For 385 reviews, this critic has graded:
  • 46% higher than the average critic
  • 1% same as the average critic
  • 53% lower than the average critic
On average, this critic grades 12.3 points lower than other critics. (0-100 point scale)

Tom Shales' Scores

  • TV
Average review score: 52
Highest review score: 100 The Wire: Season 4
Lowest review score: 0 Category 7: The End of the World: Season 1
Score distribution:
385 tv reviews
    • 71 Metascore
    • 70 Tom Shales
    Spin City is firing on all cylinders. It's a slick little contraption custom-built by professionals, and if it's not exactly full of surprises, at least it's roaringly competent. [17 Sept 1996, p.B01]
    • 68 Metascore
    • 70 Tom Shales
    For a cartoon, it's defiantly slow, sometimes a virtual still-life. And yet there's something curiously compelling about its utterly trivial everyday goings-on. [11 Jan 1997]
    • 49 Metascore
    • 70 Tom Shales
    Remarkable for one reason only: It achieves levels of warmth that are rare for such shows. It may not make everybody laugh, but a decent human being would have a hard time not smiling. [22 Sept 1989, p.B1]
    • 83 Metascore
    • 70 Tom Shales
    Viewers are in for another high-powered pulse-pounder. [29 Oct 2002]
    • 53 Metascore
    • 70 Tom Shales
    It's surprisingly sweet and cleverly hilarious. ... The show may not exactly blaze new trails, but it treads some old ones with finesse and veracity -- and even, thanks largely to Ritter, an endearingly rumpled charm. [17 Sep 2002]
    • 68 Metascore
    • 70 Tom Shales
    The production is nothing if not rich, awash in muted hues, populated with rivetingly complex characters and yet disappointingly low on spectacle.
    • 69 Metascore
    • 70 Tom Shales
    It may be a case of going too far but in such a crazy-daisy way that it can't help but be entertaining. [2 Oct 2004]
    • 40 Metascore
    • 70 Tom Shales
    What lifts "Evidence" well above the clamor of standard cop shows is the charisma between its two male leads.
    • 41 Metascore
    • 70 Tom Shales
    Most of the actors make their characters zesty and likable, if on occasion too glib for their -- and our -- own good.
    • 64 Metascore
    • 70 Tom Shales
    "Love Monkey" is easy to dismiss yet hard to dislike.
    • 62 Metascore
    • 70 Tom Shales
    Mamet offers a kind of thinking person's war movie for a nation that is, indeed, at war.
    • 45 Metascore
    • 70 Tom Shales
    The results are often wickedly amusing.
    • 68 Metascore
    • 70 Tom Shales
    "Sons & Daughters" turns the banalities of family life upside down and inside out and finds something new, and even something cherishable, in many of them.
    • 59 Metascore
    • 70 Tom Shales
    A persistently diverting journey by producers and camera crews in search of the glib, the flippant and the ostensibly hip of Southern California.
    • 68 Metascore
    • 70 Tom Shales
    For what it is, it's an extremely accomplished piece of work -- unsettling in ways that few suspense thrillers manage to be.
    • 57 Metascore
    • 70 Tom Shales
    Goldblum... gives the character of Raines a solid and gratifying humanity, enough to lift "just another" cop opera into a considerably more rarefied realm.
    • 57 Metascore
    • 70 Tom Shales
    A dazzling and gripping crime drama.
    • 40 Metascore
    • 70 Tom Shales
    A wickedly entertaining show.
    • 68 Metascore
    • 70 Tom Shales
    Steinberg... appears to be having a good time, and that helps a lot.
    • 56 Metascore
    • 70 Tom Shales
    The plot and subplots of the premiere eventually deteriorate into pandemonium, but McCormack remains the steadying center that makes the show intelligible and, more important, involving. And, perhaps more important still, fun.
    • 35 Metascore
    • 70 Tom Shales
    The overall effect is pleasing, light, cheerful.
    • 49 Metascore
    • 70 Tom Shales
    It's rather a bold, retro step for CBS to attempt this kind of show in the era of reality television and domestic fights that appear to be actual and spontaneous rather than cooked up by a writer. But the airwaves are so choked with reality that a return to fantasy seems strangely refreshing and, ironically, even more realistic.
    • 67 Metascore
    • 70 Tom Shales
    Margulies rises so grippingly to the challenge that whatever else it is, "just another" courtroom show Canterbury's Law most definitely is not.
    • 64 Metascore
    • 70 Tom Shales
    Do we ever feel as if we're really there, in Henry's court, half a millennium ago? Perhaps not, but a splendid cast and sumptuous production details make "The Tudors" a rollicking and resplendent show, if never a deeply affecting one.
    • 74 Metascore
    • 70 Tom Shales
    Viewers who like to tiptoe over to the dark side now and then--at least once a week--are bound to find Walt White's wonderland of woes worth a visit or two, or many more.
    • 65 Metascore
    • 70 Tom Shales
    Baker and his wily line readings and intimidatingly sly stares can snap the show out of occasional stupors.
    • 69 Metascore
    • 70 Tom Shales
    Although it starts out on a glib, dopey note--as "Mission: Preposterous" crossed with "Ocean's Eleven"--the new TNT series Leverage develops with surprising swiftness into a decent, watchable action drama about wrongs being righted and bad guys getting what's coming to them.
    • 61 Metascore
    • 70 Tom Shales
    Little Britain USA isn't precisely the same television show that's been slaying audiences and collecting awards in England and Australia for the past several years, but it's close.
    • 37 Metascore
    • 70 Tom Shales
    The two-zany formula still works for movie after movie, and the occasional TV show. Case in point: Tonight's Testees, airing on the risk-happy FX network; the comedy doesn't push boundaries so much as trounce and trash them.
    • 55 Metascore
    • 70 Tom Shales
    It sounds gimmicky and visually tedious, with most of the so-called action taking place in a conference room. It's all those things, but the moments of misery make it memorable.