For 175 reviews, this critic has graded:
  • 53% higher than the average critic
  • 5% same as the average critic
  • 42% lower than the average critic
On average, this critic grades 3.3 points lower than other critics. (0-100 point scale)

Tom Keogh's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Almost Famous
Lowest review score: 0 Double Take
Score distribution:
  1. Positive: 95 out of 175
  2. Negative: 37 out of 175
175 movie reviews
    • 67 Metascore
    • 80 Tom Keogh
    It certainly has a place among the year's more accomplished productions.
    • 40 Metascore
    • 80 Tom Keogh
    A careful, intelligent, and seamless design that makes room for a couple of unexpected twists.
    • 49 Metascore
    • 80 Tom Keogh
    Drama, swift action, and low-key, character-driven comedy.
    • 52 Metascore
    • 80 Tom Keogh
    A wonderfully witty homage to the very king of disco movies -- "Saturday Night Fever."
    • tbd Metascore
    • 80 Tom Keogh
    A satisfying love story about two very different people with a common cause, people who endure trials of trust and faith in each other.
    • 67 Metascore
    • 80 Tom Keogh
    An unusually clear, compassionate, and grownup satire about a rare subject: the true psychological underpinnings of young manhood.
    • 75 Metascore
    • 80 Tom Keogh
    Don't let Croupier go by without a look.
    • 57 Metascore
    • 80 Tom Keogh
    Puts the Bond film series (this one makes number 19)-- back on track by stressing the fundamentals and applying a bit of authentic drama for a change.
    • 67 Metascore
    • 80 Tom Keogh
    Over the course of two-and-a-half hours, the film not only gets up on wobbly legs but learns to dance by the closing credits.
    • Film.com
    • 74 Metascore
    • 80 Tom Keogh
    Fascinating noir, which will long be remembered for its extraordinary lead performance by Catherine Deneuve.
    • Film.com
    • 45 Metascore
    • 80 Tom Keogh
    A pulsing, wooshing, visceral experience that amounts to great fun and an entirely disposable movie.
    • Film.com
    • 42 Metascore
    • 75 Tom Keogh
    What rescues “Diaries” and its grimy, cracked-glass look is its firm grip on Stephen’s incremental awareness that he and his misery are not the center of the universe.
    • 55 Metascore
    • 75 Tom Keogh
    The film distinguishes itself by what it lacks: simple, unrealistic answers to Perry’s regrets and the hole in his soul. His path to authenticity might not lead back to glory days, but contentment is closer than he thinks.
    • tbd Metascore
    • 75 Tom Keogh
    Writer-director Jo Sung-hee subtly evokes American Westerns and “X-Files”-like weirdness while dreaming up such pulse-quickening set pieces as a shootout in a fog-filled room.
    • 54 Metascore
    • 75 Tom Keogh
    Ting, to her credit, is more interested in the battle between heart and head, instinct and obligation, than in what follows. “Already Tomorrow” is about ambivalence, not gratification, and is more interesting for it.
    • 65 Metascore
    • 75 Tom Keogh
    Anime enthusiasts will enjoy The Boy and the Beast, but so will anyone who appreciates a good fantasy yarn.
    • tbd Metascore
    • 75 Tom Keogh
    You feel hints of a strange energy in Emily that remind us we don’t always know why we do what we do in relationships. The hard part is holding on for the ride.
    • 57 Metascore
    • 75 Tom Keogh
    A viewer might expect the film’s widescreen, busy images to fill with revenge-action sequences. But in its own way, Mr. Six is much more about a unique man adjusting an out-of-fashion personal code for a new type of crisis in the shadow of his mortality.
    • 73 Metascore
    • 75 Tom Keogh
    So compelling is writer-director Joel Potrykus’ unnerving scenario — with its largely ambiguous tone of horror dramatically offset at times by explicit frights — that a viewer isn’t necessarily bothered by a lack of basic story information about who, what, when, where and why.
    • tbd Metascore
    • 75 Tom Keogh
    [A] warmly revealing documentary.
    • 47 Metascore
    • 75 Tom Keogh
    What follows is a post-setup hour of imaginative action and dazzling stunt work, all taking place on one of cinema’s great self-metaphors: a speeding train changing scenes every few seconds and heading toward an unknown destination.
    • 90 Metascore
    • 75 Tom Keogh
    Driver’s performance as an uncertain man getting through the day-to-day prosaic, quietly buoyed by passion and artistic commitment, is exquisite.
    • tbd Metascore
    • 75 Tom Keogh
    Director Park Hyun-gene skillfully engineers the inevitable triumph of the heart over every kind of human foible, and — why not? — a viewer is temporarily hooked.
    • 56 Metascore
    • 75 Tom Keogh
    For Here or to Go? offers an insightful group portrait but lacks imagination in a romantic subplot and (except for a requisite Bollywood-style dance number) is visually dreary.
    • 68 Metascore
    • 75 Tom Keogh
    A harrowing spectacle that makes one forget to breathe.
    • 46 Metascore
    • 75 Tom Keogh
    Though Dough is often in danger of running off the rails with improbable and unnecessary plot twists, it is always essentially entertaining and warm in its observations of hope rekindled through simple relationships.
    • 61 Metascore
    • 75 Tom Keogh
    Co-writer and director Lars Kraume brings muted colors and a claustrophobic, urgent energy to the procedural part of this story, while reminding us that not every moral hero looks like Captain America — in fact, like Bauer, they can be a rumpled, misanthropic mess.
    • 75 Metascore
    • 75 Tom Keogh
    Time to Choose tells us all is not lost — yet. But the hour is late.
    • 68 Metascore
    • 75 Tom Keogh
    A number of Kelly’s scenes play out like stand-alone sketches — some quite funny; not all of them essential — rather than parts of a whole. But that’s easily forgiven considering the candor of his insights and his strong cast.
    • 69 Metascore
    • 75 Tom Keogh
    T-Rex is ultimately about a remarkable (and likable) young person finding her personal power despite pressure from all sides.

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