For 175 reviews, this critic has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Tom Keogh's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Fastball
Lowest review score: 0 3000 Miles to Graceland
Score distribution:
  1. Positive: 95 out of 175
  2. Negative: 37 out of 175
175 movie reviews
    • 80 Metascore
    • 30 Tom Keogh
    Overpraised, intellectually soft, narratively unfocused, and thematically ambivalent.
    • Film.com
    • 79 Metascore
    • 38 Tom Keogh
    That’s a lot for a viewer to take in, and as pleasing as some aspects of Your Name can be, there’s no question Shinkai’s overstuffed movie often trips over itself.
    • 79 Metascore
    • 30 Tom Keogh
    In all, this film is a major disappointment with a few powerful highlights.
    • Film.com
    • 68 Metascore
    • 30 Tom Keogh
    The collapse of Office Space's second half is so egregious that one can't help but suspect Judge's Achilles heel may be his writing. It's not that he can't write -- it's just that his ideas tend to shine better within a pool of fellow scribes, as proven in his television career.
    • Film.com
    • 51 Metascore
    • 30 Tom Keogh
    It's a complete drag.
    • Film.com
    • 49 Metascore
    • 20 Tom Keogh
    It's sporadically funny but often unfunny, the latter worse than not being funny enough.
    • 42 Metascore
    • 30 Tom Keogh
    Gun Shy can't rise on wobbly legs, and its real potential is lost for good.
    • 40 Metascore
    • 30 Tom Keogh
    An excruciating misfire.
    • 38 Metascore
    • 30 Tom Keogh
    What we have here is a small story in an oversized setting.
    • 35 Metascore
    • 10 Tom Keogh
    A sequel from hell.
    • 35 Metascore
    • 30 Tom Keogh
    Heckerling fails to crack the outer shell of the story and its key relationships.
    • 34 Metascore
    • 38 Tom Keogh
    Despite the stakes, Mendeluk can’t scare up any particular urgency, largely because everything is so contrived and inauthentic.
    • 33 Metascore
    • 10 Tom Keogh
    This is pretty much a lazy film with a few lighthearted moments and no substance.
    • 30 Metascore
    • 10 Tom Keogh
    Merely reconfigures the same predictable gross-out jokes, sentimental platitudes, and decorative sex that figure into half the screenplays in circulation.
    • 29 Metascore
    • 20 Tom Keogh
    It's insulting and devalues the experience of watching not just this film but all films.
    • 28 Metascore
    • 30 Tom Keogh
    Can anyone but a lapsed Catholic possibly be interested in this unpleasant, anti-Papist creepshow?
    • 27 Metascore
    • 30 Tom Keogh
    As with most non-Disney animated features, Trumpet of the Swan does make the Mouse look like a genius.
    • 25 Metascore
    • 30 Tom Keogh
    Don't be surprised if you exit Here On Earth feeling both moved and incredulous.
    • 25 Metascore
    • 0 Tom Keogh
    It's not just bad, it's ugly. Not just stupid but really aesthetically displeasing. The sooner this movie disappears from sight, the better.
    • 24 Metascore
    • 20 Tom Keogh
    There's a lost opportunity here.
    • 24 Metascore
    • 30 Tom Keogh
    Looks plain silly without an appropriate tone or sustaining context.
    • 24 Metascore
    • 20 Tom Keogh
    Custom-made for an audience of mouth-breathers.
    • 24 Metascore
    • 10 Tom Keogh
    We don't even have Joe Eszterhas to blame for this one.
    • 23 Metascore
    • 30 Tom Keogh
    Pours on some of the most ridiculous dialogue heard in a feature film in a long time.
    • 23 Metascore
    • 10 Tom Keogh
    I would rather have been scraping gum off my shoe than sitting there another minute.
    • 23 Metascore
    • 20 Tom Keogh
    A painfully unfunny movie.
    • 22 Metascore
    • 10 Tom Keogh
    God-awful.
    • 22 Metascore
    • 20 Tom Keogh
    Watching Left Behind's plodding screen adaptation may make you feel the Deity has already abandoned us to a shockingly dull post-apocalypse.
    • 21 Metascore
    • 20 Tom Keogh
    I don't like Say It Isn't So, but I understand its karmic inevitability.
    • 21 Metascore
    • 0 Tom Keogh
    The film isn't merely bungled. It's starved and battered by Lichtenstein.

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