt documentary and a valuable glimpse into a singular life.
    • 62 Metascore
    • 80 Tom Huddleston
    For lovers of old-fashioned horror, this is your bloody Christmas.
    • 76 Metascore
    • 80 Tom Huddleston
    Overall this is giddy, ridiculous fun, a witty, wacky and wonderfully generous sugary gift of a film.
    • 75 Metascore
    • 80 Tom Huddleston
    A ferociously paced, wildly silly pastiche of those comic-book blockbusters we’re all getting a bit sick of.
    • 85 Metascore
    • 80 Tom Huddleston
    These young women have already witnessed enough horror to last a lifetime, and in this unforgiving society their lot seems unlikely to improve. A grim but necessary watch.
    • 82 Metascore
    • 80 Tom Huddleston
    The overall impression is one of unbridled enthusiasm on the part of the film’s makers, both for its predecessors and for the brave new universe Abrams and his crew are exploring.

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