For 135 reviews, this critic has graded:
  • 48% higher than the average critic
  • 5% same as the average critic
  • 47% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Tom Keogh's Scores

  • Movies
  • TV
Average review score: 55
Highest review score: 100 Almost Famous
Lowest review score: 0 3000 Miles to Graceland
Score distribution:
  1. Positive: 62 out of 135
  2. Negative: 34 out of 135
135 movie reviews
    • 83 Metascore
    • 80 Tom Keogh
    A surprisingly vital film.
    • Film.com
    • 87 Metascore
    • 80 Tom Keogh
    The look, the feel, the brood-y, brilliant cast: This is an oddly affecting movie, all right, a jellyroll of Bronte and Hemingway.
    • Film.com
    • 64 Metascore
    • 80 Tom Keogh
    Chalk this film up as an unusually intelligent thriller about that which scares us the most: accepting our accidents of fate.
    • Film.com
    • 45 Metascore
    • 80 Tom Keogh
    A pulsing, wooshing, visceral experience that amounts to great fun and an entirely disposable movie.
    • Film.com
    • 67 Metascore
    • 80 Tom Keogh
    Over the course of two-and-a-half hours, the film not only gets up on wobbly legs but learns to dance by the closing credits.
    • Film.com
    • 64 Metascore
    • 80 Tom Keogh
    Abittersweet fable about the raw joys of human revival.
    • 48 Metascore
    • 80 Tom Keogh
    A huge surprise: a startlingly resonant yet unabashedly entertaining slice of American history, a popcorn movie with complex observations about, of all things, racism.
    • 67 Metascore
    • 80 Tom Keogh
    An unusually clear, compassionate, and grownup satire about a rare subject: the true psychological underpinnings of young manhood.
    • 65 Metascore
    • 70 Tom Keogh
    An accessible but savvy political satire.
    • 36 Metascore
    • 70 Tom Keogh
    Quite smart, sensitive, and relatively sophisticated.
    • 68 Metascore
    • 70 Tom Keogh
    As he did in "Run Lola Run," he has clearly patented an original combination of cinematic eye and ear candy and a profound, irresistible fascination for the role of chance in this world.
    • 42 Metascore
    • 70 Tom Keogh
    Captivating an audience from the get-go and drawing our attention and emotions ever deeper into the layered mysteries of a dreamy fable.
    • 64 Metascore
    • 70 Tom Keogh
    Lots of movies deal with friends and lovers of a certain age growing apart. But few can hear, as Thraves does, the sound of death chains rattling in the background.
    • 61 Metascore
    • 70 Tom Keogh
    If you like a little action with your war movies, or maybe some butt-kicking Resistance types and a Mission: Impossible-like finale, you won't be disappointed.
    • 77 Metascore
    • 70 Tom Keogh
    A very pleasant experience in watching life unfold in its own direction and time.
    • Film.com
    • 75 Metascore
    • 70 Tom Keogh
    One can be forgiven for leaving the theater feeling a modicum of hope, and for that we owe Warren Beatty something.
    • 70 Metascore
    • 70 Tom Keogh
    It is unusually but effectively organized as an almost unbroken chain of intimacies between the small and large players in this story.
    • 57 Metascore
    • 70 Tom Keogh
    Few movies this year have been quite so rewarding with their 11th hour epiphanies.
    • 75 Metascore
    • 70 Tom Keogh
    Its own, tough-minded antidote to the grab-the-brass-ring whimsy of its premise.
    • Film.com
    • 41 Metascore
    • 70 Tom Keogh
    Will eventually be remembered as a disposable farce, but one that leaves a happy memory.
    • 65 Metascore
    • 70 Tom Keogh
    If you don't ponder too much the script's muddled, self-serving influences, Arlington Road succeeds at discomforting a viewer and making one apt to look over one's shoulder for a day or two.
    • 56 Metascore
    • 70 Tom Keogh
    It is Foster who presents the biggest single problem, delivering a monochromatic performance that finds her character not much more than flinty and strained.
    • 85 Metascore
    • 70 Tom Keogh
    A film so driven by pure style that a script barely seems necessary in its first half, Boogie Nights becomes bogged down in a predictable aftermath of drug deals, post-stardom decay, cocaine-fueled nuttiness, and self-loathing.
    • Film.com
    • 77 Metascore
    • 70 Tom Keogh
    Snappy heist film that keeps changing the rules of a mystery so that one is never sure whose hands are at the controls.
    • Film.com
    • 74 Metascore
    • 70 Tom Keogh
    Beyond the fantastic contrivances of Gods and Monsters, these performances are startlingly human.
    • Film.com
    • 55 Metascore
    • 70 Tom Keogh
    It's possible that Ritchie's most important asset is the comic constant within his characters' existential dilemmas. To a man (and, indeed, they're all men), Ritchie's anti-heroes are at odds, in either large or small ways, with their own natures.
    • 52 Metascore
    • 70 Tom Keogh
    The kind of minor work that may very well speak greater volumes about (Stone's) thoughts and feelings right now than another masterpiece would.
    • 70 Metascore
    • 70 Tom Keogh
    As with Bill Clinton himself, Primary Colors forces one to take the disappointing with the good, the letdown with the promise, the compromises with the hope.
    • Film.com
    • 41 Metascore
    • 70 Tom Keogh
    Let your children have their childhood while you have a rare, grown-up experience at the multi-plex for a change.
    • 76 Metascore
    • 70 Tom Keogh
    Whether or not Breaking the Waves succeeds as a profound work is something that's hard to say after one viewing, but it is certainly a wholly original piece of work.
    • Film.com